Once more, the battery powered portable studio strikes back. Behringer Neutron doing the sound generation, Korg SQ1 some very basic sequencing and controlling the bucket brigade delay of the Neutron. Output sent to the Zoom MS-70CDR and recorded live directly to the Tascam digital recorder. Oscillators, LFO and attenuators adjusted live to conduct this electronic orchestra.

Crawfish Bucket Brigade Part I

The 6 song demo, "Junct" by Drive To Space, showcases a vibrant fusion of genres, seamlessly blending progressive rock with elements of funk, reggae, Americana, and bluegrass. Each track is characterized by intricate tempo shifts and key changes that create a dynamic listening experience, while the band’s tight jams and well-crafted material are enhanced by their signature three-part vocal harmonies. The improvisational sections invite spontaneity, allowing the musicians to explore their creativity and chemistry, resulting in a cohesive yet eclectic sound that captivates listeners from start to finish.

Sometimes

Ponder (extended cut)

Story

Hodge Podge

Greatest Show On Earth

Copilot

Behringer Neutron doing the sound generation, Korg SQ1 some very basic sequencing and controlling the bucket brigade delay of the Neutron. Output sent to the Zoom MS-70CDR and recorded live directly to the Tascam digital recorder. Oscillators, LFO and attenuators adjusted live to conduct this electronic orchestra. The same sequence by the SQ1 is used here as was used in Part I (https://soundcloud.com/francois_dion/crawfish-bucket-brigade-part-i?in=francois_dion/sets/lunchbox) but as you can hear, pretty different feel.

Crawfish Bucket Brigade Part II

54hp lunchbox eurorack modular synth and Korg volca mix. Disting in Shift Register Random Quantized Voltage mode driving the Beehive module. Frequency divider doing the percussions. The whole kit is once more battery powered and recorded directly to a Tascam digital recorder.

Shift Register Random Calvados Voltage

Silvermouse live at Finca Maravilla on March 15th, 2025

2025.03.15 Silvermouse Live at Finca Maravilla

My first single, Vendetta. Hope you enjoy!

Vendetta

An alternate performance of https://soundcloud.com/francois_dion/food-noise?in=francois_dion/sets/lunchbox

This track was recorded on the 54hp lunchbox eurorack synth. Shortwave radio feeding the Bastl Skis, 2hp kick, 2hp bell etc combined with an RD-6 drum machine

Back to my experiments from the mid 90s, but on my current portable equipment.

Food Noise (Alternate Performance)

Sonic Undertow

This is an excerpt from a completely improvised music journey produced live on the equipment you can see in the image. The full 20 minute journey can be watched here if you're curious: https://www.youtube.com/watch?v=G9mwvApl1CA

It's Time for a Better Way // Live Improv Music Production & Freestyle

Closed LiB '25 with my take on the track that made me fall in love with Electronic music.  Enjoi. Artwork by my guy @gnarpony

Breathe Just

Willdabeast & Garlic Party – Represent (It’s Gonna Be Alright) feat. Ashes For Ashes

Grab it here:  https://hypeddit.com/represent

Grand Alliance Music unleashes a powerhouse collaboration between brass-fueled bass duo @Willdabeastofficial and high-energy groove architects @GarlicParty. “Represent (It’s Gonna Be Alright)” is a bold, uplifting fusion of live horns, driving beats, and cinematic basslines, crafted to move both the body and the spirit.

Blending infectious melodies with a message of resilience, the track strikes a balance between raw dancefloor energy and a warm, hopeful core. Whether dropped in a late-night festival set or blasted on your morning drive, “Represent” reminds listeners that no matter the chaos, it’s gonna be alright.

Represent (It's Gonna Be Alright)

Willdabeast & Garlic Party - Represent (It's Gonna Be Alright)

Buy/Stream

Willdabeast & Garlic Party - Represent (It's Gonna Be Alright) ft. Ashes for Ashes

Take Flight (Horizon) Live @ T&Jays 9.13.25 (New Unreleased Original Track)

Drive To Space fuses their energy into a cohesive, mind-meld of sound - complete with tempo and key changes, odd meters, tight jams, and of course, well-written, complex material interspersed with improvisation.  Organ screams & funky synths partner with a rhythm section that has been together for nearly thirty years! All of this - and a sweet light show!

thisissami is a live electronic artist who takes audiences on completely improvised journeys, most often using loopers. He also curates and facilitates improvised jams with a huge variety of artists.

IG: @logiemusic

Michigan raised. LA based. Groove lover. Drummer. Connector. 

Thanks for listening.

Silvermouse weaves mind-bending psychedelic soundscapes, drawing from roots in UK rave culture and American jam rock. Distinguished by bass and violin, grounding synths, percussive rhythms, flying guitar riffs, and signature spiraling improvisational live performances,  the duo’s muses are nature and cosmic existence.

Silvermouse’s current project, ‘Psychoactive,’ is a deep journeying dive into the potential of music as a psychoactive entity. The pair have been elevating their sound with spatial audio and Monroe Sound Science, using brainwave entrainment signals to create a safe container and a trigger for altered states, consciousness exploration, and mind-soul axis elevation.

Grand Alliance Music is an independent label and creative collective built on collaboration, authenticity, and sonic exploration. Founded with the belief that great music transcends category, the label has become a hub for artists unafraid to blur the lines between electronic, experimental, hip-hop, jazz, soul, and cinematic soundscapes. Every release under the Grand Alliance banner carries one truth, the music must move you in spirit or in sound.

What began as a grassroots artist network has evolved into a multidisciplinary platform bridging producers, instrumentalists, vocalists, and visual storytellers. Grand Alliance thrives in the intersection, where analog warmth meets digital precision, where emotional truth meets sonic experimentation. The label’s community ethos encourages artists to create boldly, share transparently, and grow together.

Through its Open Genre ethos, the label embraces the untamed and the undefinable, the artists shaping what’s next by refusing to repeat what’s been done. Grand Alliance Music isn’t just a label; it’s a living frequency, one of connection, evolution, and sound that breathes without borders.

From the Pacific Northwest and beyond, Grand Alliance continues to build bridges between scenes, genres, and generations, carving out a space where creativity leads and category follows. Because at its core, Grand Alliance isn’t just a label. It’s a reminder that music, like people, is meant to connect freely, fearlessly, and without walls.

More information can be found here:  

https://www.grandalliancemusic.com

https://linktr.ee/grandjams


Submit music to us here:   https://hypeddit.com/grandalliancemusic/submityourmusic

Submit to our Spotify Playlists:
https://hypeddit.com/grandalliancemusic/spotifysubmit



Founded by: @willdabeastofficial

Lunar Lighthouse’s original productions are a fusion of the two members' production styles and influences. Ryan focuses on the composition, mixing, and broad artistic movements while Dixon focuses on the groove, low end, and technical aspects of their tracks. Together they create a sound that they can really only describe as Dance Fusion.

Canadian Polyglot and polymath living in North Carolina, Francois is Head of Dion Research by day, & artist, maker of instruments & effects, musician, photographer & sound engineer by night.

His interest in music started at a very young age when he studied classical piano and electronics, both of these things would be quite influential on his future work.

He started composing electronic music as a kid in the early 80s and experimenting with sampling on an Apple //e, and would later use the Amiga, Apple IIgs and on the PC, the Gravis Ultrasound wavetable soundcard, and would publish soundbanks for it. Today, most of his music is done without computers, on modular synths and effects built by him, along with some commercial synths and effects.

From 1988 to 1997, he hosted a show on electronic music from its beginning in the early 20th century all the way to modern electronica, and the history of it and the technology that enabled it. He also did a stint at the Canadian Broadcasting Corporation and Videoway / Videotron in Montreal.

In parallel with that, he would continue releasing music through various media, including digital media before MP3 files (through MP2 and ADPCM WAV files on Hyperreal, IUMA etc). In those 30 years to now, he has produced an average of ~1 album (EP or full) a year

New tracks tagged #livetronica