Classical cover of Beethoven, Ludwig Van - Für Elise Bagatelle No. 25 in A minor (WoO 59, Bia 515) (For Elise) - (Per Elisa)
- performed by Rob Otsky

LICENSE

Beethoven, Ludwig Van - Für Elise Bagatelle No. 25 in A minor (WoO 59, Bia 515) (For Elise)

This is one of, if not the last Pesto Anchovi remix I'll make.

Anchovies in the Moonlight (Pesto Anchovi Remix)

Finally I picked up the courage to try this piece! This is a legendary piece that almost everyone knows. I think this is the only classical piece that the entire universe knows thanks to cars reversing and water dispensers everywhere :P .

Für Elise or (For Elise) was composed by Ludwig van Beethoven. Of course everyone knows Beethoven since he is the genius who composed and played even after he lost his hearing! This is only possible when the great could visualize the piece completely in his mind and is such a perfect virtuoso pianist, that he can mimic the sounds in the mind in reality without needing a feedback! What I feel is the biggest plus for Beethoven is that his pieces are very easily reachable by common folk. Compared to other classical giants like Bach, Choppin whos pieces arent easily appreciated, Beethoven’s style and elegance is easy appreciated by musicians and others alike.

The piece itself is a testimony for what I’ve mentioned above. Its based on A minor, with simple arpeggios on the left hand while the right plays the melody. Its such a simple piece that most people feel that its not even worth playing in a recital! But the piece has such an amazing level of expressiveness. This is a piece that can be played beautifully by one person while the other person can make it feel bland while playing the same notes. The piece also has three distinct stages, one is the recurring theme, that everyone is familiar. In between the recurring theme are two stanzas, that have very different moods. The first stanza is a very curious and very mischievous one. The second one is a stanza that emphasizes anger, and the cools down back to the recurring soft theme.

For me, this piece is one of the best compositions ever. I have to thank Valentina Lisitsa for her version of the piece which is what inspired me to try this in the first place. I hope I’ve done a reasonable amount of justice to this masterpiece and I hope you guys like it.

[Update] Made a better version on 23rd June after a lot of feedback that my tempo was waaaaay off. So I’ve slowed the piece down a little more and increased the pace of the faster sections! I’ll make a overall faster version a little later after more practice :)

Ludwig Van Beethoven - Bagatelle in A minor (Fur Elise)

This is a competitive marching band show based inspired by "The Most Astounding Fact" by Neil Degrasse Tyson as well as Van Gogh's "Starry Night" painting. The premise of the show is what it's like as a human to look up at a starry night and how it feels to be a part of such a magnificent universe. Music selections are original music by Jeff Chambers, Clair de Lune (Debussy) and Moonlight Sonata (Beethoven). 

Full show details: https://www.jeffchambersmusic.net/starry-night

To Purchase: email jeff@jeffchambersmusic.net

To see a complete catalogue of music please visit www.jeffchambersmusic.net

"Starry Night" Marching Band Show

Check it out on YouTube: https://youtu.be/ZXGsnelW2yk

===== DIALOGUE =====
"If you do strike me down... my symphonies will go unfinished."
"If I strike you down..."
"My symphonies go unheard."
"So you see, you have put me in quite a conundrum."
"But perhaps it is this weird sense of... optimism..."
"That enables me to do this."
"..."
"Applaud, my friend, the comedy is over."

"And tragedy is about to strike."

===== NOTES =====
AT LAST. 7 MONTHS LATER. AND IT SOUNDS LITERALLY ***NOTHING*** LIKE THE PREVIEW.
BUT BEETHOVENIA IS RELEASED.
AND THE CRITICS
ARE
Q

This was a little bit of an experiment. I had no idea what I was gonna do with Beethovenlovania when it struck me:
Make a it megalo that goes from pure piano to orchestral to fucking batshit metal.
The orchestral part idea originates from the first version of LUNATIC, a part that you haven't heard because it wasn't part of the preview (nor was it actually made at the time of the preview's upload i think).

I had a lot of fun messing around with numerous songs Beethoven's known for. There's one song I would've wanted to add but had no idea how to. And that's fucking beethoven song that comes on Windows XP. The mixing is probably rougher around the edges than i'd wanna admit but overall I still think this is one of my better works, 'specially compositionally.

EDIT: NO THIS ISN'T FOR CLASSICAL CHRONICLES SWAP GET THAT SHIT OUT OF YOUR HEAD.

===== CREDITS =====
@pyrartmid for inspiring the dialogue

[A Beethoven Megalovania] LUNATIC

Bodenseefestival 2011 - 10.06.2011

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Beethoven - Sonata No. 23 in F minor op. 57 "Appassionata" (Live)

Light elegance – beautiful symmetry – amazing variety – stunning contrasts: two rondos and four sonatas by the four great Viennese classics: Haydn, Mozart, Beethoven and Schubert.

Viennese Classics for Piano: Haydn: Sonata No. 30, Hob. XVI:19 – Mozart: Rondo, K. 485, Sonata No. 12, K. 332 – Beethoven: Rondo, Op. 51, No. 1, Sonata No. 5, Op. 10, No. 1 – Schubert: Sonata No. 13, D. 664

Ludwig van Beethoven: Piano Sonata No. 5 in C Minor, Op. 10, No. 1: III. Prestissimo

Ludwig van Beethoven: Piano Sonata No. 5 in C Minor, Op. 10, No. 1: II. Adagio molto

Ludwig van Beethoven: Piano Sonata No. 5 in C Minor, Op. 10, No. 1: I. Allegro molto e con brio

Ludwig van Beethoven: 2 Rondos, Op. 51: No. 1, Moderato e grazioso in C Major

🎶🎵 WELCOME TO MY MUSIC CATALOG 🎶🎵
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📧for license inquiries: contact(at)domcapuano.com 🎵🎶

Newspaper critics are unanimous in their praise of Vadim's interpretations deeming them as «sensitive and expressive», «intelligent and powerful». With record-breaking 235 million views, his interpretation of the «Nocturne in E-flat Major» by Frederic Chopin is among the most popular classical music recordings on YouTube.

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

DO NOT reupload my stuff from ANY of the accounts my work is hosted on to other platforms regardless of whether or not I have reuploaded it to YouTube myself. Anything I choose not to reupload is skipped for a reason. 
Plus it's generally a shit thing to do, to reupload someone else's work without their permission, EVEN IF you credit them.

(Bilibili is the one exception, but still please credit!!)

If you would like to use my work transformatively (i.e. not just a straight-up reupload for the views or exposure), feel free to DM me here on SoundCloud, but I might take a bit to reply because I tend to be kind of crap at talking to people I don't/barely know.

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Hey there! I'm Toadie, and I make... a crapload of Undertale fancontent. It's quite genuinely insane the amount of work I've produced -- most of it can be found on @toadiedoesalltheworktbh, the "collab" account between me and one of my best friends, @slick_silver!!

Uploads on this account are bound to be a bit sporadic and occasionally rather non-existent, but there's enough content that can be found on this account alongside a handful of other accounts, such as @d4shingtoadie, where I upload the more permanently existing content, generally content for fan-projects that I don't run or aren't run by Slick (since we already have the dedicated account for that one).

I, along with my wonderful co-host @austhetic, also run a Deltarune-themed mashup/arrangement tournament (like KFAD, Mashup Week, etc.) called Escape from the Dark World, which can be found here: @eftdw-02 (the current SoundCloud account), or https://www.youtube.com/channel/UC5dUH5P-wDZ4Z4pYcGt0xQw (our YouTube account)!

Quick "personal" facts:
- I'm non-binary (they/them)
- I'm 24 years old
- I am 6 years away from consuming all you know and love
- My main personality trait is being Sans Undertale (@sans-undertale-barricaded)

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Unsure whether or not to use a term to describe me? Check this out!
It's not exactly a full dictionary or whatever but it's a good guideline. When in doubt: just go with something neutral.
https://en.pronouns.page/@dashingtoadie

Modern music for the marching arts.
www.jeffchambersmusic.net

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