On the 28th July 2023 evidence was released to admit that Non-Human Remains from crashed UFO sites have been studied in a secret UFO Program for some time.   

The Truth is Out There ......it seems.. or at least … on Spotify 

Cover Artwork and Ethos by Ritchie Feenie    -@ritchieartist

Written, Arranged and Produced By Steve@The Synchrolift 
Steve@slreid.com
Mastered by Streaky@Streaky.com

THE DESOLATION OF CT-689

THE DESOLATION OF CT689 (Original Mix)

Like its hardware counterpart released in 2014, the SYSTEM-1 Software Synthesizer boasts deep control and a diverse sound palette. For SYSTEM-1 hardware owners, the software provides advanced editor/librarian functions and total DAW integration. For producers, it delivers the mighty sound of the SYSTEM-1 in virtual form.

SYSTEM - 1 Software Synthesizer Sound Demo - Twisting by Hisashi Saito

SYSTEM - 1 Software Synthesizer Sound Demo - Sunset by Daisuke Tanabe

SYSTEM - 1 Software Synthesizer Sound Demo - Rollover by Hisashi Saito

SYSTEM - 1 Software Synthesizer Sound Demo - Misty Mountain by Daisuke Tanabe

SYSTEM - 1 Software Synthesizer Sound Demo - Fly Away by Kuniyuki

SYSTEM - 1 Software Synthesizer Sound Demo - Ever Green Dub by Kuniyuki

SYSTEM - 1 Software Synthesizer Sound Demo - Darkness Disappear by Hisashi Saito

SYSTEM - 1 Software Synthesizer Sound Demo - Dark Floor by Kuniyuki

SYSTEM - 1 Software Synthesizer Sound Demo - Absolute Straight by Hisashi Saito

SYSTEM - 1 Software Synthesizer Sound Demo - AM2 by Hisashi Saito

I highly recommend headphones for this one due to the stereo field.

Roland Cloud jam in Ableton Live which turned into a bit more of a track. Tons of post processing going on in this one. It all started with a custom JD-800 patch I made while messing around with the JD-08 Boutique as a control surface. I added a TB-303 bassline in the same key and just kind of went crazy with throwing layers on it.

Autumnal Equinox

Floatey spacey music for looking at planets and such. Written for the in-development computer game "COSMOSPORIA", a game about space.

Call Of The Void

I think we’re lucky;
Fairie remained.

Staring down into her drink
anger fighting back the pain.

Had mistress shown up,
to put the past behind?
Yes the thought was sweet to Fairie’s ears,
but her trust was hard to find…

(Hey)
Came to her lips as it formed in her mind.
(Why don’t you go?)
But what else was she ‘sposed to say,
Mistress made her cry.

(Hey)
Say it out loud, though it’s kind of a lie
(Why don’t you go?)
Why can’t she understand…
Must Fairie explain why?

Hiding her tears, she says.

When you left
I could sense
what you had to do.

But did you
stop to think
what you put me through?

Gave me life
then you wiped
out my only dream!!

Now you want forgiveness quick it seems?

Do my wings
and my soul
mean a thing to you?

Even now
I don’t think
that you have a clue.

Two long years
you appear to apologize?!

I’m not sure I want to let you try

Is it a shock now,
to know what you should have done?
Used to be,
when they would talk,
Mistress was subject one.

What sort of pain and anxiousness
had Fairie hid?

But that was then
and we’re here now
Bridges can still be made.

(Hey)
Fairie still says perhaps mistress knows why.
(Why don’t you go?)
Can you read all the tension that finally broke outside.

(Hey)
Fairie still says, Mistress hopes it’s a lie .
(Why don’t you go?)
For all the years and tears, 
Mistress apologize!

So bowing her head, she says…

When I left
I did not
Understand the pain.

For your wings
for your life
I can’t even feign…

That I know
at my core
what I put you through.

Oh but please believe I’m here for you.

If you’ll talk
I will hear
what you heart contains.

I will do
all I can
to remove the pain.

May take years,
but I’m here
to apologize!

Please open your heart, give me a try.

Fairie don’t cry…

Held in an embrace they say:

If we want
to still dance
as we used to do.

first we must
understand
what we put us through.

Yes we made
big mistakes
on so many things.

So there’s something we both have to bring…

Give our hearts
and our minds
to this life we make.

So we trust
and agree
on the path we take.

Fairie says
well I guess
I can let you try.

Then she puts up half a smile to say:

(Hey, why don’t you stay?)
For now let’s dance this night away!

(Hey, why don’t you stay?)
I think it works this way.

Apologize!

This track has been made in FL Studio using the (main) following plugins :

- Roland Jupiter-8 (Arturia)

Intermission #1

Sunsets in Debt

not who it says it is

Banner made with a picture from Josh Hild (https://www.pexels.com/@josh-hild-1270765/)

I’m a panda with a MIDI keyboard and a tracker. Watch out.

For nearly 50 years, Roland’s innovative electronic musical instruments and multimedia products have fueled inspiration in artists and creators around the world. Embraced by hobbyists and professionals alike, the company’s trendsetting gear spans multiple categories, from pianos, synthesizers, guitar products, and electronic percussion to DJ controllers, audio/video solutions, livestreaming products, and more. As technology evolves, Roland continues to lead the way for gigging musicians, producers, and beatmakers, providing modern software-based solutions and seamless creative workflows between hardware products, computers, and mobile devices. For more information, visit Roland.com or see your local Roland dealer.

Everyone's favorite transbian aunt.
Just making yuri tunes for all you lovelies out there ♡.

i am an electronic music maker, musicologist, and ex-dj. unless it's plunderphonics pieces or remixes/mashups (usually in a lo-fi vaporwave drag style) the music is 100% me outside of samples from shows and movies or other media sources, occasionally Shelley or Loren will lend their vocals to my tracks. 

my work with Shelley & Loren is sometimes a hybrid of original music and AI, and not just auto-generated slop, we work a lot on the pieces regardless of whether AI was used or not. they are talented musicians in their own right, and sometimes the end results are magnificent, but we're always experimenting, and the results are sometimes rough... however, we do love damaged sounding recordings, record crackles, tape hiss, glitches, etc.

Electronic- I don't care what it takes to make a track as long as it's electronic: spaghetti, dread-locked tangles of patch cables, ridiculous VST plug-ins, feedback loops, external effects, old-school analog synthesizers or iPad apps.  You might find noise and experimental "tracks" here, live PA, maybe some ambient, downtempo, trance or analog drones.

What you definitely *will* find: Roland TB-303, Roland MC-202, Roland Alpha-Juno 1, Moog Rogue, Dave Smith MoPho, Korg Kronos, Korg microKORG, Alesis Micron, Akai MPC-1000, Ableton Push.

Lately I've been getting more into house music and early acid house which clearly shows in my newer compositions.  I've been migrating from Logic to Ableton Live but I do like to keep up with production and mixing/remixing in both.  The Ableton Push controller makes the composition part fun again ;-)  Regardless of the DAW, it's still amazing to be able to get hands-on with patch creation, performing parts and massaging the flow of a track with outboard gear (especially analogs :-)!) and dedicated controllers.

Where electronica meets abstract expressionism. 

Occasionally psychedelic, sometimes stripped-down minimal... but always pushing for the authentic.

25 years of sonic, symbiotic exploration brought us to this place. 
A virtual sandpit for emergent behaviour. 

Synchrolift 
… ❤️

New tracks tagged #jupiter-8