mon project métal , âpres 25 ans un retour dans cette musique humblement ,

Véro

Mustang's Roar

The stars drift cold, their fires fade, A silent void consumes the skies. The cosmic
dance slows to an end,
No more the light, no more to mend.
In the shadow of infinity, We face the loss of all we see.
Night reigns, eternal and unbroken, A universe with no word spoken. The echoes
fade, the void remains, Under the rule of NightReign.
No whispers left, no songs to sing, The void consumes everything. A clock that
ticks without a hand, Time slips away like grains of sand.
The frost of space, the quiet ache, As all returns, no life to wake.
Night reigns, eternal and unbroken, A universe with no word spoken. The echoes
fade, the void remains, Under the rule of NightReign.
No kingdoms rise, no empires fall, No voice remains to heed the call. Entropy’s
crown, a cold domain, Under the shadow of NightReign.

Guitare/basse/synth/arrangements : Julien Aublin
Guitares : Jean-Marie Laperle

Cop. Chronicles of J 2025 ; Cop. 2025 Julien Aublin et Jean-Marie Laperle


NightReign

GoStyle12

Avec Maxime Gillain, spécialiste et amateur de métal, nous abordons les éléments progressifs dans la musique de Black Sabbath, maître étalon du métal. Au programme:
Black Sabbath: Black Sabbath [6’20"; from "Black Sabbath" ; 1970;  UK]
Black Sabbath: Planet Caravan [4’29"; from "Paranoid" ; 1970;  UK]
Black Sabbath: Into the Void [6’11"; from "Master of Reality" ; 1971;  UK]
Black Sabbath: Sweet Leaf [5’2"; from "Master of Reality" ; 1971;  UK]
Black Sabbath: A National Acrobat [6’15"; from "Sabbath Bloody Sabbath" ; 1973;  UK]
Black Sabbath: Spiral Architect [5’29"; from "Sabbath Bloody Sabbath" ; 1973;  UK]
Black Sabbath: Symptom of the universe [6’29"; from "Sabotage" ; 1975;  UK]
Black Sabbath: The Writ [8’44"; from "Sabotage" ; 1975;  UK]
Black Sabbath: Megalomania [9’42"; from "Sabotage" ; 1975;  UK]
Black Sabbath: Gypsy [5’8"; from "Technical Ecstasy" ; 1976;  UK]
Black Sabbath: Heaven & Hell [6’57"; from "Heaven & Hell" ; 1980;  UK]
Black Sabbath: The Sign of the Southern Cross [7’47"; from "Mob Rules" ; 1981;  UK]
Black Sabbath: God is Dead [8’52"; from "13" ; 2013;  UK]


Progscopie - 350 - 20250424 - Black Sabbath

Jvson DV04 - Walk Or Die

Après vous avoir parlé jazz cette année, j'ai décidé de retourner ma veste et de me mettre au métal.


Illustration : The Angel of Grief, William Wetmore Story

[Passages] Wométal

Avec le spécialiste et amateur, Thierry Istace nous abordons lez aspects progressifs de cette légende du métal qu'est Iron Maiden. Au programme: 
Iron Maiden: Remember Tomorrow [5’28’’; sur « Iron Maiden » ; 1980]
Iron Maiden: Prodigal Son [6’18’’; sur « Killers » ; 1981]
Iron Maiden: Children Of The Damned [4’35’’; sur « The number of the beast » ; 1982]
Iron Maiden: Hallowed Be Thy Name [7’21’’; sur « The number of the beast » ; 1982]
Iron Maiden: Revelations [6’48’’; sur « Piece of mind » ; 1983]
Iron Maiden: Flight Of Icarus [3’51’’; sur « Piece of mind » ; 1983]
Iron Maiden: To Tame A Land [7’25’’; sur « Piece of mind » ; 1983]
Iron Maiden: Powerslave [6’47’’; sur « Powerslave » ; 1984]
Iron Maiden: Rime of the Ancient Mariner [13’18’’; sur « Powerslave » ; 1984]
Iron Maiden: Alexander The Great [8’35’’; sur « Somewhere in time » ; 1986]


Progscopie - 354 - 20250710 - Iron Maiden

Un deuxième émission dédiée au métal progressif (après la n°156) qui va explorer des artistes plus récents et moins connus. Au programme: 
Leprous :  Rewind
Thy Catafalque :  Siraly
Devin Townsend :  Awake!
Disillusion :  ALEA
Wheel :  Wheel
Vildhjarta :  vagabond
Pull Down the Sun :  Inoi
Pothamus :  Zhikarta
Hippotraktor :  Manifest the Mountain
BRIQUEVILLE :  Akte XII
Laucean :  Adieu


Progscopie - 356 - 20250828 - Le métal progressif (pt 2)

watch dusk alone

Drowner instrumental

Suicide shop instrumental

Dog to man Transposition Instrumental

Violent Overflow Instrumental

Septriant

Son of a musician, was reared with the sound of his father's accordian.

In 1981, He began his musical career in the Hard-Rock and Metal styles. Curious and aware of every musical style, he studied classical guitar and became very interested in Jazz, Fusion and Flamenco.

In 1994, after a session with Romane, he decided to immerse himself in the music of Django Reinhardt and he took serious Jazz courses, notably with Pascal Rauzet, guitar teacher at Bordeaux's CIAM, and after with Jean-Yves MOKA.

In 1997, he founded the first version of Gipsy Jazz duet and later created Djangophil in 2000, while following at the same time lessons with Christophe Lartilleux (leader of Latcho Drom band).

After that will follow numerous concerts and jams, and the recording of nine Cds (including covers and personnal compositions).

It is the stories and our imagination that give life and meaning to this world. And because I love music ... that it questions, that it awakens, that it intrigues, that it disturbs, that it moves... beyond the boundaries of genres ... This project is an expectation, a research in embryo ("one man band"), and the exploration - being for the moment totally free to leave the field - of the possibilities open to changing inspiration and protean nonconformism ... I admit that it is not easy to enter, and I thank all the more those who took the time to stop and listen to some of these stories ...

2 amis d'enfance unis autour d'une envie de créer une musique qui nous ressemble !
Pure post-metal instrumental aux influences confuses voir malsaines, peu assumées et définitivement peu recommandables. Fuyez pauvres fous !

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