Modular

044 (SQ-1, NTO, DUSG, min.max, VCFQ, Planar 2, Sarajewo, Springray 2)

043 (O-CTRL Serge Sarajewo Feedback Modulation Springray)

042 (A-118-2, VCFQ, Springray 2) dripping cave, crackling

037 (DUSG, VCFQ, TWS+, WM, Ring, Optomix, A-118-2, Samara, Planar 2, Springray)

034 (DUSG, VCFQ, Sarajewo, Springray, OCTRL)

030 (Serge DUSG Ring Sarajewo Springray Drone)

fm filter ping samples played through a Kyma multigrid

Jamuary 17 - kyma and serge

Simple Serge patch, cross modulated DTGs ringing a Reseq. Processing with parallel fx layers in Bitwig.

Jamuary 22 - processing some serge impulses

Subharmonics from a DTG suspended in heaps of reverb

Jamuary 28 - reverberant subharmonics

Jam with my Serge system over a bed of sputtering Pulsar 23.

Jamuary 30 - serge and pulsar23 jam

Jonathan Zorn works as a composer, performer, and curator of experimental, electronic, and improvised music. His electronic music pairs improvising musicians with interactive computer systems to create hybrid, human-machine ensembles. Zorn's interest in vocal utterance has resulted in a series of pieces in which spoken language is interrupted by electronic forces, drawing attention to the gap between speech and sound. Zorn has been active as an improvisor on bass and electronics for 15 years and has performed at Red Cat, the Walker Art Center, the Verona Jazz Festival, the Library of Congress, the Seattle Festival of Improvised Music, Line Space Line Festival, and the Chelsea Art Museum. His work has been published in Ord und Bild, the SEAMUS Journal, Notations 21, and UbuWeb. 

New tracks tagged #loudest warning