brazilian-tambourine

an audio recording of a set I've recently performed at the Weekend delle Arti Unite (Weekend of the United Arts) Festival in Perugia, Italy.
it's a semi-impromptu/live coding based performance.

230 - Live @ Weekend delle Arti Unite 2025 Festival, PG - feb 16, 2025

Rhythmic parts made with Tidal Cycles, editing and the final section finished in Ableton. The track samples Hofa's Santa Claus Is Coming.

Tidal project code available below (illustrative, as source samples will be missing of course):

d4 $  slow 4 $ loopAt "[6,2,8]" $ chop "<4 2>" $ sound "Hofa:6*2" # cut 1 # amp 0.7

d6 $ hurry 0.5 $ slice 8 "<~[4 5 2 6] ~ [[4 ~] 5 6 7]>" $  sound "Hofa:1"
# legato 1.1 # gain 1  # hpf 350 # room 0.6 -- # speed 0.5  -- # attack 0.1

d1 $ slow 4
$ slice 8 "3 5 0 2 3 5 2 7"
$ sound "Hofa:3" # legato 0.8 # amp 0.6

d3 $ hurry "0.5 ~ [< 1 4 3 8>]*3" $ juxBy 0.8 rev
$ slice 8 "3*3 5 0 ~ 3 5 ~ 0"
$ sound "Hofa:7" # legato 0.7 # speed "0.5 2"
-- # amp 0.75 # attack "0.025"

d2 $ every 4 (ply "<[1 5] 1 [1 7]>") $ "kick:5(3,8) [~ [kick:5 kick:10]]"   # lpf 550

d7 $ "perc:2(3,8,2) [< Hofa:10 Hofa:12> ~]"  # amp 0.8
      -- # crush 4.5 # hpf 40 -- # squiz 10  # lpf 10500

d5 $ hurry 2 $ every 4 rev $ squiz "5(3,8) 2 10" # n "2 5 1 10" # s "Hofa:0" # offset 0.2 # legato "0.5 1"
      -- # smear 0.2 -- # speed 2

d8 $ splice 8 "0 2 [2 0 1 4 3] 5" $ sound "break:4" # amp 0.6     --  $ hurry "4 1 0.5"
d8 $ hurry "4 1 0.5" $ splice 8 "0 2 [2 0 1 4] 3 5" $ sound "foley:10 break:4 " # amp 0.6  # attack "0.08"

FOHA

Hybrid set di Telesm presentato il 31.01.2025 per il primo volume di Insenature da L863


"Insenature" è un progetto del collettivo Hyperacustica, che si configura come una residenza artistica mensile presso L863, un negozio di dischi situato nel quartiere storico di Garbatella a Roma. Il collettivo, noto per la sua attenzione alla ricerca e alla sperimentazione nel campo del suono, trova in questo spazio intimo e ricercato, una dimensione ideale per esplorare nuove possibilità creative.

Il concept di "Insenature" è evocativo. Il nome si ispira alle insenature naturali, luoghi di incontro e scambio, e lo trasporta in un contesto artistico e musicale che esplora il Mediterraneo come culla di sperimentazione e contaminazione. Questo focus sugli artisti della scena elettronica di un territorio specifico permette una narrazione autodeterminata, evidenziando una dimensione geografica e culturale che diventa ponte tra tradizione e avanguardia. Gli artisti portano con sé un bagaglio di sonorità, culture e storie che si mescolano, creando nuove identità sonore all'interno della scena underground. 

Parallelamente, il progetto esplora il territorio immateriale del reame digitale, cercando spazi non ancora del tutto esplorati dove far germogliare nuove sonorità. Queste insenature digitali sono i luoghi di una nuova organicità, dove l'elettronica post-digitale si radica, creando un linguaggio musicale che è figlio del mezzo tecnologico ma ricco di una dimensione umana e sensibile. Con "Insenature", Hyperacustica traccia traiettorie innovative, abbattendo i confini tra musica da club e musica d’ascolto,

"Insenature" è non solo un luogo fisico o virtuale, ma un'idea: un rifugio e un laboratorio per artisti che attraversano confini, trovando equilibrio tra il passato e il futuro, tra l'organico e il sintetico. Si propone quindi di ridefinire il ruolo della musica elettronica sperimentale come mezzo per connettere paesi, culture e sensibilità, facendo della scena underground un crocevia fertile e innovativo.

Telesm Hybrid set - Insenature I - Hyperacustica x L863 31.01.2025

Pour notre premier Rixe Live, nous avons le plaisir d'accueillir https://soundcloud.com/dchadoh?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing, qui nous a concocté un incroyable set de live coding !

[001] Rixe Live by Chadoh - 28.03

Aujourd'hui dans RECORD, l’émission de Radio En Construction, qui donne la parole aux artistes de la scène locale, on reçoit le duo de live coding Crash Server.

On y parle de leur approche de la musique et du live coding !

À très vite sur Radio en Construction 90.7FM ☀️

[RECORD] avec Crash Server

Metal improvised with computer code. Performed at AV Club San Francisco, California.

Hipérbole (demo)

Algorave, Corsica Studios, London

bleepset

Despite the mind, an entire lifetime can never be forgotten.

دورة حياة النحاس (Life Cycle of Copper)

"The spectacle cannot be understood as the abuse of a world of vision, as the product of the techniques of mass dissemination of images. It is, rather, a Weltanschauung which has become actual, materially translated. It is a vision of the world which has become objectified." - Guy Debord

The world which has become objectified (2024)

i only have eyes for you is an early exploration of live-coded texture and form, composed in TidalCycles. Rather than structuring time through rhythmic stability or gesture, the piece operates as a continuous field—an accumulation of sonic flows that emerge, recede, and are reabsorbed into the system. It builds not through variation or climax, but through the recursive layering of events whose presence is always partial, contingent, and shifting. In this sense, the piece treats texture as a temporal condition: something that must be sustained, not stated.

Though minimal in structure, the work engages larger questions that recur throughout the composer’s practice—questions about control, authorship, and the aesthetics of disappearance. Sounds do not develop so much as drift in and out of perceptual range. The system is live, yet the performance refuses drama or finality. What emerges is not a statement but a condition—one in which listening becomes a form of temporal attunement, and in which sonic material is treated not as content, but as residue, flicker, presence.

i only have eyes for you (2024)

An improvised noodle with TidalCycles lice coding language.

arp-y-majestic

An improvised noodle with TidalCycles live coding language.

Sesión de improvisación en live coding explorando la plataforma Estuary.
Intérprete: Juan Felipe Díaz Zarama

¡Gracias por escuchar! 🎶
Puedes visitar mis redes sociales y plataformas:
linktr.ee/felipezaramamusic

#livecoding 
#strudel 
#experimentalmusic 
#composerlife 
#improvisacion n 
#improvisation  
#digitalmusic  
#music  
#experimentalmusician  
#musicaexperimental  
#musicacontemporanea  
#contemporarymusic 

Felipe Zarama - Sesión #2 de Live Coding

Endure 40

I found the code on my old MAC (which exploded with heat) with which I composed this track, I played it for the first time at MUTEK MX in 2017 , love ya

See Y<3u

Rixe : 
nom féminin
Querelle violente accompagnée de coups, dans un lieu public.
Synonyme : Bagarre

Right now I'm using Linux Multi Media Studio to make some electronic music and I'm putting it on this here internet thing.

Músico | Compositor 🇨🇴
Contacto: 
📩 felipezarama.music@gmail.com

Estudiante de composición en Universidad de Antioquia - Medellín

Álvaro Cáceres (cute::wire) is an LA-based composer and coder from Madrid. He improvises music with computer code. Blending djent grooves, abrasive noise electronic textures and minimalist form, cute::wire shares his process to the audience live by projecting the code he types, combined with generative visuals.

cute::wire’s shows in 6 countries include Aquarium of the Pacific, SoundPedro, Coaxial LA, Andy Vargas, 011668, Neyva, Hypereikon and LOOK MUM NO COMPUTER.

Music:
https://linktr.ee/close.reader

Contact: 
closereader.music@gmail.com

composer, artist, writer, educator.

bookings/inquiries: info@hasanhujairi.com

email (for bookings, collabs, music commission and all the porcoddio stuff): leonardo.nenci02@gmail.com






<̷̦̥̮̝̩ͦ>͓̪̠͓̖͖͐̇̌͑͜<̯̗̩̻̤͓̭ͨ̆̔́ͅ>̗͚̰̖̹͎ͣ̆̀<͙͇̱ͬͬ̌͘>̛̦͖͓͕̑<̗̬̺̝̘̑ͦͥͮ́>̶̥͚̦̊<̪̺̪͎̥ͥ̄ͦ͡>̼̣̦̦͉̼̞͓ͨ̀<̱̖̩̦̂̍ͮ͢>̛̞̥̰͈͙͇̝ͨ<̫̻̄͗͆ͨ̕>̴̺͓̟̲͉͚̜͌<͕̝̭̯̾ͯ͟>̯̣̱͉͕̯̿͗̊͊͞<̘̞͓̘̬̮͇͕̃ͮ͡>̵͚̲̪̻̘̯̳̐̈́̌<̺̘͕̰̭͌̑͘>̩̞̳ͧ͡<̡̹̰͈̻̲̖͓̔͌̿ͨ>̠͇͖̦̤̖͍́ͨ̄̀ͅ<̃̍҉͉͕̩>̵̰̭̣̤̪̺ͪ̆̿͆<̨̗̜̼͙ͭ̚>̙̼̙̩̤͓͉̭ͤ͟<̗̮̄ͣ͡>̰͇͙͎ͯ͡<̿̃͛͏̠̮>̵͈͎ͨͅ<͓̬̖̯̗̀̓͢>̛̤͍̙̬̰͔̹̬͌ͩͬ̅<͎̣̘̻͛̀>̥̱̭͓̗̗̻̗ͫ͐͒͋͞<̛͕̤͔̫ͥ͌ͅ>̪̤̘̤͈̖͚̙͗͛̒̀<̷̬̤̻̙̩ͦ̔̄͐ͅͅ>̶͕͈͚́̄̚<̴͉̱̗̬̝̜͗ͨ>̧͖̺̊̑ͣ<̩̹̗͇̠͔̽̀>͙͚̦͔̭̦̩̦ͮ̽͡<͓̥̫̪̰͖̯͋͟>̅̏͏͓̹̙̯͙̪͉͓<̵̺̗͌̓̏>̮̻͍̖̫̪̲͇ͫ͋̀<̫̥̠͖̣͚̿̉́̒͠ͅ>̷̙̞̱̖͌≮͖̹̻͚̰͓͎͉̇̐ͤ>̼̥̫̹̄̓ͪͥ͢<̧̗̭͇̭̯̯ͯ>̥̼̎̽͠<͙͈͎ͦ̋̚̕>̙̠̟̤ͮ̍͞<͖̝̮̭̟̃ͤ͆ͤ͞>̴̲̩̯̖͒͋<̶̳̺͕͖̰ͨ͌̆>̲̜̫ͬ̐͞<̷͔̮̓͋̒>̃̎҉̟̮͓͔<̵̱̬̉>̤̳͖̞̹̗̥ͭ́͌ͣ̀<̭̣̲͚͙̣̘̀͜ͅ>̯͓͗ͮ̈̅͘<̭̺̟̥ͭ̓͡>̳̝̠̠̺͇̣̼̎͟<̢͍͇̬ͬ̇̎̀>͙̟͕̞͔̭̯̽̄͆́ͅ<̝̠̲͕̗ͫͯͦ̿͡>͎͉̉͟<͔͓̤̹͍̰̘ͥ̾̒ͦ͟>̟̬̘ͬ́̚<̤̺̪̜͙ͮ͠>̤͕̂̍̅ͭ͠<̵͕͉̗̞̝̘̙͂ͬͤ>̧̤̣͙̲ͬ<̨̞̮͇͕̖ͣ̒>͎̰͓̙̗͇̲̄ͩ̈͗̀<̢̮̠̟͇̆́̅>͙͙̱͔̟̑̐͗ͦ̀<̷̫̖̣̲̺̠̝ͭ>̯̪͍̺̗̭̟̗̾̉͒́<̶͍̠̰͂̇̍̈́>̹̯͚̫͇̮ͧ̉͢

Here, I post mainly my experiments in algorithmic/electronic music with programming languages, mainly strudel and sonic pi (check Radio Dulu on YouTube for the live coding). In reposts and likes, 4 main areas of interest: 1) Afro-tropical rhythms, afrobeat; 2) retro 80s pop; 3) electronic, retro videogame music, chiptunes; 4) Turkish psychedelic, Balkan folk. 💛

CNDSD {* _ *} Creative Technologist, Audiovisual Artist and Electronic Music Producer from Mexico City, develops soundscapes with a post-cinematic approach. Her music immerses herself in the vast electronic universe, skillfully fusing a variety of subgenres to offer a unique listening experience.
From Deconstructed Club, Glitch, IDM, Footwork to Sound Collages, through composition and algorithmic execution, CNDSD challenges the limits of hearing and stimulates dance, creating profound audiovisual experiences that have left a trail in the live coding community.
With a career spanning international stages, CNDSD has presented live audiovisual performances at festivals such as Sonart Shanghai, MUTEK in Mexico, Japan, Argentina, Spain and Montreal, as well as at the International Symposium of Electronic Art (ISEA) in Korea and Montreal in 2019, Medialab Prado and Medialab Matadero,  Center for Art and Media | ZKM, the International Live Coding Conference, Aural Festival, Vorspiel and Transmediale in Berlin, ADAF in Athens, and more.

CNDSD's compositions are an amalgamation of organic and synthetic elements, creating a dynamic and expressive atmosphere that invites introspection and also explosion. With a master's degree in sound design for immersive experiences and video games and a propensity for experimentation with unusual rhythms and soundscapes, CNDSD embarks on technological eclecticism in the contemporary electronic music panorama.

Radio En Construction [90.7 FM de 14h à 2h / www.radioenconstruction.com 24h/24].

R.E.C ouvre tous les jours son antenne à 14h avec "Transmission" de Joy Division.

"Radio, live transmission" : trois mots qui se réinventent, chaque jour, au sein de l'équipe Radio En Construction.

A l'heure de l'hypermédiatisation et de la sur-information, R.E.C tente de s'affranchir des logiques médiatiques et cherche à s'établir d'avantage comme un "Cabinet de curiosités radiophoniques", en s'attachant toujours à son implantation dans le territoire et l'espace de la ville qu'elle habite et dans lequel elle émet.

www.radioenconstruction.com
redaction@radioenconstruction.com

New tracks tagged #live coding