A first recording with the Joranalogue Generate 3 oscillator, modulated with a sine from Filter 8. Live gestural control. A studio live recording from 2022-06-17.

Through Zero Solo

Sequencing the sequences, all from iterated folding functions. All analog computing and analogue synthesis. An ongoing structure, captured for a while. A studio live recording from 2022-06-18.

Zitheration

WhoCausesMadness

Control Voltage

pulswave from verbos complex oscillator waveshaped with joranalogue morph 4 - effect: dedalus delay

hybrid_undefined_10

A rhythmic patch, driven by chaos. This chaos driven sequence is prone to drifting in very organic ways, but always falls back in line. It’s a beautiful dance of real life incursions into the everyday.

Everything in this patch from the gate sequence to the pitch sequence, and everything else, is derived from 4 chaos outputs from the Nonlinearcircuits The Hypster. They feed Let’s Splosh and Numberwang, and both control the entirety of the patch. All modulation is either direct from Let’s Splosh, or triggered by Numberwang, sometimes both.

4 Generate 3 outputs go to Natural Gate inputs, which are gated by Numberwang. The NG outputs are mixed to stereo en route to the stereo matrix mixer, and are sent to Time Machine and Dradd. The Dradd and Time Machine outputs are sent to Panharmonium, which uses the Bizarre Jezabel Mimosa as an insert. All outputs are mixed together and sent to the final mixer in AUM on the iPad.

The kick is a simple filter ping in CUNSA (with a FM envelope). Hi hats are high pass filtered white noise from Sapel, enveloped by a lightly decay modulated Schlappi Engineering Boundary.

Reverb is the always beautiful Vongon Ultrasheer.

Rhythmic

Drifting Numbers

created with my humble modular A-1oo.
picture by pixabay

20200320 Exponential Firstwave

GN3-MTH-QPA-MIM-03

STO-WOG-MAT-OPT-MIM-07

It's always fun to play with a Moog DFMA.
And I find that MakeNoise Mysteron works wonderfully with DFAM.
If we add WoggleBug to control a Brains by plugged Burst output with Direction, RUN/ Stop input in Brains. Freaky beat guaranty.
The sequence is controled by Brains + 2 Pressure Points. Clock by WoggleBug.
LFO by Doepfer A-111-3 on Mysteron pitch.

DFAM-GN3-MYS-WOG-MOD-MIM-07

Where's the techno?

For me, techno happens in the moment, where the manipulation of tones, timbre, triggers, timing and modulation occurs in real time, using an ever-evolving curated selection of voltage-controlled hardware. (Many of the individual modules were soldered and built myself.)

It is literally impossible for me to play the same music twice. In fact, when I listen back to tracks after a few weeks, I often have little idea of exactly how I made the noises present in the recordings. There are too many variables involved to remember. Which is why it's so interesting and why I never get bored by it.

Everything you hear is a recording of a live performance that I cannot replicate.

For anyone who is into the gear itself, you will find links to the modules used to produce each track in the track description box. You will notice the evolution of my system if you care to compare them.

If you're a DJ who wants to play any of my privately released tracks, please get in touch and I will send over the files. 

And for those who just like listening to techno, thanks for checking my stuff out. All messages, comments and feedback are graciously received. Cheers

Composer, improviser, pianist, electronic musician, and researcher.

Professor of Interaction Design, specialized in live electronics performance technologies and computer-aided creativity, Head of Interaction Design and Software Engineering division, University of Gothenburg and Chalmers Univ. of Technology, Sweden.
Lecturer in electronic music composition, Academy of Music and Drama, University of Gothenburg, Sweden.
Guest Professor in Art & Technology at Aalborg University, Denmark.

Welcome on my SoundCloud space.
Here, you will listen to analog synthesis, made with love, in one session with my custom modular system.
No preset, no machine memory, no rule, no computer, one recording.

{experimental} electronic sounds & music |

modular - analog - digital - hybrid

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