Travel back to 2014—the night it all began. 🌌 This was the very first track I ever transformed into the electrifying world of House, EDM, and Dance. The original vocals belonged to a rising talent named Katrina, and while working late in the recording studio, I had a sudden spark: fuse her voice with a genre I had never explored before. That single experiment opened a new doorway in my artistry, reshaping how I create, innovate, and evolve as both an artist and producer. Witness the origin story of Osyus’ sound.

Katrina - Mind Blown (Audio Addict Remix) [Remixed By Osyus]

This week’s show opens with a look at Ryan Coogler’s new Hurricane Katrina: Race Against Time docuseries, unpacking racism, government failures, and raw survivor stories. The crew reflects on why this deeper truth is only now being told and how a 2025 Katrina might play out differently.

Rome then stirs things up with conspiracy theories we actually believe, from COINTELPRO to Tuskegee, and how some “wild” ideas have turned out to be real. That leads into the Workday hiring bias lawsuit, raising questions about AI discrimination against Black, older, and disabled applicants—and whether tech is helping or hurting equity.

Jab takes on the bombshell news that BET has canceled the Hip Hop and Soul Train Awards, sparking a debate on their cultural importance, the impact of streaming, and who could revive them. The conversation flows into a bigger question: Hip hop culture vs. music—can you love the music without knowing the roots, and does gatekeeping still matter?

In new music, the team reviews Gunna’s The Last Wun, a 25-track blend of trap, R&B, and Afrobeats rumored to be his final YSL project, plus Bryson Tiller’s The Vices—a confident, rap-heavy mixtape-style album ahead of his slower R&B release Solace in October.


Episode 427 | “From Katrina to Conspiracies: When Culture, Politics & Music Collide”

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Looking back at the death and destruction caused by Hurricane Katrina.

Looking back at Katrina

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Han pasado 20 años desde que el huracán Katrina tocó tierra en Nueva Orleans —el 29 de agosto de 2005—, provocando el colapso de los diques que protegían la ciudad y desatando una destrucción sin precedentes.

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A 20 años del huracán Katrina, EE.UU. continúa sin aprender las lecciones que dejó la tragedia

Never Forget Katrina America is a Dark Place

This week on Hard Knock Radio, host Davey D revisited the legacy of Hurricane Katrina with two men who lived the struggle and carried the weight of rebuilding: Malik Rahim, veteran Black Panther and co-founder of Common Ground Relief, and Kali Akuno of Cooperation Jackson and the People’s Hurricane Relief Fund.

Malik Rahim: A Movement Ignored at Home

Rahim reflected on the massive grassroots effort that Common Ground undertook in the storm’s aftermath. From 2005 onward, his group served more than half a million people across Louisiana, Mississippi, and Alabama. They offered food, medical and legal clinics, housing clean-ups, environmental work, and basic survival support. Despite international recognition, Rahim said his work has been erased in his own city. He recalled living nearly two decades without running water, being shunned by local politicians, and watching public housing boarded up while families were pushed out.

“The Lower Ninth Ward lost over a thousand lives and most of its population,” Rahim noted, calling the forced dispersal and demolition of housing “ethnic cleansing by design.” He warned that New Orleans was remade into a smaller, whiter, more affluent city on the backs of displaced Black residents.

Kali Akuno: Lessons for Today

Akuno added context, stressing that while government agencies failed, thousands of volunteers came from across the country to support grassroots relief. He argued that the real first responders were neighbors rescuing neighbors, while FEMA helicopters flew past stranded families.

He drew a direct line from the militarized occupation of New Orleans to the authoritarian politics we see today. From mass deputization of vigilantes to the spread of militia support in cities like Portland and Seattle, Akuno said Katrina was a test run for policies now being scaled nationally. “The program was always clear: a smaller, whiter, more affluent New Orleans. That same model is being pushed across the country,” he warned.

Remembering and Resisting

Both Rahim and Akuno underscored that Katrina’s aftermath was no accident. It was disaster capitalism, racial cleansing, and political negligence rolled into one. Yet it was also a moment of people-to-people solidarity, a lesson in how communities can mobilize when institutions fail.

As Rahim made clear, he refuses to leave New Orleans or be silenced. “I will not bow down,” he said. For Akuno, the charge is equally urgent: communities must organize, build, and fight back against policies designed to erase them.

Twenty years later, their message is simple but sobering—Katrina was never just about a storm. It was about power, race, and who gets to return home.

HKR-08-29-25 Remembering Katrina 20 Yrs Later w/ Malik Rahim and Kali Akuno

When The Levees Broke // Preview

Instrumental inspired by my love for the music and flavor of New Orleans, Louisiana

NOLA Good Grease

In 1996, my wife stretched a canvas four feet by eight and filled it with dots of paint, one after another, until our family appeared. Hana in the middle, Bean and me on each side. It was a big painting, too big maybe, but it held us together.

Years later, Katrina came. The canvas sat blank, waiting for inspiration, when the storm rose up and marked it in her own hand. Scarred by water, stained by mold, but still hanging.

This is the story of that canvas. A story of family, of loss, of rebuilding. A canvas not painted by brush, but by a hurricane.

The Canvas-A Katrina Story

The Canvas-A Katrina Story by Eric Schmidt

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Drummer who has the occasional moment of creativity

Podcast/Radio
Voice of The People!!!!!!!!!!!!!!!!

Democracy Now! es un programa independiente de noticias internacionales y de difusión diaria  que se transmite a través de más de 1300 emisoras de radio y televisión en todo el mundo. Esta es la cuenta de nuestra programación en español.

Eric Schmidt is a New Orleans native, web developer, and storyteller with deep roots in Chalmette. A lifelong creative — musician, writer, and community builder — he brings the rhythm of a y’at accent and the weight of lived experience to his oral histories. His work blends family, culture, and resilience, honoring memory while speaking to what it means to endure and rebuild.

"Our story begins years ago with an uncharted scenario" — better known as Osyus, this Georgia-based artist is carving his own lane as a fearless storyteller with a sound that defies boundaries.

Inspired by legends like Slick Rick, Outkast, Snoop Dogg, Trick Daddy, and Kanye West, Osyus transforms raw ideas into bold realities. His lyrics are unorthodox, honest, and thought-provoking, offering a glimpse into the struggles and triumphs of life. Whether delivering bars or experimenting with electronic soundscapes, his versatility allows him to glide between genres with ease, merging Hip-Hop, EDM, Jungle/Drum & Bass, and more.

Raised in Miami, Osyus grew up immersed in a diverse range of music, but it was his teenage move to Atlanta that sparked his understanding of the music industry. There, he embraced the value of ownership by learning to engineer his own tracks and gaining hands-on experience interning at the legendary Hot Beats Studios alongside some of Atlanta’s top engineers.

Now, Osyus is focused on building his legacy. With releases like “A Brutha Named O” and “The Mind Blowing Quest of Osyus,” he showcases his talent as both an artist and producer while laying the groundwork for even bigger projects ahead. Each track is a step forward in his journey, proving that Osyus is committed to pushing boundaries and creating music that resonates deeply with listeners.

#hiphopartist from New Orleans, Louisiana 
Enjoy my audio diary

For features or mixing/mastering email : nola_504@icloud.com
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New tracks tagged #katrina