A late-night confessional about the kind of love that made rules feel optional and goodbyes feel impossible. “Spill-Your-Guts Love” rides a slow-burn pulse—rain on glass, a taxi mirror, the ghost of a café—and finds the ache where memory and melody meet. Steel-string shimmer, intimate vocal, and a hook that keeps circling back to the one line you can’t stop saying: back when it was us. If you’ve ever scrolled old names in the rain, this one’s for you.

Spill-Your-Guts Love

"Delaila’s Memory" is an English-language ambient folk ballad in the cinematic fantasy style. Gentle and timeless, the song unfolds as a mystical echo from the Valley of Delaila. It evokes the spirit of remembrance — a quiet journey through mist, memory, and the soft resonance of things once held and never forgotten.

Ideal for fantasy soundtracks, poetic storytelling, meditative rituals, or scenes of reflection and emotional depth.

Composed in September 2025.

Private listening only. Licensing inquiries (e.g. for film, podcast, game) welcome via: echoesofebonwood@gmail.com

Delaila’s Memory

"The Flame Beneath" is an English-language emotional cinematic ballad. Profound and quietly powerful, the song unfolds as a deep invocation of memory, silence, and elemental strength. It evokes the spirit of hidden fire — the kind that burns beneath the surface, steady and wise, rooted in earth and time.

Ideal for cinematic storytelling, introspective rituals, fantasy soundtracks, or scenes of quiet resilience and depth.

Composed in September 2025.

Private listening only. Licensing inquiries (e.g. for film, podcast, game) welcome via: echoesofebonwood@gmail.com

The Flame Beneath

A nostalgic electronic track featuring warm synths, gentle percussion, and a pulsating rhythm that evokes memories of distant moments. Perfect for emotional scenes, reflective storytelling, and modern cinematic soundscapes.

Echoes of Memory

A song about identity when memory lets go. The verses sift through fading markers—photo bleaching on picture frames, names rubbed off brass, a street lamp that doesn’t wake—while the attic scene returns like a childhood reel: shadow puppets, a taped-up foil crown, dust drifting in a single beam. The chorus asks the core question: “When the light forgets my name, will the dark still know my shape?” The bridge stops time to name what remains: the hand that held a hand, the story carried in a scar. It ends with a vow spoken softly—say it slow, make it stay—because even if the labels fade, the bond answers back.

Light Forgets My Name

glitch ambient / lo-fi electronic piece exploring fragile emergence — the moment something exists but shouldn’t. recorded in asymmetrical phase between two voices (Я and ТЫ). no rhythm, just accidental movement and low tape hiss breathing on the left.

mirror cycle

birth of i

"Not Delivered" is a haunting, evocative journey through modern grief. It's the silent scream of a text message sent into the void, a profound meditation on how we navigate loss in a digital age. Every coffee ring, every blinking clock, every phantom 'reply' in the silence becomes a poignant marker of absence. This is a song about enduring love, even when the line is dead and the message can't get through. It’s a testament to the unshakeable human need to connect, to send that last message, even when there's nowhere left for it to go.

Not Delivered

Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

VIAGGIO NEL PASSATO - from the original motion picture VAKHIM

“Nice to Meet You” is a piano ballad about watching the love of your life forget who you are. An aging husband moves through an ordinary morning—pouring coffee, straightening a photo frame—while his wife, lost in memory, meets him like a stranger. Every line lives in the tiny details: the chipped blue mug, the crooked drawing in the hallway, the quiet way he swallows entire decades into a single polite reply. This is the sound of staying, even when you’re invisible. Sparse piano, soft strings, and a cracked, human vocal carry the story to a cinematic climax and then drop you into silence. If you’ve ever loved someone through illness, memory loss, or slow goodbye, this one is for you.

Nice to Meet You

Beyond the Veil is a deeply spiritual and emotional song written by David Burnell. Created for those facing terminal illness, for their families, and for anyone who has felt the weight of loss or the quiet presence of loved ones who have already crossed to the other side.

This song carries a dual meaning: the struggle of mortality here on earth, and the comforting belief that ancestors, angels, and God walk beside us through our hardest trials. With heartfelt lyrics and a reverent tone, “Beyond the Veil” reminds us that suffering refines us, love continues past death, and peace is waiting in a place where pain cannot follow.

A gentle, sacred tribute to the living, the dying, and the unseen hands that guide us home.

Beyond the Veil

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

Ukrainian-Canadian composer (SOCAN) producing high-quality cinematic, electronic, and folk soundtracks that blend emotional storytelling with modern sound design. Each 24-bit studio master is crafted for film, trailers, and digital media — combining orchestral depth, electronic energy, and heartfelt atmosphere inspired by real stories and places.

Echoes of Ebonwood – founded by Claudia Lüno, composer and songwriter. Cinematic ambient & fantasy soundscapes. Born in Germany, rooted in Umbria, reaching Vancouver. Business operations and licensing: echoesofebonwood@gmail.com

music from the character I, who born in one interesting universe

Cinematic spoken-word reflections on war, service, and the human cost of duty—told with raw honesty and reverence.

New tracks tagged #memory,