Onda Boa is focused on releasing fully licensed Brazilian music. A list of talented producers bringing together remixes and original material from established artists and also obscure names. 

Their first release includes remixes of two tracks by Marcos Valle, a highly regarded multi-instrumentalist and composer in the Brazilian bossa jazz funk scene. The two chosen tracks, "A Paraíba Não É Chicago" and "Naturalmente," were originally composed in the boogie style during the golden era of Brazilian music in 1981, and have been reworked for modern dancefloors. 

The album cover, which features a stylized image of a Buriti palm tree, was designed by the famous graffiti and fine artist Toz, and represents the label's tropical theme. The Buriti palm tree is also significant as it provides raw materials for handicrafts, highlighting the label's concept of releasing diverse styles while staying true to their Brazilian roots.

Onda Edits 1

Joutro Mundo - Onda  Edits 1 (Snippets)

A selection of obscure and popular brazilian groove hits from the 80´s era.
Mostly 7" compactos.
100% Vinyl Mix!

Tracklist:

Marcos Valle - Bicicleta (intro)
Pepeu Gomes - Raio Laser
Sandra de Sá - Quero Ver Você Dançar
Newton Drinckwater - Melô do Macaco
Junior Mendes - Então Tá
Sergio Sá - Namoro de Gato
Tony Bizarro - Estou Livre
Ton Saga - Estrela Brilhante
Harmony Cats - Tem Dinheiro Nisso
Placa Luminosa - Lady Sexy
Robson Jorge e Lincoln Olivetti - Siri Que Marca a Onda Leva
Tim Maia - Do Leme ao Pontal
Black Juniors - Mas Que Lindas Estas
Almir Ricardi - To Parado Na Tua
Tony Blue - Bicho Ruim
Marcos Valle - Estrelar
Robson Jorge e Lincoln Olivetti - Alegrias
Rubão Sabino - Madrugada Tropical
Les Etoiles - Chica Chica Boom
Jorge Ben - Waimea 55.000
Emilio Santiago - Amigo de Nova York
Azymuth - Maracanã
Sergio Malandro - Vem Fazer Glu-Glu
Beto Cajueiro - Débora
Electric Boogies - Break Mandrake
As Patotinhas - Melô do Patins (não empurre, não force)
Gretchem - Break Boom Boom
Harmony Cats - Margarida
Tarântulas - Melo das Palmas
Azymuth - May I Have This Dance
Tim Maia - A Festa
Gretchem - Super Sexy
Tim Maia - Vê se Decide


Boogies, Grooves & Breguices

CRICKETS

Wu Ming - The Face I Love (feat. Vira Talisa Dharmawan)

The Crickets Sing for Marcos ft Nigel Price

Download

Baby Don't Stop Me (Bernardo Pinheiro Edit)

cleaning up the vault for upcoming dj sets in Bali.

Dj friendly stuff

<a href='https://theartistunion.com/tracks/076a6f'>Download for free on The Artist Union</a>

Marcos Valle - Estrelar (micamino edit) free dl

Coconut (Bernardo Pinheiro Edit)

スチャダラパー / 大人になっても(Estrela re:funk edit)

I just wanted to test this mix before putting it out for sale ima have some new edits for ya'll soon, i been sittin on a lot of projects during the lockdown. 

hope all is well
peace

https://deedontcare.bandcamp.com/track/mv-nao-tem-nada-nao-fuego-edit

***************************************
support DeeDONTCARE:
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MV - Nao Tem Nada, Nao [fuego EDIT]

(ciùil-mhìn)
Dance music an dat
send me mail : ceolmin@yahoo.com

ドゥエイン

Producer/DJ

For Inquiries/Bookings : music@deedontcare.com

My Bandcamp page : https://deedontcare.bandcamp.com

From the heart, for the feet...

https://www.facebook.com/micaminomusic

It is as bewildering as it is unfair to consider only some of the regions of a country as immense and culturally diverse as Brazil when we think about its immense musical heritage. A common trend that ends up distancing us from a vast universe that lies far beyond the usual southeastern soundscapes and deprives us of delicious surprises like the ones a scene as lively as Belém do Pará's has in store for us. The same that shaped Bernardo Pinheiro's talents and made him one of the most daring and versatile artists of his generation.
Growing up in a home filled with the essential stimuli to the maturing process that turns art lovers into makers, his talents ended up taking shape through practically all the aspects that make up the creation and dissemination of our rich musicality: selector, producer, promoter, protector, or whatever else was needed to fulfill those tasks. And each one of the expressions of his artistic will and vision are manifested in some way all over a career that extends itself for more than two decades, across Brazil and throughout the world.
From Baile Tropical, a project he created alongside Patricktør4 to promote the same Brazilian aural plurality that feeds his repertoire, to his interventions in classics by fellow countrymen such as Fafá de Belém, Leila Pinheiro and other renowned interpreters of Brazilian music such as Djavan, Emílio Santiago, Marcos Valle and Gonzaguinha, the main urge remains is the same: to work this opulent raw material in every possible way. This is what orients him through the rhythmic and geographic immensity of the country to transcend its borders, in an itinerancy that is guided by the mining of musical gems and driven by the desire to share his findings with the public.
This trajectory not only includes visits to the booths of Brasilian venues that are renowned bastions of revelry such as D-Edge, Trackers and Heavy House, as well as Santa Catarina's Don't Tell Mama, it also counts memorable performances at the stages of festivals as diverse as Se Rasgum and Vai Tapajós back in his homeland, Rec Beat in Recife, Mareh Music and Marisco in São Paulo, all the to Virada dos Lençóis in Maranhão and Rio, relentlessly criss-crossing the country. Moreover, this itinerary includes a variety of spaces such as legendary studios and record stores or any other of those special locations where our communion with music takes place, under any pretext or format.
This same drive is transferred unbroken to exquisite musical pieces that comprise a solid collection of authorial releases, gracing the catalog of labels such as Barefoot Beats, Cocada Music, Bongo Synth, Kampana Records, Too Slow to Disco, All About Disco and Midnight Riot. Each of these show his inventiveness shining brightly as he transposes from one universe to another, with both precision and devotion, the full notion of the dance floor and the vivid experience of dance ingrained in a career that has traveled the world while mutating through a range of genres that encompasses Drum & Bass to Disco and House and pretty much everything in between.
A journey that is quite eclectic , never erratic, for its steered by the type of artistic personality and maturity forged along a route that is itself punctuated by expressive moments including all kinds of creative intervention and festive invention: reenergizing classics and reinvigorating traditions, moving bodies and conjuring emotions, all done on and for the dancefloor.

Pop/Jazz/Bossa Nova/Instrumental

Contact: 
wumingkongsi@gmail.com

Founding member,  ex producer/bassist of The Herbaliser.
I’m always uploading new ideas here so check back!
Now writing and producing for HMyna, Maya Blandy and others. A new  project with DJ Sterling Moss coming soon.

DJ YOka a.k.a Pássaro Imigrante, tbm é produtor/beatmaker e
cabeça do Selo Discográfico Somatória do Barulho, especializados em lançamentos em vinil.
É figura conhecida das baladas "100% vinil" da cidade de São Paulo. 
Traz no seu set sua maior influencia, o Hip Hop, acompanhado de todos os estilos que inspiram a cultura urbana, Jazz, Bossa, Funk Soul até os anos 80 onde passeia pelos grooves do Boogie e Disco. YOka mostra intimidade com diferentes estilos da musica brasileira sempre acompanhado de muito groove, além de pérolas esquecidas  encontradas em suas longas sessões de garimpo.
Com residência mensal na festa Beat DownBabylon, mistura ritmos jamaicanos, ao jazz -funk - soul até o hip hop.
Já discotecou em festas como Jazz Na Matilha, Funky Nuggets, Groovalização Sound System, Calefação e casas de musica alternativa da capital de SP, como o famoso Boteco Prato do Dia e Casa Brasilis.

Popular tracks tagged #marcosvalle