Sascia Pellegrini: knobs, faders, buttons. 
Laptop: live processing.
Microphone and Hydrophone: signal processing.
Loudspeakers & Headphones: real time outputs.
Guests: Sound Card, Cables and Power Plugs.

Duet 1 from The Repository Project

The end of a live session with viola and signal processing from early January 2025. No arranging or post processing was applied.

Photo and music by Milchtritt

Sitzung mit Bratsche und Signalverarbeitung

Milchtritt is an exploratory venture based in Berlin.

If you like my work consider to support my The Repository Project on Bandcamp; or buy me a coffee: https://ko-fi.com/sasciapellegrini
Sascia Pellegrini was born a piano player, grew into a pianist/composer and is now maturing as a
percussionist and performer/composer.
He researches improvised and written music with a special interest in the perception of the act of
performance and the deeper implications of musical thinking. He often leads workshops on these
themes in universities and music schools for composers, instrumentalists and performers.
In his musical research, Sascia combines compositions for, among others, live electronics,
visuals and percussion. He has written music for various ensembles and has developed
choreography and visual works often in collaboration with dancers and other media artists.
As a percussionist/composer he has performed extensively in Italy, France, Germany, China,
Japan, Hong Kong and in his place of residence, Singapore. He has performed in Concert Halls, Theaters,
Art Galleries and Art Spaces, primarily as soloist and composer.
He was trained in percussion and composition at the Italian Conservatory “Puccini” of La Spezia
and he joined percussion, composition and conducting classes at IRCAM in Paris. In the course
of these studies he has met, learned from and shared ideas with a variety of stimulating
composers and performers.

New tracks tagged #live signal processing