Ambient sound and part of the exaltation of Inanna, in the ancient Akkadian language.

Exaltation of Inanna

è la concomitante espressione di possibilità (qualsiasi possibilità indipendentemente dalla sua necessità razionale) e di nessuna possibilità – tutto può accadere, ma allo stesso modo, potrebbe non accadere mai nulla; è la sospensione tra le infinite probabilità e il loro inspiegabile congelamento

sumerian cuisine


@djipek Based between Berlin and Istanbul, DJ, producer, curator, queer-activist, İpek İpekçioğlu creates an extraordinarily warm, dynamic, and organic interpretation of electronic music as nu-disco, house, deep house, tech house, and minimal techno. Her music melts with the melodramatic sound of Anatolia, Orient and the Middle East and she has been pushing boundaries within the ethnic and electronic music scene for more than a decade.

The Berliner Label Katermukke released her track «Uyan Uyan, Wake up», which led the Beatport charts for several months as the most successful track. She released Bir çift Turna and Gelme Bana at Epic Istanbul/Sony Music. Her remix of Selda Bagcan’s «Gesi Baglari» was released at Majör Müzik. The Canadian Souq Records released her latest Techno track «Dame Sobh feat. Hany Mojtahedy».

İpek has performed in New York, on the desert Sahara of Mali, Salvador de Bahia, Stockholm, Marseille, Los Angeles, Istanbul, Novosibirsk, Beirut, St. Petersburg, Glasgow, Cairo, Sana’a or Shanghai etc. She has toured in Japan and has made exclusive tours throughout China.

İpek İpekçioğlu has received a German Record Critics’ Award and was named a musical and political «visionary» by the Süddeutsche Zeitung. The Rolling Stonze Magazine called her a representative for «ideologically blinker-free living».


İpek İpekçioğlu Live Set at jazzhane Festival 2025 in Zurich

codgerd again!!

we create ecstatic moments of joy. A kiosk for music from the Silk Road and beyond.

The word kiosk ultimately derives from the Persian word kūshk (کوشک), meaning "palace" or "portico," which entered English through Turkish (köşk, "pavilion") and then through French (kiosque) or Italian (chiosco).

Originally, the term described open garden pavilions or summerhouses found in Persian and Ottoman architecture. In the 17th century, such structures were introduced in Western Europe—often as decorative garden ornaments. By the 19th century, the meaning evolved, especially in France and England, to refer to small freestanding booths or stands used for selling goods like newspapers, retaining the association with a compact, accessible structure

i make music sometimes. like the Woeful Men of old i expell my undeveloped bs once per Mothin'. 
feel free to take it. my noise is for the people.
nothing pre-forskehue is real dont listen to it


i'm known by many names: speedy mcfartass, the battleship, DarthGreninja,Sandwich, robotskeIeton, Jazz Dealer, ShitFart, Siegfried Sasson, the guatemala watermelon bandit,evil wizard,The Cone Ranger, Colonel Corn the Master of Maze and Wizard of Wheat, Finland's Bane, unknown assailant #3,Box Man, OmegaFlame, henry, zephyr,zephanie,etc. but here i am traffic_cone.mp3,makerr of Terrible Musicse for Terrible People. Listene if thou Chews.

lots of this is old and bad (repurposed old account when i tried to make a new one and it said "i already know you foo, you're speedy mcfartass!"

 so uh yeah dont please

 traffic coning is bad for your health

if you or a loved one have been exposed to trace amounts of traffic cone at work, you may be entitled to financial compensation.

New tracks tagged #mesopotamian