It’s time to dig out your 70s glam hits and make weird proclamations in your best falsetto as we try on Osgood Perkin’s “Longlegs”.
A film in which T.Rex are finally released from the tyranny of “Billy Elliot”; the devil is in the details (usually the corner) and nothing says happy Birthday like a shrieking man putting his balls into your head.
Riffing on the 90s idea of the serial killer film - a police procedural dressed up as a horror film - Longlegs takes a horror film and dresses it up a a police procedural, to incredible effect. With a tantalising mythology of its own, which seems to be akin to that in Perkin’s earlier “The Blackcoat’s Daughter”, plus a cast all bringing their A game, this moody and chilling thriller rightly did excellent work at the box office. This success also came through an extremely well-designed promo campaign, and word of mouth that reached far beyond the horror community, meaning this deliberately weird and uncomfortable film is practically mainstream, without any apparent concession to get there.
Watch (or re-watch) to avoid spoilers and join us.

Ep 219 Longlegs

We’re back in the deep dark woods for 2010 horror comedy “Tucker & Dale Vs Evil”.
A film in which we learn the pitfalls of a “fixer-upper” for the first-time buyer; observe the dangers of mixing chainsaws with bees; and you can actively hate the clueless teens (even more so than usual).
Based on a simple but hilarious premise; “Tucker & Dale…” manages to sustain it for pretty much the whole of its runtime, with a necessary swing into more familiar horror territory for the last act. The heart of the film lays with its (wonderfully portrayed) titular characters; a refreshingly sweet, honest and hilarious double act, who you cannot help but love and root for as they blunder through an increasingly ludicrous series of coincidences and misunderstandings.
Watch (or re-watch) to avoid spoilers and join us.

Ep 220 Tucker and Dale vs Evil

It’s Hammer Time, and we’re looking at some of the more under-appreciated output from The Studio That Dripped Blood”; first up it’s 1966’s “The Witches” (aka “The Devil’s Own”).
A film in which a headmaster cosplaying as a priest is seen as a harmless quirk; the local butcher puts paid to the adage “laugh and the whole world laughs with you.”; and your choice of drinks is gin, gin or more gin.
A box office failure; “The Witches” was not considered a worthy part of Hammer’s horror output, languishing for decades as a mere footnote to both the story of Hammer Films, and the career of star Joan Fontaine. Thankfully, that reputation has shifted with time, as later generations have rediscovered it. The story is a blueprint for folk horror, whilst predating those movies that would come to define the genre and Quatermass creator Nigel Kneale’s subtlety witty script means this feels a lot more fresh and modern than some of the more melodramatic gothic horrors the studio produced, with a set of strong female characters driving the narrative. Whilst some may find the heavily choreographed climatic ceremony comical, if the movie has drawn you in, these sequences can actually be eerily mesmerising.
Watch (or re-watch) to avoid spoilers and join us.

Ep 222 The Witches

Well sod me sideways; it’s a cheeky bonus episode from Welcome To Horror!
Adam and Lee spend time in the kitchen with the magisterial Mr Vincent Price, and take a look at his 1971 Thames TV series “Cooking Price-Wise”.
A truly delightful show in which VP demonstrates his culinary prowess, knowledge and love of good food, with a series of delicious treats you can make at home. 
There’s no spoilers for a cookery show, so you can dive right in, but it’s a definite recommendation for fans of the great man.
Stick your apron on, clasp a wooden spoon and join us!

Bonus - Cooking Price-Wise

We’re sticking with under-appreciated Hammer films this episode, and another from 1966 - “The Plague of the Zombies”.
A film in which André Morell is such a badass, he stabs a man who is already on fire; the local constabulary are so obliging that they don’t just turn a blind eye to grave robbing: they also help fill in the hole; and Servalan is feeling really rather tired.
This was originally released as a double bill with “Dracula: Prince of Darkness”, and while the Count brought the box office clout, “The Plague of the Zombies” is definitely the more exciting and interesting film. Hammer’s only foray into zombie territory wisely transplants the myth’s Haitian origins to Cornwall, thus bringing in an element of British colonialism, which is then married to a comment on capitalist exploitation of the workers, making for a remarkably modern subtext. But the gothic visceral chills are there too, both supernatural and all too horribly human, with a standout dream sequence that really gives these zombies some evocative menace, that may have played into George A Romero’s take on the monsters a mere two years later.
Watch (or re-watch) to avoid spoilers and join us.

Ep 223 The Plague of the Zombies

This episode we’re discussing the bang-up-to-date podcast “Broken Veil” from Joel Morris and Will Maclean.
Two intrepid podcasters gathering weird stories from friends, find the tales begin to coalesce in the liminal spaces of Essex….
To tell you more would be to ruin this utterly original and intricately written show. With an excellently selected cast and a definite hint of Nigel Kneale to proceedings, it should suffice to say that if you’ve ever spent too long disappearing down esoteric internet rabbit holes, or whiled away sunny days with your nose stuck in The Fortean Times, this show is for you.
SERIOUSLY - THIS SHOW IS A DEFINITE RECOMMENDATION FROM ALL OF US, SO PLEASE LISTEN (OR RE-LISTEN) TO THE 6 EPISODES IN FULL BEFORE YOU JOIN US FOR OUR SPOILER HEAVY CHAT.

Ep 224 Broken Veil

It’s Poe Time! Join us as we venture out into the daylight and visit “The Tomb of Ligeia”.
A film in which Captain Peacock serves the tea, whilst Slartibartfast and Doctor Who’s Nero have dinner; meanwhile Vincent Price auditions as frontman of The Byrds, and attempts to convince us that he could hurt a cat.
The last of the Roger Corman / Edgar Allan Poe films finally sees the series move out of the studio for some beautiful location shooting in the English Countryside. A wonderfully distressed and melancholy Price is matched by two excellent performances from Elizabeth Shepherd as both feisty and romantic Rowena, and the foreboding, electrifying will of Ligeia. With support by an excellent cast of familiar British character actors, the film still ties in with the others in the series, with woozy dream (and dream-like) sequences, and the inevitable conflagration of the main setting.
Watch (or re-watch) to avoid spoilers and join us.

Ep 225 The Tomb of Ligeia

Grab your bandages and have a good sarcophagus - we’re watching Universal’s original 1932 version of “The Mummy”.
A film in which Zita Johann attempts to break the record for the number of 6’s you can put on your forehead; Edward Van Sloan returns as Van Helsing… er… plays the entirely new character of Dr Muller; and Jack Pierce bakes Boris Karloff for 8 hours at Gas Mark 5.
Having hit gold with their adaptations of Dracula and Frankenstein, Universal decided to add another monster to their roster, and turned to Egypt for inspiration. Returning star Karloff cements his reputation with his baleful portrayal of Imhotep/Ardath Bey, searching for his lost love from beyond the grave. He is ably matched by Zita Johann’s portrayal of Helen and, later, the long dead Anck-es-en-Amon. Makeup maestro Jack P Pierce once again makes a memorable monster, in both his forms. Although this in many ways retreads the story beats of Dracula, it still has its own iconic moments, and it may also surprise new viewers that the shambling figure in bandages they may expect is almost entirely absent. Whilst there are aspects and attitudes of the film that may not sit well with modern sensibilities; it is product of nearly a century ago, and should be taken as such. And as a key film of Universal’s original horror run, it really deserves to be seen.
Watch (or re-watch) to avoid 93 year old spoilers and join us.

Ep 226 The Mummy

Settle in your best (and only) coffin, grab a drink or twelve and join us for “The Comedy of Terrors”.
In film in which we hear possibly the only use of the phrase “Toss Pot” outside of the UK; Orangey displays why he was considered one of the finest cactors of his generation; and Osgood Fielding III gives the best scream this side of a Tom and Jerry cartoon.
Sadly, this is the last time that Vincent Price and Peter Lorre demonstrated their magnificent comedy double act as part of this amazing ensemble with Joyce Jameson, Boris Karloff and Basil Rathbone, all of whom totally embrace the grotesque insanity of their characters and the tale itself. 
“The Comedy of Terrors” is a real refinement of the dark vein of humour the various cast members had begun exploring with Roger Corman in the Poe adaptations “Tales of Terror” and “The Raven”, but this time, it’s the legendary Jacques Tourneur behind the camera, with an original script from the pen of the great Richard Matheson, both of whom mould this original gem of Gothic Black Comedy.
Sadly, “The Comedy of Terrors” failed to perform at the box office, and with Lorre’s death only a few months after release, it closed a chapter on what could have been a far more interesting direction for producers AIP.
Watch (or re-watch) to avoid spoilers and join us.

Ep 227 The Comedy of Terrors

We present a spoiler free look at director Jennifer Wolfe’s debut feature “Happy Ending”.
A couple losing the spark in their relationship seek advice from friends who recommend a trip to a massage parlour with “extras”.
An already uneasy and awkward visit for the pair is reflected in the back rooms of the parlour, where the workers are troubled by their situation and the obsessive attentions of a dangerous former customer. Events spiral into an eruption of chaos and violence, drawing everyone into the maelstrom. 
Whilst that may sound like pure thriller fare, what sets “Happy Ending” apart is that it’s also extremely funny; our two main leads are engaging and realistic, their comfortable but strained partnership brings the laughs as they navigate their way through the tribulations of their relationship, and, latterly, attempt to get out of the deadly situation alive.
A big thank you to Jennifer Wolfe for reaching out to us (on recommendation from previous guest, “Bampire” director Zoë Wassman) and giving us the opportunity to view this excellent comedy/thriller.
“Happy Ending” is currently streaming on Amazon Prime, Plex and Fandango ar Home, and we urge you to seek it out!

Ep 229 Happy Ending

Welcome to Horror is a fortnightly show in which Lee and Adam introduce horror novice Chris to all the delights the genre has to offer. So whether your a seasoned horror fan or someone with a passing interest looking for an entertaining new look on the topic why not join us on our journey. We have such sights to show you.....

New tracks tagged #kurtarmy