A sad shanty about a love that would never be.

Hearts Asunder

Favourite One" is a melancholic reflection on fading love, changing seasons, and emotional resilience. With poetic lyrics and stripped-down instrumentation, the song captures the quiet heartbreak of watching something beautiful drift away with the snow. A must-listen for fans of indie storytelling and acoustic soul.

Favourite One

I recorded this after I greened out, its a freestyle inspired by juice wrlds sound 
if you enjoyed make sure to show love and thank you for listening!

Follow me on socials:
https://linktr.ee/ThekidGx

#emo rap #juicewrld #sadrap #melodicrap


My Hell

Phillher; Eaterrrrrrrr unreleased

VB-Where We Used to Be

Time is precious.
Moments come... and slip away.
Love. Life. People. Dreams.
We lose them to time, war, pollution... disease.
Some things we can’t control.
But we can choose to *feel*, to *remember*, and to *care*.

This is not just a love song.
It’s a reminder... of everything we’re trying to hold on to.


HOW DID YOU SLIP AWAY
Words and Music by: Jeff Silverman
So Look It Music (ASCAP) ©1985

Vocals, Guitars, Keyboards, Bass, Drums -
Produced, Engineered, Mixed and Re-Mastered by: Jeff Silverman
Palette Music • Studio • Productions,
Nashville / Mt. Juliet, Tennessee, USA

Also available on Palette Records, Jeff's website and all major digital outlets.
www.paletterecords.net  •  www.palettemusic.com


“How Did You Slip Away”

Verse 1
So many nights I sit here all alone
Thinking about the past
Even though, it was long ago
You’re on my mind, my heart longs to find 

You, back into my life
Like we were before
Oh, what I’d give to you
To feel our hearts on fire again

Chorus
Tell Me, how did slip away, slip away from me
Tell me how did slip away, slip away from me
When the band stopped playin’, the melody faded away

Verse 2
When I close my eyes, I can feel your touch
Your body’s close to mine
We’ll the visions clear, but it’s never  enough 
I want you hear right by my side

Oh, I know it’s history and life goes on from here
But you will always live in me
I will live this mystery

Chorus

Solo

Chorus 
Tell Me, how did slip away, slip away from me
Tell me how did slip away, slip away from me
So tell me how did you slip away, just slip away from me
How did you slip away, slip away from me
When the band stopped playin’, the melody faded away

How Did You Slip Away

FACE TO FACE is a confrontation of self — a moment of truth where ROUGE goes deep, facing the darkness and betrayal head-on.

With haunting melodies, heavy drums, and a heart laid bare, this track captures the bitter taste of broken trust and the aftermath of love turned toxic.

“Where were you when I needed you? Now I see through you.”
ROUGE channels pain and growth, realizing that trust is earned, not given — and that some wounds take time to heal.

This isn’t just a song — it’s a reflection. A goodbye.

Performed by: ROUGE
Produced by: ROUGE

Let it play, feel the weight.

Follow here:
ROUGE – @karlisrudolfs
HARDLY KNOWN NEVER FORGOTTEN - available on Apple Music / Spotify


FACE TO FACE

What did I do
Or don’t you know
Just let me see your eyes
Before you go

They always tell me
What you won’t say
Sometimes you try to hide
But they give you away

They used to say you need me
But they’re not sayin’ it-----anymore 

   Where are the flowers
   Where’s the wine
   Have they gone the way
   Of everything else in my life

   Do I live anymore
   In your mind
   Where are the flowers
   Where is the wine

Those little things
We used to do
Said you loved me
And said I loved you

But it don’t happen
Anymore
We’re livin separate lives
But one thing’s for sure

I will never forget about
The special times
We had

   Where are the flowers
   Where’s the wine
   Have they gone the way
   Of everything else in my life

   Do I live anymore
   In your mind
   Where are the flowers
   Where is the wine

  
 I will never forget about
The special times
We had

   Where are the flowers
   Where’s the wine
   Have they gone the way
   Of everything else in my life

   Do I live anymore
   In your mind
   Where are the flowers
   Where is the wine
   

   Where are the flowers
   
   Where is the wine
                                                        
          c 9/99


Where are the flowers  (s)

Lonely embrace

The night, insistent night
Hides the secrets of my heart
Hides the pain I feel
And the truth that breaks me apart
Blindness, across my face
Eyes waiting for that big mistake 
For that glimpse that fades 
A light to be contemplated

Symphony of clarity
Can I wait, for you, for me 
Eyes shut closed, silence 
Where are you, come with me

Bitter embrace
Solitude trace
Slow running pace

Night, ahhh ah ah 
Cold, uhhh uhhhh
Symphony, for you, for you 
Uhhhh, uhhhh

Slow turning race
Ahhhh, ah ah ah 
Cold embrace 
Solitude trace
For me and me 
Heyyyy ohhhh
Bitter embrace
Slow running pace

For me and me
Clearing the air ah ah ahhh
Cold embrace
Slow turning trace
For me and me
And you ah ah ah ohhh
Bitter embrace
Slow running pace

Silence walking
Steps arresting the sight of you 
In the night I see
Eyes shut closed 
Nothing to see
Searching for rhythm
For you an me
Oh oh oh
Bitter embrace
Slow running pace
Night you stole 
My heart away

For you, for you
For me, me ohhh oh
Night, insistent night
As the secrets of my heart
Tell me once where are you taking me

My eyes are shut to you ohhhh
Please
To you oh oh oh oh
And me

Hey eh ehhh eh
Bitter embrace
Slow and dance
Mentioned slow
My heart all made for you
For you

For me, me

Red stained soul

Lonely embrace

Entangled embrace


In the shadow of the lonely pines,

Where the whispering wind of lost love winds.



I walk this road with a heavy heart,

Every step tearing the memories apart,

Your ghost lingers with every breath I take,

But I remember the warmth, and yet I break.



So l say no to your embrace, 

Not out of malice, just lost in space,

The way you hold me, it redefines,

A love like ours, tangled in the vines.



The scent of your skin, it haunts my mind,

In the silence of night, it's you l find,

Every hug we once shared, it's a bittersweet dance,

But lost in that moment, I don't take a chance.



What do you smell, mine or yours?

An ache that feels like distant shores,

And the eyes tell a story, I wish could erase,

But love's a riddle, the warmth and yet I brake.



So l say no to your embrace, 

Not out of malice, just lost in space,

The way you hold me, it redefines,

A love like ours, tangled in the vines.


So l say no to your embrace,  

Not out of malice, just lost in space,

The way you hold me, it redefines,

A love like ours, tangled in the vines.


The scent of your skin, it haunts my mind,

In the silence of night, it's you l find,

Every hug we once shared, it's a bittersweet dance,

But lost in that moment, I don't take a chance.


The scent of your skin, it haunts my mind,

In the silence of night, it's you l find,

Every hug we once shared, it's a bittersweet dance,

But love like ours take a little vine.


The scent of your skin, it haunts my mind,

In the silence of night, it's you l find,

Every hug we once shared, it's you I find

Every hug we once shared, it's you I find



In the quiet of dusk, I face my fears,

But still, your memory brings the tears.

Entangled embrace

He met her on a summer day
Their life was like a song
But his living took him far away
He’d been away too long

   She’d said that she’d be waiting there
   Like all those times before

   But she wasn’t waiting, anymore

His heart belonged to her, he said
He thought her love was true
But she no longer felt that way
She wanted someone new

   Her life had been and empty dream
   She said she needed more

   And she wasn’t waiting, anymore

He knew that she’d been left alone
It wouldn’t happen anymore
He couldn’t count the many times
He’d left her by the door

   He vowed to bring her happiness
   To even out the score

   But she wasn’t waiting
   She wasn’t waiting
   She wasn’t waiting, anymore


©  3/98   J. Michael Tracy  All Rights Reserved


She wasn't waiting  (s)

A melancholic post-love reflection wrapped in metaphor. This track explores the wreckage of a once-burning connection and the smoke-filled aftermath of emotional fire.

Ashes & Amber

Ain't No Way <3

Verse 1
Well she gave me  a snake for a fish
She gave me all this pain
She gave me a stone for a loaf
And set my house aflame

“”Why” is not a question now
But where will I now sleep?
 “When” may never see and end
What will all this mean?                        
What will this mean?

Chorus 1
Where can I find peace right now
When there’s nothin’ left below my feet
Like a plastic bag floating in the wind
I’ve lost my destiny

Will I finally feel firm ground
Or will I drift through the rest of my life
How could she have such power over me
And leave with no goodbye
I never agreed to this
I never agreed to this

Verse 2
She told me that we could be friends
But her smile masked the truth
She had painted a world of pretend
Then burned it and blamed me too

She left me with nothing but pain
But the scars still whisper her name
The years have come and gone since then
Yet nothing feels the same
Oh nothing feels the same

Chorus 2
Where can I find peace right now
When there’s nothin’ left below my feet
like a plastic bag floating in the wind
I’ve lost my destiny

Will I finally feel firm ground
Or will I drift through the rest of my life
How could she have such power over me
And leave with no goodbye
I never agreed to this

Outro
I don’t know if time will heal
Or make the past more real
Snakes and stones are all I get
Is that the only cure?
I never agreed to this
I never agreed to this
I never agreed to this


I Never Agreed to This

(verse 1)
---2021-------A year that wouldn’t end
------Lost my innocence---and my best friend

(chorus)
  Don’t ask me why—cause I don’t understand
  ---If big boys don’t cry-----then I’m a little boy again

(verse 2)
---I’ve lost someone---and there’s nothin’ I can do
It tears me up inside---but still I’ll see it through

(chorus)
   Don’t ask me why—cause I don’t understand
   ---If big boys don’t cry----then I’m a little boy again

(bridge)
-And if this year--would just pass me by 
Then I could live again---or at least I’d tryeeieeiiiii  

(instrumental interlude)

(verse 3)
--And I’ll carry on--but still I wanna know
If life goes on-----where does it go

(chorus)
   Don’t ask me why—cause I don’t understand
   ---If big boys don’t cry----then I’m a little boy again

(outro)
   A little boy again
   
   A little boy again

                                                  
                                                          
©  7/01   J. Michael Tracy   All Rights Reserved


A little boy again (s)

An older track that shows artistic growth and emotional vulnerability. Sometimes the most painful experiences create the most authentic music.
A deeply personal track about heartbreak, love lost, and the aftermath of a relationship that meant everything. This song captures the raw emotion of someone who gave their all to love, only to face the pain of it ending.
Written from a place of genuine hurt and reflection, "So Much Pain" explores the confusion and devastation that comes with losing someone you thought would be forever. The lyrics dive into the questions we all ask after heartbreak - what went wrong, what could have been different, and why love sometimes feels like a game.
This track is for anyone who's ever loved deeply and lost hard. It's about that person who changed your whole world, the one you'd still choose again despite all the tears. Raw, honest, and unfiltered - this is what real heartbreak sounds like.

So Much Pain

Js a guy who's been through it 🎧
follow if u fw me🫂

hmu if u tryna work!

@thekidgx on all socials show love💭

After her debut singles “Kintsugi Heart” and “Love for Later” made waves in spring 2024 and landed on early playlists across the globe, Audilia is now preparing to release the remaining six tracks of her first album, Seasons. Shaped by a unique blend of indie, folk, jazz, and intimate storytelling, the forthcoming LP reflects a journey from vulnerability to strength. The first glimpse of this is already out – and leaves listeners eager for more.
A singer, songwriter, and multi-instrumentalist, Audilia has quickly found her own musical voice. Eschewing predefined genre boundaries, she tells stories that are deeply personal yet universally resonant. With a distinctive voice that lingers in the memory and a natural approach to her art, she creates an atmosphere that feels entirely free of pretence – honest, unpolished, and profoundly moving.
The album – a collection of eight tracks, to be complemented by six more starting in January 2025 – explores themes of falling, healing, and growth. Versatile piano arrangements, often vintage and imbued with a unique warmth, resonant horns, organic sound textures, and the characteristic guitar tone of her long-time collaborator form the foundation of a sound that is both familiar and refreshingly new.
In her studio, nestled among the trees and far from the noise of the world, Audilia crafts her music. Her approach is simple yet meticulous: often dressed in dungarees, barefoot at the piano, refining every detail until each note feels just right. The clarity and sincerity that define this process resonate through her music: from whispering intros to orchestral refrains, from minimalist, organic tones to multi-layered compositions that surprise with their depth.
For Audilia, music is a gift – one she embraces with gratitude and passion every single day. It is, above all, a way to connect people, to tell stories, and to create something lasting. Her music invites listeners to pause, to lose themselves, and to find their way back again. For those who find beauty in quiet moments, who see the extraordinary in the ordinary, and who are drawn to the essence of authentic storytelling, Seasons will be a truly special companion.

ALBUM: "HARDLY KNOWN NEVER FORGOTTEN" out now!
Hey. I'm, ROUGE. I'm here to stay so get to know me! If yall enjoy some partying and getting lit sometimes, but then coming down and being a lil reflective about all that, then you'll vibe with my music. Peace out!

I'm a passionate, independent Christian songwriter. Thanks for sharing this musical journey with me. Appreciate your streams, feedback, comments, likes, and time!

Jeff is proud to be a voting member of The National Academy of Recording Arts and Sciences - Producers & Engineers Wing, SAG-AFTRA and a new member of NPN (Nashville Publishers Network). He has worked on gold, platinum and award-winning projects for artists such as Rick Springfield, The Allman Brothers, B.J. Thomas, Nick Gilder, Charice, Boyz to Men, David Cassidy, George Clinton, Paula Abdul, Prince, Kevin Raleigh, Jules Shear, Hiroshima and Stephen Bishop.

Songwriter Credits include: Rick Springfield, Nick Gilder, B.J. Thomas, Kevin Raleigh, Brenda K. Starr, “Rags To Riches” (theme song), “Losin’ It” (theme song), Shelley Duvall’s “Bedtime Stories” (theme song and episodes), “Santa Barbara” TV show (several cuts with Indie artiste Aeone), Chico and Bunny Debarge, Shari Belafonte, Chris Norman, Tim Weisberg, and Philippine based Viva Recording artists Jaya and Donna Cruz. He has also had songs on soundtracks such as “License To Drive”, “Youngblood”, “TJ Hooker”, and “Nobody’s Fool”.

In addition to his credits for engineering on the Emmy Nominated “MISTS OF AVALON,” with Palette Records’ artist, Aeone, Jeff co-produced, co-wrote, performed, mixed & mastered on “From The Vault (A Collection of works by Rick Springfield and Jeff Silverman)” with Multi-Platinum artist, Rick Springfield which was released on Frontiers Records in March 2010.

For more information, please go to https://www.palettemusic.net

Solive Raye is the sound of solitude given form, quiet thoughts turned into raw, melodic truths. A former engineer and lifelong observer, Solive Raye writes for those who feel alone in crowded rooms, where silence speaks louder than words.


Blending dark, atmospheric tones with flickers of hope, his music lives in the in-between: not quite despair, not quite light, but something honest.


Raised in movement, from football fields to refereeing lines, he now wanders more internal landscapes, shaping every lyric with the precision of an outsider looking in.


Solive Raye doesn’t shout. He resonates.



My name is John Michael Tracy I write songs, jmtsongs.com , love photography, hunting, fishing and all of the outdoors. I was born on Jan. 11, 1957 in Elmira, NY.  I’m the oldest of six children, and my family lived, for most of my youth, in Athens, PA., which is right across the border from Upstate New York.   
	My parents had me take piano lessons when I was a kid, and when I was a teenager, I taught myself to play guitar.  Some friends and I had a country band, and we played local spots for a while.
	In my early twenties, I bought a 4-track recorder and enjoyed playing and recording songs that I liked from the Eagles, Jim Croce, Lobo, David Gates and Bread, Dan Fogelberg, etc.  I sent the recordings to my Grandfather, who had a band when he was young and performed all over upstate Pennsylvania and New York.  One day he asked me why I didn’t write my own songs.  The thought had never occurred to me, but once I’d considered it, it sounded like a great idea, and I told him that I bet I could do it.  
	After the first hundred songs or so, I called a few record companies to let them know that there was a new talent ready to take over the songwriting world, and they suggested I join NSAI first to help me hone my craft.  So I did.  In the mean time, I was sending quite a few of my songs to Washington to be copyrighted.
	A Publisher/Writer named Donn Hecht (most famous for co-writing Patsy Cline’s “Walkin’ After Midnight”) had someone working for him in Washington that noticed the number of songs I was copywriting.  Donn contacted me and asked me to send him some material. I did. He became my publisher, mentor and friend until his death in October 2002. He taught me more about songwriting and the business than anyone I’ve ever met.
	In the Spring of 2000, I wrote a song called “The South’ll Rise Again” and sent it to the nationally syndicated “The John Boy and Billy Big Show” as a gift, never imagining they’d ever do anything with it.  They were impressed enough to play it on the air, and it has been on their “Best Of” shows ever since.
	After the terrorist attacks of 9/11, I wrote a song called “Give’m Hell U.S.A.”  and  sent it to President George Bush and some of his staff.  Both President Bush and his Chief of Staff, Andrew Card, responded with really nice thank you notes. 
	I’m also a member of the local and National GTO clubs, own a 1970 Judge, and have written several “hot rod” songs that get regular play at many car shows and cruise-ins.
           My wife Kathy and I lived and worked in Nashville for a year and met many wonderful artists and songwriters who inspired and encouraged me.
	As the successful songwriter, friend and mentor, Jerry Vandiver says, “We write, because we have to”. The music needs to come out so we do what we love, and let it flow.

My plans it's about to create new sound of our music

New tracks tagged #love lost