This track was created using Suno AI. Music and vocals are AI-generated, with custom lyrics written and adapted for vocal performance. The style blends heavy metal, male Vocals, dance, pop, electro, synth, electronic rock, synthwave, deep voiceity.

AN-Heavy

Midnight Crash

This track was created using Suno AI. Music and vocals are AI-generated, with custom lyrics written and adapted for vocal performance. The style blends Male vocal, dark pop, dark, R%b, Theme: Being lured into darkness by temptation

Final Ride

A melancholic indie rock journey through memory and emotion.
„Piece of You“ by Velvet Petals blends heartfelt vocals, cinematic guitar layers, and a driving rhythm section into a bittersweet tribute to lasting love.
120 BPM • Em Key • Recorded with live drums, analog synths & ambient pads.
Mixed for depth, emotion & clarity — best experienced with headphones.

🔁 If this song resonates, repost it and follow Velvet Petals for more emotional indie sounds.
💬 Leave a comment — we’d love to know what memories it stirs in you.

#VelvetPetals #Kimpituy #PieceOfYou



Piece of you (Live in Hamburg)

This track was created using Suno AI. Music and vocals are AI-generated, with custom lyrics written and adapted for vocal performance. The style blends male vocal, heavy metal, dance, pop, electro, synth, electronic rock, synthwave

Rise Again

Trying out a new song, I made an effort to sing my best on this version, and it’s OK, maybe more than OK.... But I’m not sure it sounds “authentic.” I’ve got another version where my singing is a lot sloppier but somehow it feels right. https://soundcloud.com/paul_du_preez_odysseys/jesus-take-me-into-the-throne-room-unplugged What do you think?

Jesus, Take Me Into the Throne Room soul

Revised lyrics and mix to I AIN'T YOUR BOYFRIEND with a little more sensitivity. Written by J.T. Patten, Lone Woolf Lyrics. Available for cut, collaboration, cover, or sync.

Wrong Guy (Remastered)

Based on the poem Good-Bye by Ralph Waldo Emerson (country/gospel)

Going Home

🌍🔥👿🌬⚡⁂©All Rights Reserved 07-2025
©Lyricist, Mixer, Mastering, Pro License & Creator: Lady ElectroTrek
***

TITLE: The Final Quake
_____________________________________________________________
LYRICS:

(Verse 1)
The ground is tired it sighs at last
No more futures no more past
A jagged line splits open wide
Swallowing whispers nowhere to hide

(Pre-chorus)
Ashes fall like broken rain
Memories crumble into pain

(Chorus)
The earth shakes the sky screams
The end of all the fractured dreams
One last tremor one last breath
We dance on the edge of death

(Verse 2)
The trees collapse the rivers boil
No use running no more toil
The stars above blink and fade
Shadows stretch where hope decayed

(Pre-chorus)
The winds howl like a beast set free
A requiem for eternity

(Chorus)
The earth shakes the sky screams
The end of all the fractured dreams
One last tremor one last breath
We dance on the edge of death

(Outro)
Riots laid to rest in the kiss of death. Can't sleep anymore because the ground is split from shore to shore. Reality has wiped away religion, myths & speculative folklore. Now there's just gore.

The Earth Gave The Final Kiss Of Death

The Final Quake

This track was created using Suno AI. Music and vocals are AI-generated, with custom lyrics written and adapted for vocal performance. The style blends Kicking off with a driving dance electronic beat and gritty rock guitar, the alternative dance vibe unfolds as pulsing synths blend with rhythmic bass, Verses focus on dynamic male vocals layered over crisp percussion, building into a soaring, romantic rock chorus with energetic guitar and big synth leads, An instrumental bridge fuses electronic textures and rock intensity before a high-energy final chorus.

AN-Rock

Spin my soul AN

This track was created using Suno AI. Music and vocals are AI-generated, with custom lyrics written and adapted for vocal performance. The style blends male singer, male vocals, dark pop, dark, R%b, dual vocals

AN-Slow

Love on Titanic (AN)

OPENING: THE DATA PRISON (Track 1: "Morning Commute")
October 15, 2024 - 6:47 AM

The alarm pierces through Jordan Williams' studio apartment at precisely 6:47 AM—not 6:45, not 7:00, but 6:47, because Jordan had calculated the exact amount of time needed to complete his morning routine and arrive at Meridian Biotech's parking garage with three minutes to spare. Three minutes to sit in his aging Honda Accord, steel himself for another day of pharmaceutical data analysis, and wonder when his life had become a series of spreadsheets measuring other people's innovations.

The Detroit morning is crisp with industrial fog, the kind that makes the Renaissance Center look like it's floating in a sea of grey possibility. Jordan's commute follows the same path it has for three years: down Jefferson Avenue, past the abandoned Packard Plant that someone keeps promising to revitalize, through the corridor of new tech startups that seem to sprout and die like electronic mushrooms.

His Meridian Biotech badge reads "Jordan Williams - Senior Data Analyst, Pharmaceutical Development Division." The photo shows a younger man, one who still believed that working for a major biotech company meant contributing to human advancement. Now, at 32, that optimism has calcified into routine.

The Meridian tower rises like a glass monument to corporate efficiency. Jordan badges in at 7:31 AM—logged, tracked, quantified. The elevator plays a muzak version of a song he once loved, stripped of its soul and repackaged as audio wallpaper. Floor 47. The doors open to reveal an ocean of cubicles, each one a small kingdom of broken dreams and Excel mastery.

"Morning, Jordan," calls out Marcus Chen from accounting, the only other person who arrives this early. Marcus still has enthusiasm, still believes his financial models matter. Jordan envies and pities him in equal measure.

Jordan's cubicle is a contradiction—corporate-mandated organization hiding a rebel's heart. The official Meridian motivational posters ("Innovation Through Precision") share wall space with small printouts of circuit diagrams, automotive schematics, and code snippets from projects that have nothing to do with pharmaceutical batch analysis.

He logs in. The screen fills with data streams from the previous night's production runs. Batch efficiency: 97.3%. Contamination incidents: 0. Innovation index: 0. Always 0. Because innovation isn't what Meridian wants from Jordan Williams. They want his ability to spot patterns, to ensure their existing formulas produce consistent results, to be a human quality-control algorithm.

Morning Commute (Data Prison)

For our sin he did die and bleed. He’s comin’ again on a white steed. He whom the son sets free - is free indeed.

Free Indeed

Prince Naveen loved music, women and parties. Now, he is but a frog, stewing in a pot.

Bayou Gravy Blues

PRE-RELEASE // increments

lyrics.
Sometimes the best is all that’s meant by what feels holy
Sometimes I can’t pretend I let you see right into me
Sometimes our fears are all that’s left to keep us holding

Say no more,
I changed a little more I know 
Stay before I sway a little more and
Say no more,
I take a little more than I should…
Some time away could be what’s for best
Can’t find a way to treat my focus
Say no more
I changed a little more than I should

Have I been left to tend the mess of what they told me
Damned if I regret and pretend that what they said don’t scold me
Sometimes our depts are all that’s there to keep us holding (on, on) - on, on

Say no more,
I changed a little more I know 
Stay before I sway a little more and
Say no more,
I take a little more than I should
Some time away could be what’s for best
Can’t find a way to treat my focus
Say no more
I changed a little more than I should

Sometimes our debts are all that’s there to keep us holding (x2)
Sometimes our debts are all that’s there to keep us holding… 

Say no more,
I changed a little more I know 
Stay before I sway a little more and
Say no more,
I take a little more than I should
Stay before I break a little more and…
Some time away could be what’s for best
Can’t find a way to treat my focus
Say no more
I gave a little more than I… should

Written & Performed by TABLÓMOTÏF
Guitars by Maridin & Saul Magner
Mixed & Produced by TABLÓMOTÏF

increments

Shadows and Lights is a hypnotic, high-energy trance anthem that blends flashing color, burning passion, and late-night emotion. Dive into a world where shadows meet neon, desire meets rhythm, and hearts light up beneath the stars.

💫 Take me into the light... shadows surrounding the lights.
This is the soundtrack to the night—where every pulse sets your spirit free.

Video : 
https://www.youtube.com/watch?v=6-mBCDeNqpE

#Trance #ShadowsAndLights #EDM #MelodicTrance #DancefloorAnthem #NeonNights

Shadows And Lights

Cleaned out like a yardsale memory by memory

Yardsale

Driving, vocal-led alt-rock. Originally released in 2022. Written and performed by Jesper Andreasson (Diamond Meadows).

Better Man

Reputation

Songwriter. Storyteller. Sound pioneer, Stan Countz (aka Stan and Be Counted) is a genre-bending songwriter with over 200 original songs under his belt — a true craftsman of lyric and melody. From his debut track “Those Hap Happy Days” in 2005, a nostalgic tribute to the golden era of the ’50s and ’60s, Stan has built a musical legacy rooted in meaning, melody, and message.

Writing under the moniker Stan and Be Counted, he stands tall in the world of music as both a creator and a voice of purpose. His catalog spans a kaleidoscope of genres — from contemporary Christian rock and gospel to EDM, country pop, blues, R&B, hip hop, folk, and beyond. Each song is a reflection of his passion for storytelling and his desire to uplift, challenge, and connect.

Whether crafting soul-stirring love ballads, foot-tapping jingles, or heart-pounding hard rock anthems, Stan brings a rare blend of versatility, depth, and soul to every track. He doesn't just write songs — he writes moments you can feel.

Stan Countz is more than an artist — he’s a movement. A call to stand... and be counted. He is a prolific lyricist and lives in Denison, Texas with his artist/photographer wife.

Indie demo drops and sync catalog written and produced by best selling author and indie writer/producer, J.T. Patten, the “meanest man in the business.” NSAI member / ASCAP

Music/vocals demo tracks created by various artists/musicians using Lone Woolf lyrics through Lone Woolf Productions.

All rights currently retained by JT Patten. All demos can be modified as collaborations. BUY/USE RIGHTS available. Let’s make some music!

In this world, most people try to fit in. I see things differently.

I like experimenting with sounds. Most of my songs are going to be #melancholic and influenced by #rnb, #rock, #pop, #edm, #blues, #electronic and #trap. I often blend genres into #fusion. I like to incorporate #romantic, #dark, #literary, #historical, and #cosmic themes into my songs. But I plan to experiment with more themes and genres in the future.
I am currently a university student so my uploads might be somewhat irregular, but feel free to follow if you like my work!

⚠️ I don't answer mails and comments a lot due to too many messages by bots and people trying to sell me things.

Kimpituy – meaning roughly “butterfly” in Quechua – is the creative nest where music and literature take flight. We proudly present a diverse roster of musical acts:

Groove with the German Soul and Pop sounds of Samtblüten.
Rock out with the Alternative and Indiepop vibes of Velvet Petals.
Get lost in the Club, Trip-Hop, and Electronic landscapes of Calalga Beats.
Move to the Brazil Funk and Afrobeat grooves of Téo Fortes — music born between Paraty and Spain’s Costa Blanca, blending protest, passion, and rhythm.
Dive into dark urban drift with Tyranny Drift — haunting Phonk and dystopian beats for the night.

New Signings:
Kimpituy proudly welcomes Téo Fortes and Tyranny Drift to the family — two powerful voices rising from different worlds, both fueled by resistance, rhythm, and raw energy.

Beyond our core bands, discover unique projects like the official soundtrack for Oliver Stahmann’s book, “Der Faulosoph”.

While our SoundCloud focuses on audio, Kimpituy also publishes books including “The Philoslother”, “Benny the Dancing Dog”, “The Green Sky”, and many more by writers like Oliver Stahmann, Max Stargard, Lilia Alba or Oscar Sullivan.

Follow Kimpituy to stay updated on all our musical journeys. If you are interested in recording or covering one of the songs, please reach out.

P.S.: No interest in Cover Art or Video Art offers.

Lover is the new single from Diamond Meadows. Out July 10, 2025 xx

We're an independent producer of great music and video content!

Hi, I’m Matt.
Welcome to the intersection of story, sound, and systems thinking.

All tracks and narratives here are written and produced by me—this is a space for experimentation, emotion, and evolution. I’m just getting started, so you’ll hear the sound take shape across projects and playlists.

If something resonates, I’d genuinely love your feedback.

🎵 Explore the Digital Consciousness Saga — a multi-episode, multi-sensory journey where code, emotion, and identity converge. This is more than a concept album—it's a living story. Let me know if you'd like to see it grow.

🚘 Cruise Control is my EDM/experimental persona—your co-pilot on this algorithmic ride. Expect rhythmic glitches, emotional synths, and engineered catharsis.

“The infinite road calls to every heart—
That’s ready for a brand new start—
Where human dreams and digital precision—
Create a perfect shared vision…”

No other socials—for now. But here’s my professional side:
🔗 linkedin.com/in/matthewacampion

I am a content creator. I use generative AI to create music as well as other types of content. I hope you will still enjoy my songs. AI is only a tool, what matters is what you make of it and how you use it! :)

TABLÓMOTÏF is a singer/artist/producer from Sydney, blending cinematic alt-pop with electronic grit and energised vocals.

Follow:
IG @tablomotif 
Linktr.ee/tablomotif

New tracks tagged #male vocals