Oops...

Lyrics:

E V I C T E D !
NO MERCY FOR THE BROKE!
THE FLOOR COLLAPSES
MY LIFE WENT UP IN SMOKE!
I’LL PAY MY RENT IN BLOOD!
I’LL PAY MY RENT IN RIFFS!
BUT I’M NOT LEAVING QUIET
I’M LEAVIN’ LIKE THISSSSSSSSSSSS!!! 

I Woke Up And Forgot I Hadn't Payed The Rent, So My Landlord Will Probably Kill Me (Future Plans)

This is a high-energy, big band swing reimagining of the classic "Go Tell It on the Mountain," featured on my upcoming album "The First Spark: Christmas 2025".

We took the traditional melody and injected it with roaring brass, a driving swing rhythm, and brand new verses to match the upbeat energy. This track is a prime example of how we are using AI tools to create massive, complex arrangements that bring a retro sound roaring into the future.
Lyrics: Run run run to the highest hill Shout it loud let the heavens spill... 

Run run run to the highest hill
Shout it loud let the heavens spill
The news that shakes the earth below
Christ is here let the trumpets blow

Go go go tell it on the mountain
Tell the world the Savior's fountain
Oh yes rejoice with a thousand voices
Sing it loud till the earth rejoices

Clap clap clap let the rhythm rise
Praise the Lord under open skies
Stars they shine His holy crown
Love has come to this broken town

Go go go tell it on the mountain
Tell the world the Savior's fountain
Oh yes rejoice with a thousand voices
Sing it loud till the earth rejoices

Born in a manger but rules the stars
Healing hearts near and hearts afar
Every knee shall bow every tongue confess
This is the day of holiness

Go go go tell it on the mountain
Tell the world the Savior's fountain
Oh yes rejoice with a thousand voices
Sing it loud till the earth rejoices

Credits: Arrangement & Production by Otoniel Rojas

📅 Album "The First Spark : Christmas 2025"

Tell it on the Mountain

ज़ारि-या या, या या, या या
मीरा-या या, या या, या या

मैं नाचूँ, तुम उठो
दो तारे पास-पास घूमते
तेज़ चमक बढ़ती जाए
रोशनी में खोते जाएँ

ज़ारि-या या, या या, या या

सुनो मेरे चाहनेवालो
मैं घूमती अग्नि में चलता हूँ
पुकारे, पुकारे
क्यों डरते हो इस उजाले से?
क्यों रोको ये खिंचाव?
जीते हैं, हम जीते हैं
दो चिंगारियों जैसे घूमते हैं

मीरा-या या, या या, या या
मैं नाचूँ, तुम उठो
दो तारे पास-पास घूमते
तेज़ चमक बढ़ती जाए
रोशनी में खोते जाएँ
ज़ारि-या या, या या, या या

इस फैले हुए ब्रह्मांड में
रास्ते आते-जाते हैं
हम मिलते हैं, बाँटते हैं, चलते हैं
फिर नाचते हैं, फिर बह जाते हैं
लीरा-ली, लीरा-ली, ओ ओ
गाते, ओ ओ गाते
हर कक्षा हमें पुकारे

मीरा-या या, या या, या या
मैं नाचूँ, तुम उठो
दो तारे पास-पास घूमते
तेज़ चमक बढ़ती जाए
रोशनी में खोते जाएँ
ज़ारि-या या, या या, या या

मीरा-या, ज़ारि-या
मैं नाचूँ, तुम उठो
दो तारे पास-पास घूमते
तेज़ चमक बढ़ती जाए
रोशनी में खोते जाएँ
मीरा-या, ज़ारि-या

मीरा-या या, या या, या या
मैं नाचूँ, तुम उठो
दो तारे पास-पास घूमते
तेज़ चमक बढ़ती जाए
रोशनी में खोते जाएँ
ज़ारि-या या, या या, या या

ज़ारि-या, मीरा-या
ज़ारि-या, मीरा-या
ज़ारि-या, मीरा-या
ज़ारि-या, मीरा-या

I'll dance, तुम उठो.

This is how I make light
(yes, I rise)
This is how I make fire
(yes, I rise)
This is how I make gold
(yes, I rise)
This is how I make heat
(yes, I rise)
This is how I make spark
(yes, I rise)
This is how I make form
(yes, I rise)

Deep in my heart I form fusion
(deep in my fire)
Deep in my heart I form elements
(deep in my fire)
Deep in my heart I form patterns
(deep in my fire)
Deep in my heart I form structure
(deep in my fire)
Deep in my heart I form atoms
(deep in my fire)
Deep in my heart I form future
(deep in my fire)

Hold close the pressure and let the atoms meet
Trust in the glow that rises under waves
You do not see the moment matter flowers
But still I build the skies you’ll one day breathe

This is how I make light
(yes, I rise)
This is how I make fire
(yes, I rise)
This is how I make gold
(yes, I rise)
This is how I make shape
(yes, I rise)
This is how I make pulse
(yes, I rise)
This is how I make warmth
(yes, I rise)
This is how I make flares
(yes, I rise)
This is how I make path
(yes, I rise)

Trust in the heat that keeps the core in motion
Every spark I cradle forms a brighter sky
You cannot know the hour fusion turns to color
But stay with me, and watch the cosmos bloom

This is how I make light
(yes, I rise)
This is how I make fire
(yes, I rise)
This is how I make iron
(yes, I rise)
This is how I make glow
(yes, I rise)
This is how I make helium
(yes, I rise)
This is how I make carbon
(yes, I rise)
This is how I make motion
(yes, I rise)
This is how I make stars
(yes, I rise)
This is how I make time
(yes, I rise)
This is how I make life
(yes, I rise)

Stellar Nucleosynthesis

Fun holiday Music about a busy workshop where Santa's elves create all kinds of toys and games for Christmas time. This music that we composed is called Santa's Toy Factory. We hope you enjoy listening to it! 

#holiday #Christmas #santa #elves #winter #happy #fun #instrumental

Christmas Land

Holiday Music - Santa's Toy Factory

Peace Upon Us opens the Ukraine in Sound journey in bright colours. Cinematic and epic in scope but rooted in folk, it feels like life before the first headline, when streets were full, neighbours greeted each other at the door and the air carried more laughter than fear. Folk infused melodies and a hint of klezmer warmth make it feel like a village celebration that never quite stops, spinning forward with welcoming energy.

This is written from inside that remembered peace, not as nostalgia from a distance but as if you are standing in it again for a few minutes. Joyful, festive and inviting, it shows the character of a people who greet you with open arms and make you feel at home, which makes everything that follows in the later movements hit even harder.

About the album

Peace Upon Us is Movement I of Whirl: Ukraine in Sound, an instrumental cinematic and neo classical suite with symphonic metal intensity and Eastern European folk and Balkan colour. Across 15 movements the album follows a journey from peace to war, through loss and mourning, and toward a scarred return to calm, written from the perspective of those living through aggression rather than watching from afar.

Ukraine in Sound I • Peace Upon Us

As you will hear in this week’s , there is a day coming when there will be a whole lot of surprises. Thank you for listening, and for sharing this message!!! Please remember that depending upon your web browser and connection speed, it may take up to 60 seconds for this podcast to begin to play. God bless you richly as you listen.

Ephesians in HD (Part 68) -- All of That to Say This...

Hats Full of Blooming Flowers  EP

We'll Get Through The Day

Trinity Lutheran Church's Rev. Steve Wagner delivers a sermon for the First Sunday in Advent titled, "Your King is Coming," based primarily on the New Testament Gospel reading from Matthew 21:1-11. Learn more at www.trinitylombard.org.

Your King is Coming - November 30, 2025 - First Sunday in Advent

ONE CHANCEEE

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

Optic Aberration is a metal project from finland.

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Hi everyone!

We compose medieval music, fantasy music, world music, sci-fi music, dark music, and other types of music. All the music here (with maybe one exception) is originally composed by Derek Fiechter & Brandon Fiechter who are twins who live in Indiana in the United States.

Also, any of our music can be used for non-commercial projects and videos. All we ask is that people credit us.

Here's our email address if you want to contact us about any business request or anything else:

dbfiechter@gmail.com


As for our beliefs, we're Christians who believe that Jesus is the Son of God.


Derek Fiechter & Brandon Fiechter

#medieval #fantasy #spooky #egyptian #world #instrumental #ost #elf #mermaid #fairy #music

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

Rev. Steve Wagner is the Senior Pastor at Trinity Lutheran Church in Lombard, Illinois. He was installed on November 8, 2016, following a 7 month term as Associate Pastor at Trinity. Rev. Wagner holds an MDiv from Concordia Theological Seminary in Fort Wayne, Indiana. An ordained pastor of The Lutheran Church—Missouri Synod, he hails from Conroe, Texas.

New tracks tagged #joyful