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Feel a tangible, healing presence wash over you in this atempo ambient piece. A wordless choir ebbs and flows like breath, carried by ethereal pads and delicate koto plucks, enveloping the listener in pure, restorative sound.

Wordless Healing Presence

Koto-pluck intro sliding into a UK drill groove, a sharp koto-synth drop cutting through the dark.

Nightblade

"Dragon légendaire voyageant à travers les cieux, un seul de ses rugissements suffit à faire trembler toute une région. Il est dit qu'il n'existe un son plus grave et plus intense que ses grondements lors de ses colères."

[Extrait] DRAGON BASS

-El juez Sean Murphy suspendido

-Telski retrasa la fecha de inicio

-Telluride debate dos grandes eventos para 2026

Noticias 11-17-25

Koto - Chinese Revenge (Remake)

Koto - Time (Remake)

Koto - Visitors (Remake)

A dystopian orchestral clash. 
Traditional Japanese instruments collide with maximalist symphonic force in a cyberpunk remix of Christmas spirit. 
Glitch FX, taiko polyrhythms, and mutated carols melt into a hyper-3D soundscape. 
Just pure sonic apocalypse.

AKIRA

A cyberpunk ritual in sound. Shakuhachi, koto, and glitched taiko collide in this instrumental BLAME! score: algorithmic, spatial, and hauntingly human.

BLAME!

A magical symphonic journey blending dreamy celesta, harp, and choir with traditional Japanese instruments like koto and shakuhachi. 
It crescendos into an explosive Jpop finale with taiko, shamisen, and synths, bursting with cosmic energy and festive joy.

Sailor Moon

A modern-traditional shakuhachi solo, gently supported by Japanese instruments like koto and taiko.
Pure, meditative and calm, it evokes stillness, breath and deep reflection.

Shakuhachi

-La patrulla de esquí de Telluride, un paso más cerca de la huelga

-Semana de Binestar

-El concierto de EDM de 2026 supera el primer obstáculo

Noticias 11-24-25

Topology Koto is a molecular aria where protein folding becomes music. A koto traces the amino-acid backbone of 1AKG—venom from the cone-shell snail—while strings, winds, and brass translate sequence into structure, tension into harmony. This piece reveals the hidden topology of matter as sound: the whisper of a toxin, the rise of helices, and the quiet symmetry of immune defense, together unfolding in a single resonant chain.


Koto of Topology

GTR34

KOTO

-Telluride se dispone a nombrar al último concejal del ayuntamiento

-Telluride necesita recuperar su brillo

-SMART habla sobre el transporte para la construcción de Four Seasons

Noticias 12-1-25

-La patrulla de esquí pide a sus miembros que voten sobre la propuesta de contrato

-Se acerca la fecha límite para presentar solicitudes al Ayuntamiento

-Telluride debate el futuro del Transfer Warehouse

Noticias 12-8-25

“The Ghost of Botchan” is a gentle, acoustic Japanese ballad inspired by Natsume Sōseki’s classic novel Botchan.
While walking through a quiet park in Matsuyama, our narrator meets the spirit of Botchan himself — still young, blunt, and curious after more than a century. She tells him about modern Japan, from technology to peace, from vending machines to cherry blossoms, and even shares that his beloved Kiyo is her ancestor.

Botchan learns that Japan has changed, yet its heart remains. She learns that even ghosts can grow.
A warm blend of folk guitar, soft J-pop harmonies, and traditional koto textures creates a nostalgic bridge between eras.

「坊っちゃんの幽霊」**は、夏目漱石の名作『坊っちゃん』にインスパイアされた、やさしいアコースティックバラードです。
松山の静かな公園を歩いていた主人公は、ふと若いままの“坊っちゃんの幽霊”と出会います。彼に現代日本のこと、平和への道、技術の進歩、そして今も咲き続ける桜の話を伝えます。

やがて二人は気づきます。
時代が変わっても、人のぬくもりは変わらないこと。
そして幽霊でも、少しは成長できること。

アコースティックギター、やわらかなJ-popハーモニー、そして琴のひびきが、時代をこえる物語をあたたかく包みます。

LYRICS
(c)2025 Ggreg Snyder

【Verse 1】
まつやまの　こうえんを
ひとりで　あるいていたら
ゆうやみの　かげのなか
しらない　おとこが　たっていた

「おまえ、シバイヌか？」と
やさしく　わらいながら
「おれは　坊っちゃんの　幽霊だぞ」
そう　こえが　かすかに　ゆれた

【Pre-Chorus 1】
わたしは　ききかえす
「どうして　こんなに　とおい時を
こえて　もどってきたの？」

【Chorus 1】
「どうして　おれの名を　しってる？」
かれは　すこし　ふしぎそう
わたしは　そっと　こたえる
「あなたは　文学に　なったから」

かぜが　ゆびさき　すりぬけ
シバイヌの名を　よんでく
ふたりの　時代が　まざりあう
この　まつやまの　そらで

【Verse 2】
わたしは　せつめいした
せんそうのこと　そのあとのこと
ぎじゅつが　世界をかえたこと
さくらは　いまも　さくこと

「いまは　自販機で
なんでも　買えるんですよ」
「なんでも？……じゃあ“勇気”も
うってるのか？」と　かれ

【Pre-Chorus 2】
「日本は　平和を　えらんだの」
わたしは　まっすぐ　つたえる
「戦いの　むなしさを
くりかえしたくないから」

【Chorus 2】
かれは　あたまを　かるくさげ
「シバイヌ、ありがとうな」
「ほかに　おれが　しるべき
ことばは　あるか？」

とおくの　おんせんの　ゆけむり
せかいが　かわっても
ふたりの　はなしは　つづく
星の　ひかりの　したで

【Bridge】
「よいことも　あるけれど
まだ　すすむ道も　あるよ」
わたしは　かれに　つたえた
「にしの文化に　みせられても
日本の　こころは　まだ　いきてる」

「かわる物も　あるけど
偽善者は　ずっと　いるよね」
とかすかな　なみだが
ほほに　ひかりを　のこす

【Verse 3】
「道後温泉は　まだ　あるよ」
というと　かれは　めを　みひらく
「汽車より　はやい　のりものが
空まで　とぶんだよ」

「松山は　かわらないね」
とかれが　つぶやいた
「しずかで　すこし　不便で
そこが　いいんだよな」

「それに…清は　わたしの　先祖」
というと　かれは　そっと　ほほえむ

【Pre-Chorus 3】
「時代は　かわっても
人の　ぬくもりは　おなじだな」
かれの　その一言に
胸が　あたたかくなる

【Final Chorus】
かれは　シバイヌの名を　よび
「先生の　つもりが
きょうは　おれが　学んだよ」

月あかりの　道のうえ
ふたりの　えがおが　ゆれる
すぎてく　百年より
この　一瞬が　いとしい

【Outro】
「日本は　大きく　成長したな…」
かれは　空を　ながめる
「おれも　すこしは
成長できたかもな」

「そろそろ　霊界にもどるよ」
「いつか　また来て
道後温泉で　ひと泳ぎ　したいな」

ゆうやみの　かぜだけが
わたしの　ほほを　なでた


坊っちゃんの幽霊（The Ghost of Botchan）

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

There are many Italo-Disco hits that have sci-fi themes and sound effects that were previously used in Space Disco. Many instrumental Italo-Disco remixes sounded very "space disco" like and some Italo-Disco artists and groups (most notable Koto and Laserdance) had space disco elements in their music until the late 1980s.
I make mixes of all kind.

Étudiante en composition à l'image au Conservatoire d'Annecy, pianiste et violoncelliste.

Welcome to Serenichord! Where melodies speak beyond words — classical and instrumental music to soothe, inspire, and awaken emotion.

Here you will find carefully curated playlists for every mood and moment:

🎵 For Relaxation & Sleep: Gentle melodies to help you unwind and find peace.

📚 For Study & Focus: Harmonious soundscapes to improve concentration and productivity.

✨ For Inspiration & Ambiance: Epic and beautiful scores to elevate your environment.

We explore the works of legendary composers and discover hidden instrumental gems.

Follow and join us on a journey through the most beautiful music ever created.

Markus J. Buehler is the McAfee Professor of Engineering at MIT, and a composer of experimental, classical and electronic music, with an interest in sonification. Using an approach termed "materiomusic", his artistic work explores the creation of new forms of musical expression - such as those derived from biological materials and living systems - as a means to better understand the underlying science and mathematics. One of his goals is to use musical and sound design as a novel and abstract way to model, optimize and create new forms of matter from the bottom up, and to assess cross-system design relationships. He is also interested in research to explore relationships between classical music, mathematics, and the physical and biological sciences, an in the mapping of models of consciousness across systems. In recent work he has developed a new framework to compose music based on proteins – the basic molecules of all life, as well as other physical phenomena such as fracturing, to explore similarities and differences across species, scales and between philosophical and physical models. 

Contact: mbuehler@MIT.EDU

Bangladeshi producer blending Japanese cyber-aesthetics with dark EDM, mid-tempo, and cinematic world fusion. Creator of the OASIS album and Sakura Noir series.

Songwriter blurring the lines between country, pop, folk, and whatever else feels honest. Silicon Valley roots, zero Nashville clichés. Think tech-metaphor heartbreak, cowpunk energy, and the sweetness of two good people parting ways. Call it alt.country if you need a label.

New tracks tagged #koto