Still Life is Evie Wyn’s cinematic plunge into frozen memories and the moments that refuse to stay still. 

Across 12 tracks, she paints heartbreak, nostalgia, and self-reckoning in vivid detail—moving from whispered piano confessions (“Intro,” “Still Life”) to neon-lit synth rushes (“Flicker,” “Digital Sunset”) and warm acoustic breaths of home (“Porchlight”). Each song is a snapshot: Polaroids that blur, mirrors that won’t lie, ghosts locked in picture frames.

Wyn’s signature—poetic lyrics wrapped in instantly memorable hooks—guides the journey. Minimalist production lets felt-piano and soft strings ache, then blooms into driving beats and retro synths when the story demands motion. Sequenced like an art exhibit, the album invites listeners to wander from canvas to canvas, feeling time slow, race, and finally tick away in the haunting closer, “The Second Hand.”

For anyone who’s loved, lost, and lingered too long in the after-image, Still Life offers a place to stand still, see yourself, and step forward.

Ghost In The Frame

Motion Blur

Still Life

Porchlight

Ink on The Glass

Side A Side B

Digital Sunset

Half Lit Rooms is the debut EP from Civic Ghosts—three emotionally raw songs about memory, silence, and the weight of things left unsaid. Blending spoken word, alt-rock, and ambient post-hardcore, these tracks don’t perform—they confess.

Each song captures a different kind of grief: the quiet aftermath (Half Lit Rooms), the ache of unspoken words (Ghost Notes), and the rising panic of unresolved memory (Wires in the Walls).

This is cinematic emo for people who feel too much. It doesn’t ask for closure. It just lets the room stay dim.

Ghost Notes

Half Lit Rooms

Wires in the Walls

Noah Vale writes songs like confessions. As the voice of Civic Ghosts, he blends spoken word, cinematic alt-rock, and post-hardcore emotion into raw, atmospheric tracks about memory, regret, and the silence after someone leaves.

Evie Wyn is an 18-year-old singer and songwriter who writes songs like diary entries—honest, emotional, and full of things she’s still trying to figure out. She started writing music in her bedroom during high school, teaching herself piano and recording voice memos late at night when the house was quiet.

Growing up in a small town, Evie spent most of her time daydreaming, listening to old records, and writing down thoughts she was too shy to say out loud. Music became the one place she could say exactly what she meant.

Her debut album, Still Life, is a coming-of-age project about moments that get stuck in your head—first heartbreaks, quiet nights, things left unsaid. It mixes soft piano songs with bigger pop moments, but always comes back to storytelling.

Evie says she makes music “for people who feel too much and say too little.” With Still Life, she’s finding her voice—and hoping it helps someone else feel a little more seen.

New tracks tagged #lyric-driven