يا دامي العينين والكفين
ان الليل زائل
لا غرفة التوقيف باقية
ولا زرد السلاسل 
poem : Mahmoud Darwish 
vocal : Nagham
mixed/mastered : Bassem Daouk

About A Human, عن انسان (Feat. Nagham) original Mix

https://les-films-du-beret.jimdofree.com/autres-films/

تهبّ الريح، الليلة، من جهة البحر
ها قدحلّ أيلول، والصيف يمضي
أمّا السعادة فتنطفىء مثل أزهار ذبلت
وداعا أكروبوليس يا إله الحب
فقد ماتت زهور أثينا البيضاء
ولقد تحاببنا لبضعة أيام
إنها الليلة الأخيرة بيننا
سأرحل صباح الغد
أما أنت فستبقى في ذاكرتي
مثل السعادة .. مثل الحسرة
وداعا أكروبوليس

الحوار الأخير في باريس .. محمود درويش .. لذكرى عزالدين قلق

And Now... (Lily)

Manifesto musicale per la Palestina.

MUSICA
Riad Awwad - Intifada (da The Intifada 1987, 2021)
Zeinab Shaath - The Urgent Call of Palestine (da The Urgent Call of Palestine, 1972)
George Kirmiz - Ila Sahaba (da Aghanina, 1982)
Sabreen - A Patriotic Song (da Death of the Prophet, 1987)
Al Bara’em - Tha’er (da Al Bara’em, 2021)
Julmud - Marhale A’la (da Tuqoos, 2022)
Haya Zaatry - Alouli (da Rahawan, 2022)
Muslimgauze - I Shall Sing Until My Land is Free (da Izlamic Songs, 2020)

PAROLE
Franco Fortini, I cani del Sinai (1967)
Jean-Marie Straub e Danièle Huillet, Fortini/Cani (1976)

Copertina: Karimeh Abbud, 'Una donna palestinese di Betlemme' (1928)

www.seizethetime.it

We insist! ep. 33 - Falastin Falastin

A call for unity and justice. Together, we strive for a brighter, more peaceful future for Palestine and its people. Join us in our mission for solidarity and change. 🇵🇸✊ #PalestineUnite #JusticeForPalestine"

Rhapsody of Rebirth - Haitham Kherroubi

hitzak, hotsak eta ahotsak II : Mahmoud Darwish
AL : DSI Evolver x 2 · Wingie mkII · Wingie mkII Blipoo Box · Soma Ether · Ableton Live
Mahmoud Darwish : Texte and voice

Mahmoud Darwish · On this Land 

We have on this land that which makes life worth living
We have on this land all of that which makes life worth living
April’s hesitation
The aroma of bread at dawn
A woman’s beseeching of men
The writings of Aeschylus
Love’s beginning
Moss on a stone
Mothers standing on a flute’s thread
And the invader’s fear of memories
We have on this land that which makes life worth living
September’s end
A woman leaving ‘forty’ behind
with all of her apricots
The hour of sunlight in prison
A cloud reflecting a swarm of creatures
A people’s applause for those who face their own erasure with a smile
And the tyrant’s fear of songs.
We have on this land all of that which makes life worth living
On this land
The lady of our land
The mother of all beginnings
And the mother of all ends
She was called Palestine
Her name later became Palestine
My lady….
Because you are my lady
I have all of that which makes life worth living.

hitzak, hotsak eta ahotsak II : Mahmoud Darwish

We have on this earth what makes life worth living

the aroma of bread at dawn

a woman’s opinion of men

the works of Aeschylus

the beginnings of love

grass on a stone

mothers who live on a flute’s sigh

and the invaders’ fear of memories

we have on this earth what makes life worth living

the waning days of dawn

a woman leaving forty in full blossom

the hour of sunlight in prison

a cloud resembling a pack of creatures

the applause of a people for those who face their end with a smile

and the tyrants’ fear of songs

we have on this earth what makes life worth living

on this earth, the lady of earth

the mother of all beginnings

the mother of all endings

she was called Palestine

she came to be called Palestine

o lady, beause you are my lady

I am worthy of life

Serge Phases On This Earth

A poem from Unfortunately, It Was Paradise by Mahmoud Darwish translated and edited by Munir Akash and Carolyn Forché with Sinan Antoon and Amira El-Zein. Copyright © 2003 by the Regents of the University of California. All rights reserved.

I Belong There

الحياة

SINAN - الحياة

Pages 60-61 of Memory For Forgetfulness, written by Mahmoud Darwish, read by ram.

On This Land - Deep House Mix

DMY070724 - Babel

«I ricchi hanno Dio e la polizia. I poveri hanno le stelle ed i poeti», si legge in un racconto del palestinese Mu'in Bsisu, allegoria tanto della assoluta necessità dell'arte e della cultura nella costruzione dell'identità di un popolo senza terra, quanto della laicità e della raffinatezza della letteratura palestinese. A Festivaletteratura si incontrano Mahmoud Darwish ("Perché hai lasciato il cavallo alla sua solitudine?"), considerato il massimo poeta palestinese contemporaneo, ed Elias Khuri, libanese, che con "La porta del sole" ha scritto un romanzo dedicato alla storia del popolo palestinese dal '48 ad oggi. Li intervista Elisabetta Bartuli, esperta di letteratura del Medio Oriente.

Mahmoud Darwish e Elias Khuri con Elisabetta Bartuli, n. 2005_09_09_101

Made for 3CR radio Melbourne's 'Music Sans Frontieres' show on 10 December 2024, Human Rights Day (here's the show link: https://www.3cr.org.au/musicsansfrontieres/episode/human-rights-day-2024-theme-special-3cr-mix-dj-lapkat). Slightly reworked here.

Tracklist:
* Invocation - Shahram Shiva (Rumi: Lovedrunk)
* To the Tyrants of the World - Abdul Qasim al Shabi
* Noor E Khuda - Shankar Mahadevan, Adnan Sami, Shreya Ghoshal ('My Name is Khan' soundtrack)
* For My Mom - Suheir Hammad
* Come back home, all refugees - Checkpoint 303 & Jawaher Shofani (The Iqrit files)
* Australia - Mohsen Soltany (Australian Dream)
* Nasseem - Niyaz
* Ahmad Counts his Limbs - Marcel Khalife & Mahmoud Darwish (Ahmad Al Arabi)
* Elbïshey - Muudra (Resistance // مقاومة // Berxwedan)
* We Survived - Climbing PoeTree (Intrinsic)
* See you in Fez - Baridi Baridi feat. Willy Crook [sample only]
* The Trace of the Butterfly - Rim Banna (Revelation of Ecstasy and Rebellion)
* Le lanceur de dés (Quatrième partie, feat. Mahmoud Darwish) - Le Trio Joubran (À l'ombre des mots)
* This Was Not My Story - Rim Banna & Henrik Koitzsch 
* Refugee Blues - W.H.Auden (read by R.M., Viciousminuteshour)
* Dawri - Ghoula (Hlib el Ghoula)
* The Palestine Sunbird song borrowed from Clive Bramham (https://youtu.be/crc_Gk4o8V0?feature=shared)
The image is from an original photograph by Charles J. Sharp (https://www.sharpphotography.co.uk/)

1,000 Windows and 1,000 Doors (3CR Human Rights Day Mix)

Ommi- اُمّی

-> This space is for sound art works/ installation, theatre sound design, art/documentary mixes, longer form remixes, experimental radio and spoken word/ music compositions.

-> DJ LAPKAT spoken word/poetry/music mixes are at http://lapkat.com/lapkat-mixes or go straight to https://www.mixcloud.com/lapkat/

-> More spoken word tracks are at https://lapkat.bandcamp.com

-> The 'La Danza Poetica' global spoken word/poetry/music radio show/podcast is archived at http://mixcloud.com/ladanzapoetica or http://lapkat.com/ladanzapoetica/

LAPKAT is Lisa Greenaway - sound artist, sound designer, spoken word and storytelling producer, DJ, broadcaster, based in Melbourne Australia.

everywhere and joy's perfect wholeness we are

The audio archives for VMH (http://viciousminuteshour.com) Contact - rahim@viciousminuteshour.com

raqatech رقتك
Booking : Kooksreda@gmail.com
“Dance, when you’re broken open.
Dance, if you’ve torn the bandage off.
Dance in the middle of the fighting.
Dance in your blood.
Dance when you’re perfectly free.” rumi

Una manifestazione all'insegna del divertimento culturale: cinque giorni di incontri con autori, reading, spettacoli, concerti. Dal 1997 a Mantova.

I am a DJ and a young producer passionate about crafting sonic journeys. My sets are rooted in a downtempo universe, blending a fusion of diverse and eclectic influences. I enjoy mixing ethnic sounds, inspired by the Balkans and the Middle East, with darker and more progressive melodic touches. My goal is to create atmospheres where each track, each transition, transports us to another space and time.
Music, for me, is a means of communication and emotion, and I perform with this vision in mind. I have had the opportunity to share my sets in Morocco and Portugal, where I connected with a diverse audience attuned to the power of music. I place particular emphasis on the minimalist aspect of my compositions, slowing the tempo to allow each instrument to breathe and captivate the listener.
My approach also seeks to make music accessible, guiding the audience through a collective and immersive experience while leading them on the dance floor with a groovy and engaging touch. It is this philosophy that makes my performances unique moments where music becomes a true journey.

Mail : ysoah.music@hotmail.com

Hello Habeebiez! Here you’ll find good music & brilliant insight that I repost from all over. Sometimes, when possible, I’ll upload what I didn’t find in this lovely platform. 
Enjoy 🌈🌞❤️
Feel free to kindly follow, love & repost ;)

أفتدرِي ما السعَادة : طفولةُ القلبِ .

-- الرافِعي

bookings: spomery@gmail.com 

Next gigs: 27.9.24 Cafe Oto, London (TDK - The Tapeworm Dalston Knees-up)
30.9.24 Alamo Drafthouse, New York City, Embryogallery Film Festival 

Simon Pomery is a sonic artist, drummer, guitarist, producer. As Blood Music he has released records on FLUF, Diagonal, Takuroku, Superpang, dingn/dents and The Tapeworm. He has performed at festivals including Berlin Atonal, Les Urbaines, Incubate, Wysing Polyphonic, and venues like Soup, Club Stomp, Les Atelier Claus, The Arnolfini, Cafe Oto, and a water tank in Lewisham.

SELECT GIG HISTORY

27.9 Cafe Oto
12.5.24, Stellage Record Store, Athens
2.5.24, Skilres Indeas, Athens (DJ set)
2.5.24, KET TV Control Centre, Athens w/The Tapeworm (w/ Jay Glass Dubs, Marta De Pascalis, venoztks)
18.2.24, New River Studios, London (solo and with band)
17.12.23, Iklectik, London
5.6.22, Cafe Oto, with Sonic Poetics
2020-2022: FINISHED MY PHD O LORD MUSIC HELP ME
11.7.2019, Mayhem, Copenhagen w/Fluf Records 
24.7.2019, Five Miles, London w/ Fluf Records
1.12.2017 La Cheetah, Glasgow
14.2.2017, Silver Road, London, w/ Masumi Saito
10.12.2016, Incubate, Tilburg
3.12.2016, Les Urbaines, Laussane, w/ JASSS, Pan Daijing, Shaddah Tuum)
30.11.2016, Cafe Oto, London, w/ Peder Mannerfelt 
7th-13th of November, Cafe Oto Project Space (residency), London
2.10.2016, UH Festival, Budapest
17.8.2016, Cafe Oto, London, w/ Selvhenter
13.7.2016, Club 20/44, Belgrade
2.7.2016, Wysing Polyphonic (visual poem), Cambridge
14.5.2016, Les Atelier Claus, Brussels
26.3.2016, Club Stomp, Osaka, w/ Yousuke Yukimatsu, YPY
21.3.2016, Soup, Tokyo, w/ Tesco Suicide, Miclodiet.  
29.1.2016, Golden Cabinet, Shipley, w/ Shaped Noise
20.1.2016, Arnolfini, Bristol, w/ Spectres
20.11.2015, CSOA Officina, Naples, w/ Helena Hauff
20.8.2015, Berlin Atonal, w/ Russell Haswell, An-I, Not Waving, Powell
12.6.2015, Cafe Oto, London

Sinan Abdel Moati, known professionally as SINAN, is a multi-talented musician and producer whose musical journey began at nine when he first strummed a guitar. Born and raised in Haifa, he spent his youth receiving classical music training at the Rubin Conservatory of Music, which laid the foundation for his exceptional guitar skills. As he grew older, Sinan's exposure to electronic music and technology ignited a passion for producing and composing, leading him to develop a unique style that blends his classical background with modern electronic elements.

SINAN's unique sound has garnered attention from local and international radios, DJs, and labels. His music has found a home on respected labels such as Magic Island Records, Cafe De Anatolia, and YOMO Records, among others.

As a performing artist, SINAN is known for constantly pushing conceptual frontiers and embracing new ideas and experiences. His live sets, such as those performed for Beatport Live, have further solidified his reputation as an exciting and innovative presence in the electronic music scene. 


- https://soundcloud.com/blackholerecordings
- https://soundcloud.com/cafedeanatolia
- https://soundcloud.com/yomorecords
- https://soundcloud.com/languagesmusic
- https://soundcloud.com/mirmusic_official
- https://soundcloud.com/superordinate-music
- https://soundcloud.com/kitchen-record-label
- https://soundcloud.com/deepersensemusic
- https://soundcloud.com/old-sql-recordings
- https://soundcloud.com/outta-limits-recordings
- https://soundcloud.com/mau_house

New tracks tagged #mahmoud darwish