“I wrote this song in my Chicago apartment during quarantine. It was the happiest and saddest time of my life - my daughter was born, then my mom suffered a massive stroke a few months later. Lockdown was stressful, but it forced a great deal of reflection. I realized life is a series of ‘tests’, and we’re all just trying to do our best, we’re all just trying to ‘make the grade’.”

The Test

Kill The Messenger

Nowhere To Go

Personal Hell

Mr. Something

Only Yesterday

Sweetheart

Can You Hear Me Now?

Golden Days

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Bad Insect

available on VERSIONS EP here... https://antonionian.bandcamp.com/album/versions-ep

Atoms For Peace - Default (Antonionian Version)

Channel - a means of communication or expression: As : a path along which information (as data or music) in the form of an electrical signal passes
CHNNLL is a trio led by multi-instrumentalist Chris Davidson, and blends the warm analogue sound of live instruments with computer manipulations and warped synths.  
Chris moved to New York City in 2009 to pursue a career as a jazz drummer and composer.  While attending The New School For Jazz and Contemporary Music, Chris had the pleasure of studying with Reggie Workman, Mark Guiliana, Kendrick Scott and Billy Martin.  
While Chris’ appreciation for jazz is still strong, he has grown as a musician and composer into a new musical direction.   Chris is no longer behind the drums on the stage, but up front singing, switching between keyboards and guitar, reincarnated as front man CHNNLL.  

“I’m taking all my experiences from life so far and putting them all into my music.  It’s all me and I’m not holding back.”
 
Look out for CHNNLL's first full-length album; out September 10th, 2021.

Ultraísta "Sister - The Remix EP" is out now.
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ANTONIONIAN
Antonionian is California's Jordan Dalrymple -- drumcrusher, beatslayer, multi-instrumentalist and erstwhile keeper of the Subtle sound. As one of that cult-hallowed sextet’s chief producers (along with Adam “Doseone” Drucker and Jeffrey “Jel” Logan), Jordan had a heavy hand in crafting those inimitable electro rap-gone-Kraut scores. But with Antonionian, the longtime sideman who also plays with French pop act General Elektriks and experimental supergroup 13 & God, steps out from behind the curtain to carve out his very own post-everything avant-funk.
Jordan’s is a propulsive and dreamlike sound that finds him bending voice, electronics and various acoustics to his unique ends -- something that nods to the dark art-rock of London archetypes This Heat, “Paisley Park”-era Prince and contemporaries TV On the Radio, albeit channeled through one man. Antonionian is a result of a compact musical lineage. Jordan’s mother was a singer, his father a classical percussionist, and their son was sitting behind a kit by the age of 3. By high school, he was versed in piano and theory and had begun teaching himself guitar and practicing drums five hours a day. His dad had to soundproof the garage.
In 1996, Jordan followed his band Conglomerate from San Diego to Berkeley. Dax Pierson was a member too, and a record store job or two later, they formed Subtle in Jordan’s Oakland flat. There, above a Chinese restaurant, the group recorded its first four EPs with Jordan in the role of Can’s Holger Czukay, engineering and editing the experiment. He also toured with cLOUDDEAD and an early version of WHY?, Reaching Quiet.  In 2004, Subtle released its debut LP, A New White. On the band’s first tour, their van rolled and Dax was paralyzed from the neck down.
That moment proved both devastating and edifying. Like his colleagues, Jordan doubled down on music, and the results were two more increasingly imaginative Subtle albums -- 2006’s For Hero: For Fool and 2008’s ExitingARM -- as well as countless hours on the road before they disbanded in ’09. Since, Jordan’s been hitting skins and buttons for General Elektriks (Honeycut and Blackalicious collaborator Hervé Salters), fine-tuning the long-awaited second album from 13 & God (the Notwist + Themselves), and crafting his solo debut as Antonionian, a name aptly inspired by the hypnagogic works of filmmaker Michelangelo Antonioni.
Antonionian s/t (anticon./Discograph)
With his debut solo album, Subtle’s Jordan Dalrymple marches into the unknown following the dissolution of his groundbreaking band. Luckily, the unknown was that group’s terra firma, and he’s perfectly at home in the wilds he pioneers as Antonionian. Taking a cue from his project’s namesake -- modernist Italian filmmaker Michelangelo Antonioni -- Jordan reveals a world of dreamlike detachment and depth, colored by spare dialog and impressionistic imagery, over a score that ranges from propulsive lo-bit hip-hop to three-dimensional avant-funk.

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