Immerse yourself in the vibrant narrative of "Let Em Hate" by Feddi, a compelling blend of Rap, Hip-Hop, Pop, and Trap R&B that echoes the dynamic streets of Atlanta, GA. Produced by the talented Mercy Beatz, this track sets a rhythmic tone that captivates listeners, making it a noteworthy addition to Cairo Street Records.

In this lyrical journey, Feddi reveals a resilient spirit in the face of betrayal. The beats, expertly crafted, resonate with the pulsating energy of the city, creating an anthem for those who rise above negativity. The skilful production by Mercy Beatz adds depth, emphasizing every emotion woven into Feddi's verses.

"Let Em Hate" is more than a song; it's a declaration of self-confidence, a testament to Feddi's unwavering authenticity. The lyrics navigate the complexities of relationships and trust, while the beats drive the narrative forward. Feddi's magnetic presence shines through, turning this track into a powerful statement in the rap scene.

Embark on this sonic journey, where every beat and lyric is a testament to resilience and the thriving spirit of Atlanta. For inquiries, contact cairostreetrecords@gmail.com. Follow Feddi on all platforms now at https://linktr.ee/feddicairost.

Feddi - Let Em Hate

Let Em Hate

One of the last songs we ever made together — and the one we chose to name the EP after. Dark and beautiful, it’s both a mission statement and a rallying cry. The lyrics tackle war, global warming, and humanity’s collapse, while also hinting at simulation theory and alternate realities. Always cinematic in scope, this track feels like the curtain call: the last word being “peace,” a deliberate play on master-peace.

This Is My Masterpiece.

Todd Drummond shares his background in component manufacturing and how he got involved in roof and floor trusses. He discusses the biggest issues facing the industry, such as supply outstripping demand and dropping margins. Todd explains that the primary demand for trusses comes from new construction, especially wood-framed buildings. He highlights the key features and benefits of selling trusses over rafters, including engineered systems, better load distribution, and the ability to handle complex roof structures. 

Todd also talks about the design process differences between repetitive and custom homes, the impact of roof covering on truss design, and the future of truss design and automation. In this conversation, Todd emphasizes the importance of continuous learning and adaptation in the truss manufacturing industry. He discusses the need to challenge traditional methods and embrace new ideas for improved productivity and efficiency. Todd also highlights the benefits of using lumber in truss manufacturing, including its flexibility, cost competitiveness, and ease of use. He explains the rigorous testing and structural integrity of trusses and the factors that influence lumber grade choice in truss design. http://strenghtinlumber.com

Todd also addresses the skilled labor shortage and the need for better employee-employer relationships and communication. He concludes by discussing the future of component manufacturing, which is dependent on market trends, building regulations, and the overall economic climate.

Talking Trusses with Todd Drummond

In this episode of the Brilliant Idiots, Charlamagne and Andrew discuss a range of topics including Andrew’s recent experiences in Vegas, the ongoing legal troubles of Sean 'Diddy' Combs, and the implications of power and addiction. They explore the nature of accountability in the face of serious allegations, They delve into various political themes, including Trump's controversial strategies, the need for substance in political promises, and the implications of political violence. They also discuss the influence of corporations in politics, the distinction between noise and actual change, and the stardom of figures like Shaquille O'Neal. 

Chapters

00:00 Introduction and Podcast Dynamics
02:50 Vegas Adventures and Immersive Experiences
06:12 Diddy Indictments and Legal Troubles
11:48 The Nature of Power and Addiction
18:03 Accountability and Consequences
24:02 Cultural Reflections and Humor
30:05 Final Thoughts and Lessons Learned
53:33 Trump's Unhinged Strategy
56:25 The Substance of Political Promises
01:00:17 Political Violence and Its Implications
01:03:15 The Corporate Influence in Politics
01:04:12 The Noise of Change vs. Actual Change
01:11:03 The Stardom of Shaquille O'Neal
01:17:38 DC Young Fly's Powerful Message
01:24:01 The Complexity of Political Discourse
01:30:02 The Future of Political Engagement
01:41:04 Unexpected Lessons in Fatherhood
01:43:49 Reimagining the Penis

************************************
Sponsor Brilliant Idiots: https://public.liveread.io/media-kit/brilliant-idiots

Get Honest or Die Lying Why Small Talk Sucks
By Charlamagne Tha God
https://a.co/d/gpFlOol

Check out Andrew Schulz
www.theandrewschulz.com

Alice Randall "My Black Country" Out Now!
https://a.co/d/1VTFp9i

Check out all the podcast on Charlamagne's "Black Effect Network"
https://blackeffect.com

Check Out "Summer Of 85" on Audible
www.audible.com/pd/Summer-of-85-A…areTest=TestShare

TaylorMade-It Production
Contact: Taylormadeitprod@gmail.com

Daddy Butter

Just Dave - Black Sheep

“Touch Road” is a gritty, high-energy street anthem by ¥£$ featuring ZeeWiz, produced by ¥£$ himself. Fusing hard trap drums with conscious bars, this track captures the hustle, the road, and the fire in the come-up. Released under the First World Issues brand, this joint speaks directly to the underdogs, the grinders, and the truth-tellers. Tap in, share it, and follow the wave.

 #TouchRoad #NewMusic #TrapBeats #ConsciousRap #ZeeWiz #¥£$

¥£$ - "Touch Road" ft. ZeeWiz (Prod by ¥£$)

“Austin’s Power” is the 2025 summer anthem you didn’t know you needed — high-energy trap drums, cinematic bounce, and ¥£$’s signature global sound collide for a heatwave in motion. This record captures the Austin summer vibe — sun out, windows down, ego high.

🔊 Produced by ¥£$ // A First World Issues production.

🌍 Stream. Share. Amplify.

#SoundCloudRap #TrapMusic #SummerAnthem #ViralBeats #FirstWorldIssues  #AustinSound #ProducerLife #UndergroundHeat

Austin's Power (Prod by ¥£$)

#PonDiReplay #HipHopFreestyle #UKDrill #UKDrillTypeBeat #RapFreestyle #NewMusic #SoundCloudRap #DrillMusic #UndergroundRap #FirstWorldIssues #YL$ #FirstWorldSyndicate #Freestyle #HipHop #Grime #DrillFlow #Bars

Raw bars. Street tempo. Drill energy.
“Pon Di Replay” is a gritty hip-hop freestyle from ¥£$, blending UK drill percussion, New York-style flow, and first-world lyricism. Tap in for pure rhythm and wordplay — no hook, just heat.

🎧 Streamed under the First World Issues series.
💽 Written, produced, and performed by ¥£$.

🚨 Official ¥£$ Beanie Now Live 🚨
Rep the First World Syndicate on and off the stream:
👉 https://firstworldissues.creator-spring.com/listing/firstworldbeanie

#FIRSTWORLDISSUES

Pon Di Replay

Download(Non-Profit)/💰Buy (Profit use) - https://goo.gl/it5MTR
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Free beats can be used for promotional purpose only, If you want to use the beat for profit purposes please purchase a lease.

[FREE] Lil Skies x Landon Cube Type Beat 2018 "Trust Issues" | Prod. By. Tafxri

My twins big like Tia, Tamera (Uh, wait)
Tia, Tamera (Uh, wait)
Tia, Tamera (Uh, wait)
Tia, Tamera

Tia Tamera

First World Issues (¥£$) — The Sound of Global Chaos. 🎧🌍
Blurring the lines between underground bass, digital soul, and genreless energy, ¥£$ is the alter ego of First World Issues — a boundary-breaking producer, DJ, and sonic storyteller on a mission to shake up the algorithm. Registered with BMI and streaming on all major platforms, ¥£$ turns global tension into raw rhythm, creating soundscapes that hit harder than your favorite headline.

Join the movement. Stream the sound. Witness the issue!
#FirstWorldIssues #¥£$

Feddi, born Demetrius Robbins, has a story to tell. It’s punctuated by pain, bound by betrayal, and has as much family drama as a Shakespearean play. But the setting isn’t some far-flung European city ruled by kings and nobility. Feddi is from Zone 1, Westside, Atlanta. An infamous neighborhood where life is a gamble, and even if you play your cards right, you can still lose it all. This is the hood that raised him, nurtured his love of music, and where he made his name in the streets. Feddi’s life story is worthy of a feature film–but his music has a documentary quality. And his story doesn’t just represent him. It also describes the voiceless people that grew up in neighborhoods like Zone 1 all over the world.
Tragedy struck Feddi’s family when he was just in second grade. In a story so gruesome that it was depicted on the TV show ATL Homicides, Feddi’s father was kidnapped, tortured, and ultimately murdered by his own cousins. “I stayed outta school for two years,” he recalls. “Like a whole two years, I didn’t go to school. APD sitting outside my house. Cause ain’t nobody locked up. Don’t nobody know what’s going on.”
Feddi’s dad, known affectionately as Deke the Freak from Cairo Street, was a well-known and respected figure in the neighborhood. So even though he was tragically killed, that respect and love extended to his son after his passing. “I had to live up to the name. But just being his son, it had me being taken care of. That led to me not ever having to worry about where I’m sleeping at. Where I’m gonna eat at. It wasn’t not one house in the neighborhood I couldn’t walk into. If I’m hungry, man, I’m finna to eat. It might be a different house every night,” he recalls.
Even having experienced something so heinous as a kid, Feddi never sought traditional therapy. Instead, he used music as an outlet to release his pain. “I cry the most when I’m making my songs. I might think of a line or something, and my voice might get to shaking while I’m trying to record. Cause I’m talking to myself as I’m going,” says the Atlanta native. “This is my outlet. I’m gonna probably do this for the rest of my life. Even if I’m not putting that out. Just so I can hear myself talk to myself.”
His earliest experience with music was born out of the ingenuity that comes from having to make do with whatever you have. “My friend down the street had a little radio boom box that you was able to press a button to record what you were saying,” remembers Feddi.” We had some instrumentals on the old, old, Xbox. Like the first Xbox ever made.We turned the TV up loud, played the instrumentals off the TV, and put the radio close to the TV so it could pick up the beat and pick up our voice.”
This was one of the first songs he ever made, and even though it wasn’t recorded in a professional studio, it was Feddi’s first clue that he had natural talent. He gained comfort performing in front of larger audiences at school talent shows. He was also surrounded by music in his own home, his mother was an accomplished singer, and his sister tried her hand at rap at a young age, too.
What further solidified the possibility of actually making his musical dreams come true was seeing someone else from his hood behind to make it big a few years later–1017 Records/ Famerica signee Ralo. “I knew it was real when I seen my brother Ralo actually get himself known to be a rapper,” says Feddi. “Me and him grew up together. That’s my brother. Both of us Muslim. And we from the same spot.”
That inspiration didn’t immediately lead to his own success, though. While more and more people began to recognize Feddi as an up-and-coming talent from Atlanta, he ran into
obstacles that kept his music from reaching a larger audience. “I’ve been lied to a million times. Supposed to have been signed a million times. And I turned down a couple offers too.”
Now he’s decided to take his future into his own hands. Along with his family, he started Cairo Street Records, a nod to the hood that raised him. “I’m doing all this shit with all these other folk. Helping them build their thing up. I’m like, let me go back to my own hood and start my own shit. I think I done learned enough and been through enough to know what to do now.”
And through it all, he’s still here. Still rapping. Still hustling. Still putting his pain into his music. Still speaking for those who can’t speak for themselves

Bleed Electric stands at the intersection of technology and artistry, where every tool, every technique, and every talent is harnessed not just to meet the future, but to design it. Since 2005 we’ve called our sound Future Fresh — music made for tomorrow, music that never expires.

The studio is our lab, but also our mothership — a place where visions become realities, where neon dreams collide with raw emotion, and where sound is sculpted like prophecy. Our music is both experiment and revelation: electronic, hip hop, alternative, metal, and something beyond all of them. A symphony of divergent thoughts, a tapestry woven from daring ideas, a beacon that shines brighter when minds collide.

Bleed Electric is not just a band. It’s destiny, manifested in sound.

I will post minimal to no content on soundcloud from now on, if u want the full album tracks u can find me on my youtube channel!<3
https://www.youtube.com/@JustDaveCreations

Welcome to West Fraser's Builder Insights Podcast. Builder Insights is your best source of information on new building techniques, materials, tools, and codes. Keep up to date with the latest developments as well as tips and tricks that will save you time and money on the job site.

I press buttons and sounds fall out.


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Charlamagne Tha God and Andrew Schulz are The Brilliant Idiots. Join them each week as they explore the issues of the day in a style that's often idiotic, sometimes brilliant and always hysterical. 

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