verse

Night

Immerse yourself in "Arousal," a hypnotic, ambient guitar crescendo that explores the feeling of mental saturation leading to a liberating moment of clarity.

This track is a sonic metaphor for information overload: those moments when the mind understands intellectually but can no longer process.
"Arousal" is a message for those who experience these moments of overload: there is always a point when the noise stops, when the mind and breath synchronize, and everything becomes clear again.

Arousal

a man cunning to work

Remember ye not, that, when I was yet with you, I told you these things?

"Parallel Selves" is a cinematic crescendo, weaving a narrative entirely through the evocative power of the guitar.

This instrumental piece explores the intriguing idea of two distinct voices interacting, living side-by-side, yet never quite intertwining. Built around a steady, rhythmic guitar melody, two contrasting guitar lines rise and fall, conversing without fully merging. Through layers of shimmering tremolo picking and building harmonies, the track unfolds as a gradual ascent, culminating in a rich, expansive guitar soundscape.

It's an intimate journey into the beautiful, melancholic space where connections are sought, but individual paths remain distinct. Let yourself be carried by this wave of sound.

Parallel Selves

The Walk from Waldo

and bless his name.

For every creature of God is good, and nothing to be refused, if it be received with thanksgiving:

Retro idk

Midnite Beat 19

Cempasuchil Flower is the traditional November Flower used to celebrate El Dia De Muertos in Mexico, This is a Kind of "DanZurf", inspired and - at the same time, a tribute to beautiful song  "Esperanza" by Dick Dale

Flor de cempohualxochitl

And brought them out, and said, Sirs, what must I do to be saved?
And they said, Believe on the Lord Jesus Christ, and thou shalt be saved, and thy house.

outoftune mimorytmus guitartherapysessions
4ever making the same sht demos

Born in the late 70's, I spent my formative years on an island in the Indian Ocean, a melting pot where social and cultural hybridity wasn't just a concept, but the very rhythm of daily life. It was there, in this landscape of contrasts—between the stability of volcanoes and the infinite movement of the ocean—that the foundations of my sonic universe were laid.

From a young age, my first musical education was atmospheric and expansive. Raised on the sonic odysseys of Pink Floyd and the majestic organs of Procol Harum, I developed a deep affinity for the keyboard sounds of the 60s and 70s. This quest for texture found a powerful echo in the monumental synth pads of Jean-Michel Jarre, particularly on an album like Revolutions (1988), which taught me how sound alone can tell a story and build a world. My musical journey began with classical piano, helping me develop a harmonic ear before I turned to the bass, discovering the power of rhythmic foundation.

But an island is also a place of isolation, fertile ground for the fury of adolescence. My discovery of certain music then was brutal and redeeming: the theatrical rock of Alice Cooper, the cathartic heaviness of Obituary, and above all, the shockwave from Seattle. Nirvana's album Nevermind, released in 1991, wasn't just an influence; it became the soundtrack to my high school years, a flash of raw lucidity. It was during this period, as a passionate self-learner, that I picked up the guitar and drums, seeking to replicate and claim that visceral energy for myself.

From this great divide—between the progressive frescoes of my childhood and the raw-nerved dissonance of my adolescence—a central question was born for me: how do opposites coexist? It was in post-rock that I found my ideal refuge. This inherently hybrid genre doesn't force me to choose between the path of sound design, the ethereal keyboard pads in the vein of Pink Floyd, and the raw energy of punk rock. On the contrary, it offers a canvas where these extremes can meet, dialogue, and fuse. This is where hybridity ("métissage") finds its full musical meaning for me, becoming the cornerstone of my approach.

Passionate about the richness and resilience of the human spirit, I place this fusion of opposites at the heart of my music. This is where my project's name, Point of Basalt, reveals its deep meaning. Hybridity, like identity, rests on a fragile, almost unstable equilibrium. The greatest lesson, for me, comes from volcanoes: in the midst of the liquid, chaotic, and unpredictable element, they create platforms of stability. From molten fury, basalt is born—a new, solid, and fertile land that has shaped life for millennia.

My music, Point of Basalt, is that new land. It's a post-rock and ambient exploration where ethereal, reverb-drenched guitars represent the liquid element of memory and emotion. Synth pads lay down an infinite horizon. But from this drift, solid structures always emerge in my work: a propulsive bassline, a relentless crescendo, or a martial rhythm that anchors the chaos. Each track I create is a journey toward that "Point of Basalt": a moment of clarity and peace found not in spite of the whirlwind, but thanks to it. It is the sound map of my mosaic soul, where noise and silence no longer oppose. 
Clarity from chaos...

https://elasticstage.com/meekonmusic

Enjoy music of all sorts and like to create my own.  I may not be very talented, but I have fun.
Really enjoy the Soundcloud community - much of the music is exceptional!
Very glad to be part of it.
Thank you for any listens, any likes and any comments.  
I appreciate them all.
Jim

Copenhagen based art collective 🌐

Roster: 
hipotalamuszi
brucky*
Acid Obama /  Mazerati Mati
Louvki
Yucky Mussi
Black Cockatoo

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