Metal improvised with computer code. Performed at AV Club San Francisco, California.

Hipérbole (demo)

Algorave, Corsica Studios, London

bleepset

Despite the mind, an entire lifetime can never be forgotten.

دورة حياة النحاس (Life Cycle of Copper)

"The spectacle cannot be understood as the abuse of a world of vision, as the product of the techniques of mass dissemination of images. It is, rather, a Weltanschauung which has become actual, materially translated. It is a vision of the world which has become objectified." - Guy Debord

The world which has become objectified (2024)

i only have eyes for you is an early exploration of live-coded texture and form, composed in TidalCycles. Rather than structuring time through rhythmic stability or gesture, the piece operates as a continuous field—an accumulation of sonic flows that emerge, recede, and are reabsorbed into the system. It builds not through variation or climax, but through the recursive layering of events whose presence is always partial, contingent, and shifting. In this sense, the piece treats texture as a temporal condition: something that must be sustained, not stated.

Though minimal in structure, the work engages larger questions that recur throughout the composer’s practice—questions about control, authorship, and the aesthetics of disappearance. Sounds do not develop so much as drift in and out of perceptual range. The system is live, yet the performance refuses drama or finality. What emerges is not a statement but a condition—one in which listening becomes a form of temporal attunement, and in which sonic material is treated not as content, but as residue, flicker, presence.

i only have eyes for you (2024)

An improvised noodle with TidalCycles lice coding language.

arp-y-majestic

An improvised noodle with TidalCycles live coding language.

Sesión de improvisación en live coding explorando la plataforma Estuary.
Intérprete: Juan Felipe Díaz Zarama

¡Gracias por escuchar! 🎶
Puedes visitar mis redes sociales y plataformas:
linktr.ee/felipezaramamusic

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Felipe Zarama - Sesión #2 de Live Coding

Endure 40

I found the code on my old MAC (which exploded with heat) with which I composed this track, I played it for the first time at MUTEK MX in 2017 , love ya

See Y<3u

Disorder

The Popular Way

excerpt from my set for the supercollider 3.14 release party,
composed and performed in supercollider

2025

grainn - plaj

binary

excerpt from my live coding set at werkstatthaus,
using recordings of gast's live set and 909 samples in supercollider

2025

grainn – 40jahrewerkstatthaus_livecoding_excerpt

looptober8

Right now I'm using Linux Multi Media Studio to make some electronic music and I'm putting it on this here internet thing.

var grainn = ["sound art", "live coding", "noise", "deconstructed club", "glitch"]

Músico | Compositor 🇨🇴
Contacto: 
📩 felipezarama.music@gmail.com

Estudiante de composición en Universidad de Antioquia - Medellín

Álvaro Cáceres (cute::wire) is an LA-based composer and coder from Madrid. He improvises music with computer code. Blending djent grooves, abrasive noise electronic textures and minimalist form, cute::wire shares his process to the audience live by projecting the code he types, combined with generative visuals.

cute::wire’s shows in 6 countries include Aquarium of the Pacific, SoundPedro, Coaxial LA, Andy Vargas, 011668, Neyva, Hypereikon and LOOK MUM NO COMPUTER.

composer, artist, writer, educator.

bookings/inquiries: info@hasanhujairi.com

Here, I post mainly my experiments in algorithmic/electronic music with programming languages, mainly strudel and sonic pi (check Radio Dulu on YouTube for the live coding). In reposts and likes, 4 main areas of interest: 1) Afro-tropical rhythms, afrobeat; 2) retro 80s pop; 3) electronic, retro videogame music, chiptunes; 4) Turkish psychedelic, Balkan folk. 💛

djmarkidjmarki@gmail.com
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Past gigs:
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13.09.2025 Ati & Friends @ Kaiku Helsinki (FI)
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08.05.2025 floatfloor @ Marsio Espoo (FI)
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10.04.2025 Ida Open Decks @ Postbar Helsinki (FI)
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04.02.2025 Kanda Cycles Podcast
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07.06.2024 GoWest Pride Party @ Kesselhaus Bregenz (AT)
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24.02.2023 Snatchers Podcast
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12.11.2022 CUMARTESi @ Şahika Istanbul (TR)
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14.03.2020 KOMA @ Tonstube Vienna (AT)
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25.01.2020 KOMA # 4 @ Donautechno Vienna (AT)
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14.12.2019 KOMA # 3 @ Donautechno Vienna (AT)
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16.11.2019 KOMA # 2 @ Donautechno Vienna (AT)
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19.10.2019 KOMA im Donau @ Donautechno Vienna (AT)
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30.08.2019 Go House Or Go Home @ Rauch Club Feldkirch (AT)
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19.10.2018 Villa Vagabunt Closing @ Villa Vagabunt Hörbranz (AT)
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20.07.2018 Cybertribe @ Rauch Club Feldkirch (AT)

CNDSD {* _ *} Creative Technologist, Audiovisual Artist and Electronic Music Producer from Mexico City, develops soundscapes with a post-cinematic approach. Her music immerses herself in the vast electronic universe, skillfully fusing a variety of subgenres to offer a unique listening experience.
From Deconstructed Club, Glitch, IDM, Footwork to Sound Collages, through composition and algorithmic execution, CNDSD challenges the limits of hearing and stimulates dance, creating profound audiovisual experiences that have left a trail in the live coding community.
With a career spanning international stages, CNDSD has presented live audiovisual performances at festivals such as Sonart Shanghai, MUTEK in Mexico, Japan, Argentina, Spain and Montreal, as well as at the International Symposium of Electronic Art (ISEA) in Korea and Montreal in 2019, Medialab Prado and Medialab Matadero,  Center for Art and Media | ZKM, the International Live Coding Conference, Aural Festival, Vorspiel and Transmediale in Berlin, ADAF in Athens, and more.

CNDSD's compositions are an amalgamation of organic and synthetic elements, creating a dynamic and expressive atmosphere that invites introspection and also explosion. With a master's degree in sound design for immersive experiences and video games and a propensity for experimentation with unusual rhythms and soundscapes, CNDSD embarks on technological eclecticism in the contemporary electronic music panorama.

New tracks tagged #live coding