entre maqam et brass band gitane, en passant par la dabke! avec Ghassan Sahhab, Hossein Alizadeh, Djivan Gasparyan, Alim Qasimov, Omar Bashir, Mostar Sevdah Reunion, Fanfare Ciocarlia, 3 Mustaphas 3!!! et MAS'UD (qui seront en concert ce dimanche 1 Juin a 14h a Brazzaville!)

Poivre Noir, Piment Rouge SAM 31 MAI 2025 masud apero

Emission apperitive des nuits de musique arabe improvisee sous la direction artistique du maitre percussioniste et batteur virtuose, Khaled Yassine, a Station Beirut - ce mardi 3 juin a partir de 21h🎶 un concert qui regroupe divers musicien professionels a chaque fois (cette fois ci: Firas Andary, Samah Boulmona, Bilal Bitar, Khaled Omran et Khaled Yassine) et suivi d'une seance d'impro ouverte a tous ceux qui peuvent faire resonner le 3/4 de ton!
Au programme de l'emission: Ghassan Sahhab, Mustapha Said, Omar Bashir, l'Ensemble Wood & Reed, Bashir Saade, Oussama AbdelFatah, Farah Kaddour, Samah Boulmona, Ali Hout, Khalil el Baba, Bilal Bitar, Firas Andary, Naseer Shamma, Tarik Beshir, Lama Kassem, Natik Awayez, LEKHFA, Tamer Abu Ghazaleh, Maurice Louca, Maryam Saleh, Khaled Yassine et plus!

Poivre Noir, Piment Rouge DIM 1 JUN 2025 UNS 23 apero

Saba İlahi - Maksadı Âşıkların Menzil-i Cânân Olur
Nakşî-i Akkirmânî

https://dilbeyti.com/gufteler/maksadi-asiklarin-menzil-i-canan-olur
https://defter-i-ussak.blogspot.com/2016/10/maksadi-asiklarin-menzil-i-canan-olur.html

Kaynak: https://dilbeyti.com/meskler/2024-10-14
Dilbeyti 14 Ekim 2024 Meşki
Türk Tasavvuf Mûsikîsini ve Folklorunu Araştırma ve Yaşatma Vakfı


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Hat:  Mehmed Özçay
Tezhip:  Gülsüm Gügercin
https://ketebe.org/eser/8148?ref=artist&id=2054
Cihân-ârâ cihân îçindedir ârâyı bilmezler
Ol mâhîler ki deryâ içredir deryâyı bilmezler

Dünyayı süsleyen varlık(Allah), yine bu cihanın içindedir; ama insanlar aramasını, arayıp bulmasını bilmezler. Balıklar da denizde olup denizi bilmezler.


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Maksadı 'âşıkların menzil-i cânân olur
İsmini yâd eylese vâlih u hayrân olur

Hakk vere cünbüşlerin 'afv ide kem işlerin
Menzili dervîşlerin kûşe-i vîrân olur

'Aşk ile kim âh ide kalbini âgâh ide
'Azmini dergâh ide ol ulu sultân olur

Kimde ki 'aşk buluna 'azm ide Hakk yoluna
Sırrı anın biline 'aşk nice pinhân olur

Kim ide hakkı edâ aşk ile kıla nidâ
Feyz-i Cenâb-ı Hudâ anda nümâyân olur

Fânî cihândan kesil âyine-i kalbi sil
Arsa-i mahşerde bil bir ulu dîvân olur

Mürşidi hem kim görür Hazret-i Hızr’ı bulur
'İlm-i ledünnü bilir sâhib-i 'irfân olur

Kılsa tecellî eğer vuslata erişe er
Kâfire kılsa nazar mazhar-ı îmân olur

Nakşî-i 'âşık sana 'aşk haberin ver bana
Menkıbe-i evliyâ reşk-i gülistân olur



Saba İlahi - Maksadı Âşıkların Menzil-i Cânân Olur

The Astounding Eyes of Delphine

اللهْ .. حَيّْ
اللهْ .. حَيّْ
اللهْ .. حَيّْ

You...
I...
They praise the tyrant and curse the flame.
They choose the judge,
and burn the name.
You...
the mirror of my soul.
You...
the mask I can’t control.
They damn the truth,
and bless the blade.
They raise their hands
as if they prayed...

But it is you,
they call, not me.
It is you,
they name as me.
They kill for you,
they cry from you,
they lie through you,
and laugh unseen...
You...
false echo of my being.

If this I they wear is truly yours,
then you—from now—are mine by force.
You, the void I used to fear,
You, the silence drawing near...
You are mine—when I decide.
You are mine—no more to hide.
You are mine, you shapeless ghost,
You are mine,
when I need you most...

It is you,
they call, not me.
It is you,
they name as me.
They kill for you,
they cry from you,
they lie through you,
and laugh unseen...
You...
false echo of my being.

If I was ever yours to break,
then you—from now—are mine to take.

اللهْ .. حَيّْ
اللهْ .. حَيّْ
اللهْ .. حَيّْ

Shadow Of The Form

ْيَا أَنْت
يَا أَنَا

ْهُمْ يُفْضِلُونَ الحَجَّاج 
عَلَى الحَلَّاجْ
يَا أَنْتْ

يَا أَنْتَ
يَا أَكْمَلَ صُوَرِ الْأَنَا

هُمْ يَلْعَنُوْنَ الحَلَّاجْ
وَيَخَافُونَ الحَجَّاجْ
يَا أَنْتْ

يَا أَنْتَ
يَا أَبْشَعَ صُوَرِ الأَنَا

إِنَّهُمْ يَدْعُونَكَ أَنْتَ
يَا أَنَا
َيَدْعُونَ بِسْمِك
يَا أَنَا
يَقْتُلُوْنَ بِسْمِكَ
يَا أَنَا
يَظْلِمُوْنَ بِسْمِكَ
يَا أَنَا
يَبْكُوْنَ خَوْفَاً مِنْكَ
يَا أَنَا
وَيَضْحَكُوْنَ خِلْسَةً
يَا أَنَا...

يَا أَنْتْ
يَا أَنْتَ
يَا زَيْفَ الأَنَا

إِذَا مَا كَانَ حَقَّاً
أَنَّ هَذِي "الأَنَا" لَكْ
فَالأَنْتَ
مُنْذُ اليَوْمِ
لِيْ

الأَنْتَ لِيْ
يَا أَنَاَ
يَا أَنْت لِيْ
يَا أَنَاَ
يَا أَنْت لِيْ
يَا أَنَاَ

يَا أَنْتَ
يَا عَدَمَ الأَنَا

يا أنت ... يا أنا

Poivre Noir, Piment Rouge DIM 8 JUN 2025 ashkara

للهِ مَا للهْ
وَلِيْ حُرِّيَّتي

للهِ مَا للهْ
وَطَنٌ وَأَعْلامٌ وَأَسْمَاءٌ
يَكْثُرُ ذِكْرُها
وَلِي وَجَعُ المَكانْ

للهِ مَا للهْ
أَزْمَانٌ مَضَتْ
وَتَخَضَّبَتْ
بِدِمَاءِ مَنْ عَاشُوا
وَمَنْ عَاثُوا
مَنِ افْتَعَلُوا
أَوِافْتُعِلُوا
لَهُمْ أَيَّامُهُمْ
ْوَلِيْ نَدَمِي
عَلى مَا اقْتَرَفَتْ يَدَايْ
وَلِي أَمَلِيْ
بِيَوْمٍ آخَرٍ
أَمْلِكُهُ
لِيُكْمِلَنِيْ
فَنَعْرِفَ ذَاتَنَا
قَبلَ النِّهَايَةِ
أَوْ مَا يُؤَوِّلُهَا


للهِ مَا للهْ
يَجْعَلُهُمْ 
ذَكَرَاً وَأُنْثَى
فَأَذْكُرُهُمْ وَيَنْسَى
وَأَذْكُرُهُمْ فَيَنْسَى
ثُمَّ يَجْعَلُ ذَاتَهُ مِنْهُمْ
بِلَا تَاءٍ تُعَذِّبُهُ
وَلَا نُونٍ يُؤَنِّسُهَا
فَأَذْكُرُهُمْ وَيَنْسَى
ذَكَرًا وَأُنْثَى

للهِ مَا للهْ
ذَكَرًا وَأُنْثَى
مِيمًا وَنُوناً
يَاءً وَتَاءْ
وَلِيْ مَا أَشَاءْ
مِنْ حُرْقَةٍ
فِي اشْتِهَاءِ الجَسَدْ
ذَكَرَاً وَأُنْثَى

للهِ مَا للهْ
حِيَادِيَّةُ الجُنْدِيِّ
حِينَ يَقْتُلُ ثَائِرَاً
تَقْوَى المُجَاهِدِ
حِينَ يَقْتُلُ كَافِرَاً
وَارْتِقَاءُ الشَّيْخِ
حِينَ يَقْتُلُ عَاهِرَاً

وَلِيْ لَوْعَةُ الثَّكْلَى
تُنَادِي رَبَّهَا
أَيَا ذَا القِسْمَةِ الضِّيْزَى"
لَوْ كَانَ لِاسْمِكَ مَا لَهُ
لَمَا دَعَوْتُكَ مَرَّتَيْنْ"
لَمَا دَعَوْتُكَ مَرَّتَيْنْ
لَمَا دَعَوْتُكَ مَرَّتَيْنْ
لَمَا دَعَوْتُكَ مَرَّتَيْنْ

دُسْتُوْرُ مَاء

composition : Lina Belaïd / lyrics : Climène Zarkan / arrangement : aptère

sham

This is the first movement of my second String Quartet, written / dedicated to and performed by the amazing AKELA Quartet.
Clara Glasdam - Violin
Gustav Ranum - Violin
Kirsten Wilbrandt Kjær - Viola
Oskar Reuben Friis-Hansen - Cello

Recorded, mixed and mastered by Jonas Eliyah Munch-Hansen
Coverart: Michaela Turcerova

String Quartet No. 2, Op. 7 II. Shivering Void - Grave

Pouëtte is a duo unifiying the cellist Lina Belaïd and accordionist Antoine Girard around a common passion for live and popular music, Jazz, Balkan or Musette, among others. The sounds of bowed strings and blown reeds blend and mingle on their musical playground. Sensitive compositions, adventurous improvisations, reveal rich texture ranges, melodic lyricism, haunting rhythms, oriental ornaments and bold harmonies.

Sune "Køter" Kølster (b. 1976) produces film music that combines the art of classical composition with the energy and edginess of the extreme underground music scene in Copenhagen he is coming from: 
Operating with the extremes of human nature has always been his approach to composing, touching people deep in their hearts his aim, and utilizing all compositional means necessary his technique.

With a masterdegree in Filmmusic, a bachelor in Musicology, writing for symphonic orchestras, ensembles and musicians on an international level as well as performing in various genres from hardcore punk to psychedelic jazz-folk and Middle Eastern Rembetika, Sune is having a great musical vocabulary he is using for setting the right mood in his filmmusic. Working with top-international level classical musicians, as well as recording noizy guitars and local musicians in his own studio, he tries to give each film the soul it deserves.

As one of very few western composers, Sune have developed techniques writing in the unique field between classical / modern composition and arabic / middle-eastern tonality, and is getting more and more involved in contemporary middle-eastern musicscene. This skill does not only make him a good choice for directors needing a real middle-eastern soul in their score, but also gives the music a totaly unique sound and emotional depth.

Raid Naim
Nomad lyricist and techologist. Very obsessed with reviving classic poetry and using music as a time machine where distant epochs intertwine.

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