I dreamed a dream' is a special song to me. I invite you to listen to my rendition of this incredibly touching song and hope you will enjoy it.
Website: www.charisanneluke.co.uk
Instagram: @charis.anne.luke

I Dreamed a Dream //Les Miserables// Soloist: Charis Anne Luke

A collaboration with mezzo-soprano Lucy Gibbs

Do Not Stand at My Grave and Weep

Trio for Clarinet, Mezzo-soprano and Harp, Op. 44b; composed in 2023; composer: Ulrich Menzefricke; performed by Peter Stoll (clarinet), Lillian Brooks (mezzo-soprano), and Sanya Eng (harp); recorded on 22 July 2024 at Canterbury Music Studio, Toronto; sound engineer: Julian Decorte.

Trio For Clarinet, Mezzo And Harp

Mezzo-soprano - Helēna Sorokina
String orchestra - Sinfonia Concertante

Conductor - Andris Vecumnieks

Recorded by Latvian Classical Radio during the Latvian Composers’ Union festival, 'Latvian New Music Days: Encore.
Sound engineer - Normunds Slava

The composition is inspired by the "Voynich manuscript," often referred to as one of the world's most mysterious books. Created around the 15th or 16th century, it is a still undeciphered "text" approximately 213 pages long, accompanied by strange diagrams and illustrations. The manuscript gained wider recognition in the last century when it was accidentally discovered in 1912 at a Jesuit college near Rome by a book dealer named Wilfrid M. Voynich, after whom the work is named. Many cryptographers, codebreakers, and linguists have attempted to decipher the Voynich manuscript, but the incomprehensible cipher, along with the peculiar illustrations of plants, symbols, and people, remains unexplained. As of now, it is not known whether the textual part of the Voynich manuscript encodes an unknown language or consists of a series of visual signs. Research is still ongoing, and the text is currently held by Yale University. To reflect the strange nature of this story, the language heard in the composition is invented by the composer.

/Voynich Codex/ for mezzo-soprano and string orchestra

"Dreams of Light" is an ethereal, ambient pop track that explores the journey of inner transformation and empowerment. With captivating mezzo-soprano vocals and flowing, atmospheric melodies, the song lifts the spirit and invites listeners to embrace their inner strength. A celebration of light, dreams, and breaking free from the chains that hold us back, this track is a healing and empowering anthem for anyone seeking to rise above life’s challenges. Immerse yourself in its soothing yet powerful energy and let it guide you toward awakening.

Dreams Of Light

Descriptif de la série // Le podcast Créatrices, produit par le magazine féministe belge axelle, est un voyage sensible et passionné dans l’univers de femmes artistes contemporaines. Car les femmes qui créent sont dans la place : elles écrivent, elles peignent, elles composent, elles tournent. Alors écoutons leur histoire. Partageons leurs émotions. Et émerveillons-nous de leur talent. 

Descriptif de l’épisode // Camille Bordet, la voix libre 
La musique est au cœur de la vie de Camille Bordet. Jeune chanteuse lyrique mezzo-soprano, au timbre de voix rond et chaud, elle repousse sans cesse "les limites de sa pratique vocale". Elle a cette curiosité du monde et des autres qui la mène sur des chemins de traverse étonnants. De l’Arménie où elle séjourne quelques mois à l’Iran au fil d'une rencontre amoureuse avec la langue et la poésie persanes. 
Dans cet épisode de Créatrices, elle évoque la technique lyrique qui met tout le corps en vibration et agit comme un antidépresseur au service de l’émotion. Interpréter ne suffit pas pour Camille ; elle met en perspective les contextes historiques et les réalités d’aujourd’hui pour incarner ces héroïnes d’opéra aux destins souvent tragiques.
"On est obligé d’être à l’écoute de la société. C’est tout l’enjeu de l’opéra, de la musique classique, sortir de l’image d’un art poussiéreux réservé à des gens très riches." Mais aussi de remettre au centre les femmes compositrices gommées d’une histoire écrite par les hommes… 

Créatrices est un podcast produit par axelle magazine et réalisé, monté et mixé par Corinne Ricuort. La musique du générique a été composée par Marielle Vancamp. L’illustration de la série est signée Candela Sierra.

Extraits musicaux dans cet épisode : Veronika Vitazkova au duduk. "Lève-toi, ô jour", compagnie La voie d’Azim, usage gracieux autorisé, remerciements à Camille Bordet.  "Che si puo fare" de Barbara Strozzi, par Nicholas Hersh au violoncelle. "Assisa a'piè d'un salice" (Otello), chant : Camille Bordet, harpe : Camille Refait. 
Dans l’épisode, Camille Bordet cite notamment Rûmî (Jalal ad-Din Muhammad Rûmî), poète, mystique et théologien de la Perse médiévale, et le compositeur et musicien allemand classique Jean-Sébastien Bach. 
Les actualités de Camille Bordet : 
• "Trio Moghani", avec Jérôme Bertier et Mostafa Taleb, 4 décembre 2024, Festival Les Nuits d'Orient (Dijon). 
• Déméter (rôle-titre), opéra contemporain, Martine Chifflot-Comazzi (livret) et Béatrice Berne (musique), 14 décembre 2024, opéra de Clermont-Ferrand. 
• avec Argha/Nun le 16 décembre 2024 à Avranches (à confirmer). 
• Concert franco-iranien pour la fête de Yalda, 20 décembre 2024, Woluwe Saint Lambert. 
Plus d’infos sur le site de Camille Bordet : https://camillebordet.net/

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Camille Bordet, la voix libre

Trashy, hilarious, and unapologetically raunchy, "Kevin McGee Gave Me HPV" delivers 90s honky-tonk grit with a punk rock twist. This high-energy anthem mixes dirty blues with sharp, satirical lyrics that’ll have you laughing and cringing all at once. Mezzo-soprano vocals, distorted guitars, and a raucous fiddle lay the groundwork for a cautionary tale of heartbreak—and an unforgettable medical souvenir.

Kevin McGee Gave Me HPV

Cara sposa - Rinaldo - G.F. Handel - Orchestra  Filarmonici Friulani

Dopo notte - Ariodante - G.F. Handel

Babbino Caro

Orchestral backing track for the iconic Habanera from Carmen (Bizet), 100% performed with virtual instruments:

Berlin Strings, Berlin Woodwinds, Berlin Brass, Berlin Percussion (Orchestral Tools)


🎤 Ideal for: Mezzo-sopranos, opera rehearsals, auditions, or studio recordings.
💼 Need a custom tempo/key? DM for tailored versions or other opera/musical backing tracks.

Carmen Habanera Backing Track | L'amour est un oiseau rebelle (Bizet)

I'm just a songwriter, standing in front of a computer, asking it to sing my heart out. Welcome to my world where I weave words into lyrics and let AI bring them to life.

🌟 **Join Me on This Musical Journey!** 🌟  
I'm open to collaboration, just reach out via e-mail. I create all my music. I write it, mix it, run it through several systems, and if the voice isn't mine, it's created by me and trained. I have taught myself how to mix through audacity, and soundtrap, etc and still learning. I have been coding since I was 11 years old, writing since about 5 years old, telling stories since I was two and singing since I was 4. I can sight read, read and badly notate music, and play the piano. I'm teaching myself how to play the drums right now. 

In the next few weeks I’ll be reworking SoundCloud. Enjoy the songs. I’ll be slowing down the music process to 1 song to 2 songs per week now. I will start to transition the current songs to other platforms for easier listening. If anyone has favs they want available earlier, let me know. Enjoy!

Listen to my music. 
I'm a traveler of Worlds. 
Creator of realms, and storyteller at heart. 

Never stop dreaming, never stop laughing, and never stop listening. 
Always do your own research. 

I stand for unity and chilling out with as many people with like-minded vibes as I can.  

In my free time I like to hang out in my mind and create stories about other Worlds, mainly involving complicated time travel nonlinear plots. Wanna know my story? 
Just ask me? 


My songs are my journal, and an open music lab experiment. I need to make music to not be depressed and go into dark, dark places. It's like water for me. 

Feel free to share here, but if you use it for nefarious purposes, well I believe in karma . Peace out, and see you soon. 

Enjoy and never forget, question everything!

PS - Cat lover forever (Yes, I'm a F'ing cat lady Mr. Vance, what are you gonna do about it now?)

"Professional Composer & Music Producer | High-Quality Virtual Instrumentation

Welcome to my SoundCloud! I specialize in crafting premium backing tracks, production music, and custom compositions using top-tier virtual instruments (Orchestral Tools, Berlin Series, and more). Whether you need cinematic scoring, dynamic arrangements, or polished demos for your projects, I deliver rich, realistic, and emotionally compelling soundscapes tailored to your vision.

Let’s collaborate! DM for commissions, licensing, or custom work. #ComposerForHire #ProductionMusic"

Magazine féministe belge grand public dont les femmes occupent toutes les histoires depuis 1998.

Maxwell Harrison Ratzky is an American-born musician and composer best known for his extensive work with various bands throughout the U.S. and U.K. He's established himself as a sought after multi-instrumentalist, performing and recording with artists such as Halsey, EERA, Kitten, Psychic Love, Overjoy, Veronica Bianqui, and We Should Be Dead. As a composer he's written works for film, media, and the concert hall. 

Proficient in guitar, piano, bass, and percussion, Ratzky's style is often described as haunting and restrained; emphasising dark tones and colours. As a guitarist, he's known for using effects pedals to achieve unique sound worlds and for advocating a less is more approach.

A graduate of the prestigious Liverpool Institute for Performing Arts (LIPA) in England, Ratzky also studied composition at London’s Trinity Laban Conservatoire of Music & Dance with composers Soosan Lolavar, Deirdre Gribbin, and Dominic Murcott.

He splits his time between London and Los Angeles.

Anna is a Latvian composer working in the areas of chamber music, opera, music for choir, instrumental solo pieces and electroacoustic musi. Fascinated by the most intricate properties of sound, she approaches it as a live organism that embodies a musical form in itself. Her work is often created in close collaboration with musicians, exploring the finest timbral, textural and technical possibilities of each instrument that eventually lead to meticulously designed sonoric architectures. Inspired by the mysteries of nature, she steps with it into a conversation through her music, colliding disciplined rationality and scientific research with feminine intuition and sensitive plasticity.
In 2019 her Tree Opera. Windthrow for eight voices, chamber ensemble and electronic track was premiered in Finland by the Grammy Award winning Latvia Radio Choir, chamber ensemble and Swedish Paetzold contrabass recorder player Anna Petrini. Anna is currently working on a composition for symphonic orchestra and large choir Carmen Sibyllae (Song of the Sibyl), based on Virgil’s 4th Eclogue, anticipated premiere in 2021.

New tracks tagged #mezzosoprano