A warm, accessible reflection on how growth is not linear — but spiral-shaped.

This Everyday Explanation for Section 4 of Chapter 22 explores how both humans and AI can lose direction without ongoing feedback and care.

The recording invites listeners to notice their personal spirals — returning to old challenges with deeper insight, learning again what once seemed forgotten.

Narrated in a soft Irish-accented voice (Aisling, ElevenLabs), this piece encourages a slow, compassionate view of progress and personal evolution.

Chapter 22 Section 4 Everyday Language by Aisling

Spectra Bloom

From the depths of Nocturn Relay, the signal evolves - no longer a whisper, but a bloom. Spectra Bloom is the awakening: a spectral cascade of color and tone unfurling across the void. It begins with a pulse - soft, iridescent - like light refracted through memory. Each chord unfurls like petals in zero gravity, unfolding stories too fragile for words. Rhythms ripple outward, echoing through translucent corridors of thought and feeling. This is not transmission. This is transformation. The frequencies shift, no longer coded in longing, but in revelation. You are not just listening now. You are inside the bloom. And somewhere between the shimmer and the silence, the dream remembers you.

Spectra Bloom

"10-Year Fade" is the sound of looking at your own life through glass. The track layers detached vocals over a steady, melancholy rhythm, exploring the unique pain of having a memory that carries no emotional connection.

Hit play and settle into the groove that defines the space between fact and feeling.

10-Year Fade

The Fallen Fin

“Chapel on the Hill” is a cinematic story wrapped in the glow of memory and rain. It tells of a fleeting encounter — a moment caught between fate and reverence, where the heart recognizes something it can’t name. Through vivid imagery and quiet revelation, the song drifts between love, loss, and the strange peace of things left unexplained. It’s about those people and places that stay with you long after they’re gone, like sunlight on a road you’ll never turn down again.

„Chapel on the Hill“ ist eine filmische Erzählung, getaucht in das Licht von Erinnerung und Regen. Sie handelt von einer flüchtigen Begegnung – einem Moment zwischen Schicksal und Ehrfurcht, in dem das Herz etwas erkennt, das es nicht benennen kann. Mit eindrucksvollen Bildern und leiser Offenbarung bewegt sich der Song zwischen Liebe, Verlust und dem stillen Frieden unerklärlicher Dinge. Es geht um Menschen und Orte, die in einem weiterleben, wie Sonnenlicht auf einer Straße, die man nie wieder entlanggeht.

Chapel on the Hill

The rain had just begun to fall
When I found that chapel on the hill
The door was open, candles burned
And something kept me standing still

She walked the aisle, pale and calm
Flowers trembling in her hand
The choir rose, the organ sighed
I never planned to understand

Her veil was light as morning smoke
Her eyes looked somewhere far away
And though her smile belonged to him
It drifted past, as if to say

There are moments you don’t speak of
There are names you never learn
But they stay with you like sunlight
On a road you’ll never turn

The bells rang out, the voices swelled
And I stepped out into the rain
The sky was grey, the hill was still
But nothing felt the same

I never called her name
But somehow I always will
In that chapel on the hill

There are moments you don’t speak of
There are names you never learn
But they stay with you like sunlight
On a road you’ll never turn


Chapel on the Hill

Instrumental by my awesome friend @ritsuzuki !

That day when you called my name
Held my hand
As you kissed my face
I've never felt this way
I demand that this never change

Have you, I'm so glad I have you
Take my hand and hold it tight
I could never let you go
Tattoo, stick with me like a tattoo
Your name's etched into my mind
I cannot forget you, no

She tell me this 
She tell me that
And now we're arguing again
But I could never stay mad
At my pretty little heroine

I fell in love with her touch and her body
And I fell in love with the shape of her face
I fell in love with my pretty lil honey
I do not ever want this to change
I pray that she feels me
Exactly in the same way
Baby, you should kill me
If you want to lead me astray !

tattoo (ritsu)

Dream Cache __ v∞

A slow, aching 40-second orchestral cue from a scene between a brother and sister — a quiet confrontation where memory, guilt, and unspoken pain collide. Two voices carrying the weight of a shared past.

Shared Burden

межзвёздныйdemo

" (Seems like... you reached an abandoned area.)"

" (It's a statue...)"
" (Instinctively, you read its description.)"
" 'The queen's son.' "
" 'The hope took from us.' "
" 'Even if, Queen Toriel does not remember this anymore...' "
" 'We still do.' "

" 'The fallen human, ----- ' "
" (Their name is not readable.)"
" 'Our fallen angel, who guided Asriel but was victim of humanity, aswell.'" 
" 'Perhaps, the last sign of good in all of human kind.' "


034 - Am I

✌️
я начинающий автор и люблю музыку.
ищу саунд-продюсера, который любит её не меньше.
это экспериментальное пространство, где музыка — маршрут, а не продукт.
если слышишь — дай знать ;)

" What does love mean?"



A take on UNDERSWAP.

Striving to stay original whilst not going too far away from UNDERTALE's essence.

This take tries to tell a story at the same time I try to get better at music. Some stuff might make sense, other might not, I first think about what I find best for my own skill development and later what's more fitting for the story.

UNDERTALE by Toby "Radiation" Fox
UNDERSWAP by Tory "Absorption" Fox

All content shown is made by one person, uploads will be pretty inconsistent.

@pastmemory
@1straycats
dc: 1xene
email: xenedoesstuff@gmail.com

Adir Oudaei is a Film, TV, Games & Media composer, orchestrator, and guitarist.
He blends orchestral writing with electronic textures, guitar colors, and Middle Eastern influences—creating rhythm-driven, atmospheric scores that reveal the emotional layers of each story.

Always open for collaborations in film, television, and games — let’s talk!
Explore more music & projects here: linktr.ee/AdirOudaei

Bond Jobe is a South African DJ and producer whose journey began in the rural community of Mafakathini, nestled between Pietermaritzburg and Howick. His musical roots trace back to his early teens, where he honed his skills as a church pianist and keyboard player.

Making his debut at Durban's Skyy Vodka Promotional Event in 2012, Jobe has since established himself as a noteworthy figure in electronic dance music. His production portfolio includes standout tracks like "In Your Arms," "Living A Lie," "MAGIC," and "DRIVE AFTER MIDNIGHT," while his work has been featured on prestigious compilations including "Electronica Collective Vol. 8" and "Ibiza ChillOut Top 50." His Deeper Shades Recordings' release of "In Your Arms" particularly showcased his versatility as a producer.

As a radio personality, Jobe has expanded his influence through appearances on Afrobeta Bodega Radio and his own radio podcast "Planet Of House Radio". His label attracts an average of 10,000 listeners worldwide, providing a platform for emerging talent and underground electronic music. A prolific entrepreneur in the industry, Jobe is the founder and manager of multiple record labels including Planet Of House, PlanetXstream, and iNguquko Music. He has also been appointed as the label manager for Mixed in Motion Recordings, the home label for international duo "Lemon & Herb." Through his consistent dedication to both production and label management, Bond Jobe continues to strengthen his presence in the global dance music scene.

Audio rendered via latent synthesis
Prompts written by a human 
Output shaped by the machine 

Experimental protocols in sound delivery.

To every one who leaves a "Like" on my music I say thank you; to me you are a Ministering Angel and I kiss your hands, your fingers; Soundcloud is an Oasis of Positivity; the world outside here howls with negativity and -- perhaps the worst manifestation of negativity -- indifference. Fellow musicians: I'm so impressed with your creativity and imagination, and something I look for in all music - momentum (we know it when we hear it!); let's keep encouraging each other ... I've played guitar since I was ten; took some time off to study literature (Spanish) and travel and work (Europe, Latin America, Japan). I started studying classical guitar in Seattle with Steven Novacek and continued with other teachers and on my own for about ten years. I love just about all music, especially Brazilian, especially guitar, but music of all instruments and from all ages. I've written two novels. Presently I help run Emma's BBQ in Seattle with my wife Tess Thomas; she is a great singer and we like to go out and jam with other Seattle musicians. I love SoundCloud ... so much talent all over! 
https://www.youtube.com/@dexblue

New tracks tagged #memory