TRACK 01: "I'm Coming Out (Original CHIC Mix)" - "Diana Ross"
		
TRACK 02: "Da Ya Think I'm Sexy?" - "Rod Stewart"
		
TRACK 03: "Got to Be Real '95" - "Cheryl Lynn"

TRACK 04: "Love Sensation (A Tom Moulton Mix)" - "Loleatta Holloway"
		
TRACK 05: "There Is No Limit" - "The S.O.S. Band"

TRACK 06: "I Can Make You Dance" - "Zapp & Roger"

TRACK 07: "Innocent (Single Remix)" - "Alexander O'Neal"

TRACK 08: "I Want Her (Extended Version)" - "Keith Sweat"

TRACK 09: "Feels Good" - "Tony! Toni! Toné!"

TRACK 10: "You Called and Told Me" - "Jeff Redd"

TRACK 11: "Girl Ur Freaky" - "Knoe1 & Tim Tucker"
		
TRACK 12: "Fantastic Voyage" - "Lakeside"
		
TRACK 13: "Girl Ur Freaky" - "Knoe1 & Tim Tucker"
		
TRACK 14: "Pumps And A Bump (Reprise) (Bump Teddy Bump)" - "Hammer"
		
TRACK 15: "Say You Will" - "The Apx"

TRACK 16: "Deep Village House (Funk 'n' Groove Mix)" - "Clemens Rumpf"
		
TRACK 17: "Get the Funk (Angelo Ferreri Remix)" - "Moon Rocket & Angelo Ferreri"
		
TRACK 18: "Street Life" - "Purple Disco Machine"
		
TRACK 19: "Friends of Daniel" - "Conan Liquid"
		
TRACK 20: "Rubberband Man (Club Mix)" - "DJ Bunnynotbonnie & Andy Craig"
		
TRACK 21: "Juice" - "Lizzo"

Flurry of Funky Tracks to Frolic to on a Fall Friday

Tocca Il Futuro is pleased and proud to announce “Seti non tael tene”, its tenth cassette release: a unique project by Maurizio Bianchi and Ramona Ponzini, blending industrial, concrete noise, and sound poetry.

The unprecedented encounter between Ramona Ponzini and Maurizio Bianchi for Tocca Il Futuro yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic collisions. 

Maurizio Bianchi, a pioneer of the Italian industrial scene, chisels soundscapes built from abrasive, material noises, dissonant cadences, and atmospheres both dust-laden and rarefied yet simultaneously dense. The listener moves across these terrains as if navigating a landscape of ruins: sonic debris, distant echoes, reverberations functioning as unstable archives of memory. His practice remains faithful to the grammar of noise in its most concrete form, transforming chaos into a syntax that vibrates and breathes. 

Upon this fractured yet fertile topography, Ramona Ponzini overlays her voice and texts, which become a dramaturgical substance in their own right. Some tracks draw upon haiku; others rework and sample fragments of cinematic dialogues. Elsewhere, her writing emerges from cut-ups of sacred or Jungian texts, opening onto mystical and visionary apertures. Yet her research pushes further still: Ponzini develops an unprecedented sonic language based on anagrams, an impossible tongue that comes alive through fractured vowels and recombined consonants. 

Her Japanese vocal delivery – long her artistic language of choice – is never a mere semantic vehicle. Instead, it becomes vibration, an acoustic body intertwining with Bianchi’s cacophonic textures. The outcome is a dialogue in which instrumental density and whispered fragility coexist, producing an equilibrium at once unstable and remarkably coherent. 

The album thus takes shape as a liminal landscape, constructed out of sonic ruins and verbal visionary force, to be inhabited with both attention and surrender. It is a work that insists on deep listening, one that embraces disjunctions and contrasts while dwelling in suspension.

TIF010. Ramona Ponzini ^ Maurizio Bianchi - Seti non tael tene

Limited edition of 50 professionally dubbed tapes
Ramona Ponzini – vocals, drones on A1; reworked texts and film excerpts  
Maurizio Bianchi – backing tracks

Audio Mix: Lorenzo Dal Ri
Except Nowomost (Nick Foglia)

Cover art by Alessio Di Mezza
Duplicated in Milan, 2025

Special Thanks
Ramona Ponzini – thanks to Matteo Mottin for the endless support  
Maurizio Bianchi – thanks to Pharmakustik for his audiochemical intervention on the original bases

Ramona Ponzini ^ Maurizio Bianchi - Seti non tael tene

M.B. (Maurizio Bianchi) - s/∞ 01

falling

Songwriter : MILAN BENDIK
All my songs I compose myself with my own feelings and I recorded them myself in a small home studio.Recordings are without effect Acoustic Guitars I think quality is acceptable. The songs are in the new Gypsy Fusion style.But it is the listener's own judgment.
Autor : MILAN BENDIK
Všechny své písně skládám sám se svými vlastními pocity a také jsem je sám nahrál v malém domácím studiu.Nahrávky jsou bez efektů akustickych Kytar myslím že kvalita je přijatelná. Myslím si že (Písně jsou v novém stylu Gypsy Fusion.) Ale to posoudí sám posluchač.

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(Unfinished) Taco Tuesday's

The new episode of Tocca il Futuro on LYL Radio is a special feature dedicated to the collaboration between sound artist Ramona Ponzini and Italian industrial pioneer Maurizio Bianchi, who have recently released their album “Seti non tael tene”. Their exclusive contribution for LYL, titled “Only Blue Is Not Enough,” unfolds as a true spin-off of the record, revealing its sources and inner resonances. Bianchi reworks tracks from his light ambient trilogy — Colori, First Day/Last Day, and Dates — using electronic keyboards to shape them into hypnotic cycles. Ponzini layers cut-ups of reworked texts drawn from Carl Gustav Jung’s Seven Sermons to the Dead (1916) and dialogues extracted from Pier Paolo Pasolini’s Teorema (1968). The texts are recited by AI-generated voices, while Ponzini blends her own voice with subtle Japanese percussions and the surface noise of an old Rainer Riehn vinyl.

TRACKLIST

Tocca il Futuro w/ Ramona Ponzini & Maurizio Bianchi - LYL Radio - 23rd Oct 2025

SHAKETHAT

MC CHARUTO- PEQUENO TA MEIO PUTO [[DJ's DAVIDOB13X GBMEC ]]2025

MC CHARUTO -ELA BROTA NO ITANHANGÁ [[DJ'sDAVIDOB13 X GB MEC]]

MB x W33DCOINS - WTF

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