Native Indian tribal drumming erupts with polyrhythmic fury: cascading, syncopated ghost notes, Native organic flute improvisations.

Island Jam 2025

free-form improvisation clashing in ecstatic rivalry

Gabriola Island 2025

Ethereal synth pads for cosmic swells and glitchy textures

Guitar excels in Ancient Forest

Alert Bay, Vancouver Island 2025

MoonWind moves like a memory you can almost touch, emotional electronic energy shaped by chopped vocal samples, warm piano chords, and a raw reflective groove. The rhythm pulls from UK garage and deep house influences, creating a feeling that is both intimate and euphoric.

Soft atmospheric pads drift around the beat, the spoken word moments feel close enough to whisper, and every build rises like a breath you have been holding for too long. It feels like a late night conversation with someone you still think about, floating between healing and longing.

MoonWind is for anyone who drifts, feels deeply, and keeps moving anyway.

Moon Wind

Illuminate Her blends intimacy with elevation. Warm close up vocals and re pitched vocal textures cut through the minimalist piano before exploding into a euphoric UK house drop. It feels personal but huge like a private moment that accidentally turns into an anthem.

Illuminate Her

An ultra-realistic album cover captured with a wide-angle lens, depicting a mesmerizingly attractive young woman, her features softened by an ethereal glow, amidst the ancient, moss-covered ruins of a forgotten temple deep within a dense, moonlit forest. The mood is one of profound, melancholic serenity, reminiscent of Simon Stålenhag's atmospheric realism, where technology meets the mystical. Wisps of translucent, luminescent energy, subtly interwoven with the environment like a Jesse Treece collage made real, swirl around her, representing the telepathic communication of ancient spirits. Dynamic lighting from the full moon filtering through the canopy casts long, dramatic shadows, highlighting intricate carvings on the decaying stones and reflecting in the girl's unfocused, knowing eyes. Her attire is simple yet ritualistic, adorned with faint, glowing symbols, and a rich palette of deep indigos, forest greens, and silver moonlight defines the scene.

Arrival

Ethno Spectrophotométries

Recorded on a 1830's French Romantic guitar made by Mangin. The back of the guitar is painted by a period French Master painter.

Romantic Guitar chased by a Theremin

people of the sea foam

Flamenco Guitar Extreme

Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

VIAGGIO NEL PASSATO - from the original motion picture VAKHIM

Haida Gwaii 2025

“Breath of Eternity” is now officially released.
A cinematic–ambient composition shaped around the spiritual resonance of the Persian setar — blending atmospheric minimalism with world-ambient textures to create a soundscape that feels both intimate and infinite.

This piece breathes slowly, expanding like light across silence…
A journey made for listeners who seek depth, emotion, and a space to reflect.

Recommended for:
• cinematic ambient & soundtrack playlists
• meditative & spiritual soundscapes
• world-instrumental atmospheres
• film / video editors, creators, and curators
• deep focus, night walks, emotional introspection

Listen on Spotify:
https://open.spotify.com/track/0YVC2RcKrnf8zgJPaZ0ozJ

For licensing / collaborations:
habibmoghaddamd@gmail.com

Thank you for being here.
Let this piece breathe with you. 🤍✨

Breath of Eternity

Haida Gwaii 2025 Guitar Instrumental

Electrique Noir Glam Bossa Nova

Requiem

Chillout Jazz Guitar Tune

MANGO

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

In the shadowed glow of Asheville’s mountains, Musician, Songwriter, Producer and DJ A̶Rúne conjures sound like ritual. They're music drifts between dimensions, deep electronic currents wrapped in psychedelic pulse, wizardry lyrical flows and subterranean bass. Every rhythm breathes with the strange magic of the forest, every melody flickers like light through smoke.

Neither bound by genre nor time, his sound is movement, trance, and transformation, an echo of something ancient vibrating through modern circuitry.

Composer & Persian Setar Artist
Cinematic • Ambient • World • Spiritual Instrumental
Vienna-based | International

Support my music journey
Every contribution helps me create more Setar, ambient, and world-fusion music.
Thank you for helping me grow. 🌿✨

All "SWAYGROW MUSIC "composed and played by Roger Bruderlin on MIDI and Romantic Classical Guitars.  @  Earlymusicalinstruments.com

French producer
Atlantic Records / MDLBeast

New tracks tagged #meditative,