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Free read  White Logic, White Methods: Racism and Methodology

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In this collection of essays, the authors examine how racial considerations have affected the way social science is conducted how issues are framed, and data is analyzed. With an assemblage of leading scholars, White Logic, White Methods explores the possibilities and necessary dethroning of current social research practices, and demands a complete overhaul of current methods, towards multicultural and pluralist approach to what we know, think, and question.

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(chorus)
Thumbing and thumbing 
Your body be moving
She losin you losin 
I need you choosin stay choosin 
Block to the hills the hills
Stomp the pills the pills
Printing the bills the bills
Plotting on mills on mills

Verse 1
Try to play boy I'm uppin the toll
Play with fire I shove you in the coal 
Wait until you charred and serve it up cold
They say you wildin feeling bold 
Coming for they necks boy thought I told
I need these fuckin checks before I get too old
I'm young and reckless like drama did it
I'm the rebel but this sound like Em did it
Always scoring Like Melo you must admit
Its me vs me so I never quit 
drink and drink til I vomit 
Swear I wished on a star musta been a Comet 
Been away from the bar 
They said I had to commit
So fuck you and fuck you
 ion even care to say shit 

(chorus)
Thumbing and thumbing 
Your body be moving
She losin you losin 
I need you choosin stay choosin 
Block to the hills the hills
Stomp the pills the pills
Printing the bills the bills
Plotting on mills on mills

Verse 2
Testing the waters is the coast clear?
They telling right in my ear
Thought I told you boy I have no fear 
I'm a Demon boy don't care bout ya tears 
Everybody schemein boy Imma see em in the rear
Everybody screaming boy gramma said “oh dear”
Losing thought, losing hope, losing control 
I need something to get me out this hole
she like my voice when I call her honey 
Bouncing like a bunny
Always dark its never sunny 
Real vampire these boys ugly 
Throw them in the fire hang it loosely
I get what I desire its from the Lucy 
Rollin like a tire drink more to induce me
I've been higher you can't confuse me
(chorus)
Thumbing and thumbing 
Your body be moving
She losin you losin 
I need you choosin stay choosin 
Block to the hills the hills
Stomp the pills the pills
Printing the bills the bills
Plotting on mills on mills

Verse 3
If you don't got demons you ain't gon roll with me 
I been plotting schemin you ain't gon troll me
I been in too many fights you ain't gon fold me
Been focused on business making money
these motherfuckers fake I hate that shit
I fell in love with the punishment
The more pain and torment 
That you can endure is an endorsement
please your endorphin 
My body is morphin 
Stay on the course then
The mills be comin
we in the whip cruisin
Watchin they face an
Goin place to place 
We leading never chase

Thumbing

Selekted Podcast 001 - Betoko

Tracklist: TBA

Betoko
https://open.spotify.com/artist/48aaubPa3RsbAp4uCPhoS7
https://www.beatport.com/artist/betoko/38372
https://www.facebook.com/betokoofficial/
https://twitter.com/Betoko
https://www.instagram.com/betokouk
https://soundcloud.com/betoko
https://www.youtube.com/channel/UC4TW-jNPllktUdzJVURoXjQ

OKO Recordings
https://www.facebook.com/okorecordings/
https://soundcloud.com/okorecordings
https://www.beatport.com/label/oko-recordings/12507

Selekted Podcast 001 - Betoko

"Squid Ate the Cat (Which Was a Dog)" is a surreal, playful electro-pop track that drifts through the foggy dreamscape of a vividly bizarre sleep vision. Mixing humor with a touch of cosmic awe, the song paints a scene where vernal pools hold secrets, squid become caves, and beloved pets shape-shift in shifting realities. Its looping lines and strange beauty capture the feeling of a dream you half-remember but can’t shake. With glitchy beats, whimsical synths, and a sense of childlike wonder, it’s a sonic trip through subconscious space.

Squid Ate the Cat

“Subconscious Carnival” is a swirling, unpredictable psytrance journey through the sensory corridors of the unconscious. Clocking in at 142 BPM, the track opens with a hypnotic rolling bassline and syncopated acid synths, layered with kaleidoscopic tribal percussion that lurches between euphoria and distortion.

Bright flashes of handpan loops, fractured FX, and distant, warped carnival sounds echo like forgotten memories—twisted through the funhouse mirror of perception.
Inspired by dream logic, Jungian archetypes, and the psychology of overstimulation, the track captures the feeling of getting lost inside a chaotic inner ritual.
A celebration of everything the conscious mind tries to suppress.

Subconscious Carnival

Important Notice for Inquiries:
If you’re reaching out regarding music collaborations, promotions, or record label opportunities, please include verifiable identity links. I do not respond to unsolicited messages from Gmail accounts, especially from those claiming to be record executives or industry professionals. Thank you for understanding. You can contact me directly at riven.waters.infinite.story@gmail.com.
About My Music:
I create original, genre-blending music that fuses rock, classical, easy listening, and experimental styles. Each song is crafted with deep emotional honesty, often inspired by my own poetry, journal reflections, or personal stories. Whether instrumental or vocal, my focus is to uplift, inspire, and resonate with listeners on a real, human level.
I don’t settle for “good enough.” Every track goes through hundreds of iterations, shaped by a balance of intuition and precision. I use advanced AI music tools to explore sound and emotional tone, then refine everything in Logic Pro for professional production quality. It's a fusion of heart and technology, and through it, I aim to connect, heal, and inspire—one song at a time.

London based, Mexican born Betoko is a producer who has quickly risen through the ranks, having drummed in bands and played guitar as a teen, it was here that he discovered a passion for electronic music.
His early releases showed the man to have his own distinctive approach joining the dots between techno, minimal and house music with great style.

With a huge esteemed back catalogue, Betoko regularly picks up support from the worlds finest DJs, whilst his tracks have been licensed for use on TV shows like CSI, a number of advertising campaigns and Madonna’s Sticky N Sweet Tour.
His natural progression and hunger for great new music means Betoko is now the head of his own two labels, OKO Recordings and Chilli
Mint Music both of which release quality dance music on vinyl/digital constantly charted by the top 100 DJs.

Betoko's global hit "Raining Again" released on Diynamic Music has become a classic and was labeled the Track of the Summer in 2012 with more than 20 Million Views on youtube.

Betoko's infectious sounds have been heard at Amnesia, Warung, Green Valley, Space, Fabric, Ushuaia, Kater Holzig, numerous Festivals and pretty much every top club in the world, and has played b2b sets with DJs like Sasha and Nick Warren.

Betoko is based at the world famous Red Bus Recording Studios and is a sponsored artist of Native Instruments, Arturia and Dave Smith Instruments.

Bookings:
Worldwide: mgmt@betoko.com
Mexico: Born in Mexico / Marco Arce / marco@borninmexico.tv

New tracks tagged #logic,