Wrote the piano part originally on Day 3 of Jamuary 2024, built it into a real song today. Got my proper Robert Smith on now that I have a baritone. 

Jamuary 2025 - Day 15 - Blind Dog

This feels like it’s in the same universe as whatever’s going on in “Inexorable.” I found that opening sample, built the swirling pad from scratch, then just ran with whatever sounded good with those. I'm extremely happy with how this turned out!

Jamuary 2025

Jamuary 17 25 - Bad Omen

250120 - Jamuary-20 - From C to C

'A' in three different pitches: A415 (Baroque), A440 (Concert), A466 (Charton) all swirling around each other.

250120 - Jamuary-20b - Pitches Of A

Revisited a track from Jamuary 2024 and laid down a scratch vocal track. Been stewing on this one for months, glad to finally have it worked up!

Jamuary 2025 - Day 21 - Beautiful Season

Experimenting with the hirajoshi scale a bit. I kind of inadvertently ended up using the 4th mode of the scale, which gives it an even stranger vibe. I'll almost certainly be coming back to this one.

Jamuary 22 25 - Hirajoshi Dreams

Thought experiment - can you do slowcore with a swing? Ehhhhhhh kind of seems not, it quickly turns into something else. Anyway this dream pop rock thing is what I came up with.

Jamuary 2025 - Day 22 - More Noisy

Ran my bass thru a few different patches on the zoia and just threw a raw little jam together.

Jamuary 24 25 - Just a Dusting

This one starts very quiet but does not stay that way... Did full tracking for the guitars and bass, as looping would have made it hella boring. Getting those performance nuances makes it work.

Jamuary 2025 - Day 26 - Blue Room

Another vintage electro hip-hop track, this time using only synth sounds played from my Korg X5. Pure cheese y'all.

Jamuary 2025 - Day 30 - All You Can Eat

I'm just here for fun, not money or fame!

(Headphones suggested for full enjoyment!)

Strongly influenced by the fruits of the downtempo Bristol sound of the early nineties, Endless Blue's music spins the trip-hop style in a new direction while staying true to their roots. They infuse trip-hop's "signature" lo-fi beats, vintage synths, and jazzy bass with guitar and songwriting that leans toward the indie-rock vibe of their original home of Minneapolis, Minnesota. Sprinkled into th...ese grooves are eclectic snippets of other genres, from synth-pop to industrial to loungecore to staright-up rock. Finally, bringing it all together is a female voice that is a blend of numerous eras, from the torch singers of the '40s to the classic female rockers to the modern trip-hop singers.

Dirty beats, trashy keys, sultry vocals -- this is Endless Blue.

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