Paul  Etheredge's Album

Schuman [sic] (original instrumental)

Kyle Gann Was Right [original instrumental]

S P A C E W R E C K

Merzbow [original instrumental]

Symphony No. 3, Mvt. II [original instrumental]

Enjoy my interpretation of this great - and pretty difficult - "Organ Polyptych" by Olivier Messiaen, composed in 1932-33! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Messiaen O. - L'Ascension-Quatre Méditations Symphoniques pour Orgue [1932-33] (organ)

Interprétation flûte/piano de Vocalise-Etude d'Olivier Messiaen (1934)

Vocalise-Etude Messiaen

Le Prélude au Loriot est composé à la demande du Pianiste Pierre Laurent Aimard pour introduire le Loriot, pièce du Catalogue d'Oiseaux d'Olivier Messiaen lorsque celui-ci est donné en concert. La composition s'appuie sur l'exergue que Messiaen nous donne dans la partition du Catalogue d'Oiseaux .
Ce descriptif d'une situation devient alors pour moi une partition à suivre scrupuleusement.
La Création des 13 préludes (un par oiseau) a eu lieu à Dresde en 2016.

PRELUDE AU CATALOGUE D'OISEAUX DE MESSIAEN.  LE LORIOT

A haunting improvisation for strings, weaving eerie dissonances and chaotic textures into a soundscape of mystery and tension. Echoing the spectral and the surreal, this piece drifts between the unsettling and the otherworldly, evoking a sense of disorientation and awe. Listen at your own risk.

Resonance of the Unknown

Le Chocard des Alpes ("The Alpine Chough")

L'Alouette Lulu ("The Woodlark")

Le Courlis Cendré ("The Curlew")

Orchestration de Cloches d'angoisse et larmes d'adieu du compositeur Messiaen par Jinri Oh

Interprétation OLC ; Antoine Dutaillis, direction

(Orchestration) Préludes: VI. Cloches d'angoisse et larmes d'adieu - Messiaen

L'eau d'Olivier Messiaen transcrit pour Ondes Martenot solo et Orgue

Ondes Martenot - Chaewon LEE
Orgue - Antoine Doucy

Prise du son - Classe de Conservatoire de Boulogne Billancourt 

Olivier Messiaen - L'eau (Transcription ondes et orgue)

Pianist Nina Ferrigno, director of the Missouri Chamber Music Festival, talks with Chuck Lavazzi about the 15th anniversary of the festival with four concerts and additional events at venues in the St. Louis from June 9–26. Learn more at https://mochambermusic.org/

Preview the 15th Missouri Chamber Music Festival with Nina Ferrigno

A recording of the 1937 Messiaen composition 'O Sacrum Convivium!' by the vocal ensemble Les Temps Dérobés. Recorded and mixed at Studio Théoulas by Nathan Fustec in 2021

Les Temps Dérobés - O Sacrum Convivium! d'Olivier Messiaen

In Kuglanje 2, there are 351 bowling pins.

Devinsta Summoning Theme

(Excerpt from) Fouillis d'arcs-en-ciel, pour les Bassbins qui annoncent la fin du temps

Compositrice-Organiste 

Née à Séoul, active à Paris

yuku haruya is an eclectic duo from Italy, playing fast paced music bridging  electronic, metal, symphonic, experimental, psychedelic and space rock

Dr. Kyle D. Johnson is a pianist, educator, and researcher based in the Washington, D.C./DMV metro area. A passionate advocate for modern and contemporary music, he co-founded the Midwest-based ensemble Sound Out Loud and has performed with the Longitude Contemporary Ensemble (Cambridge, MA) and the Boston New Music Initiative. His festival appearances and fellowships include the Princeton Festival (NJ), Brevard Music Institute (NC), Pianofest in the Hamptons (NY), Aldeburgh Festival (UK), Chautauqua Institute (NY), the Summer Institute for Contemporary Performance Practice (MA), and the LunART Festival (a celebration of women composers in Madison, WI). As a pianist body double, his hands are featured in the 2013 film Stoker, starring Nicole Kidman, with a score by Philip Glass.

An active performer, collaborator, and researcher, Dr. Johnson’s interests extend to 20th- and 21st-century piano repertoire, which he explores in his ongoing podcast series, Art Music Perspectives. His teaching experience spans private studio instruction, university-level fellowships, and elementary music programs. In summer 2023, he taught a course at the Chautauqua Institute on “The Pulitzer Prize in Music: 2000–Present.”

His primary teachers include Christopher Taylor, Hugh Hinton, and Robert Marler, with additional guidance from Paul Schenly, Pierre-Laurent Aimard, and the late Peter Serkin.

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

I'm a London based Sound Engineer and record producer working between the UK and France. I'm also the owner and founder of Studio Théoulas in Brittany

Classical music in St Louis, from Classic 107.3 and 96.3 HD2

Solo artist.  Song and dance man.  Folk.  Blues.  Contact:  desertersongs@yahoo.com Film critic at https://paulydeathwish.com/

New tracks tagged #messiaen