Soundcloud: soundcloud.com/andrijanabozinovski
Facebook: facebook.com/PureJana
Instagram: instagram.com/jana_musicc
Linktree: www.linktr.ee/andrijanabozinovski
Youtube: youtube.com/@andrijanabozinovski1317

DEEP MVMT

Jana

DEEP MVMT Podcast #315 - Jana [9 Years Of DEEP MVMT]

PREMIERE: GSSG - Ferd III [ Indefinite Pitch ]

Release Title: Ferd
Artist: GSSG
Label: Indefinite Pitch
Catalogue No.: PITCH42
Release-Date: September 8, 2024

Buy Link: https://indefinitepitch.bandcamp.com/album/ferd


__LINKS___________
✘ GSSG (Norway)
https://soundcloud.com/gssgofc
https://www.instagram.com/gssgofc

✘ Indefinite Pitch (Yantai // China)
https://soundcloud.com/indefinite-pitch
https://www.facebook.com/IndefinitePitch.Records
https://www.instagram.com/indefinite.pitch

Ferd

PREMIERE: GSSG - Ferd III [ Indefinite Pitch ]

POV: The quality goes bad, and the song goes hard.

Mindfreak

The single off my forthcoming album “arnald palmer”
(pre-save here: https://distrokid.com/hyperfollow/hombreplata/bad-hombre) album version releases with the rest of arnald palmer 12/25

now we are in the surreal
we are crossing the threshold of the gate
familiar sounds both modern and classic

with this bad hombre as our guide we step into the unknown
on edge with excitement, not nerves
bad hombre makes no sounds yet its constant presence reminds of something bigger than ourselves
like a tree falling in the woods only those around it experience the sound
so too are we just existing in our mind unless our experience is shared with others

arnald palmer

bad hombre

For this week’s LAB, we are thrilled to feature ATSO, a DJ and producer from Porto whose journey into the world of hypnotic soundscapes began as a humble hobby and quickly blossomed into a deep-rooted passion. Known for his entrancing sets and innate sense of groove, Atso brings a unique energy that reflects both personal dedication and collective spirit.
His style is shaped by long hours of digging, experimenting, and connecting with the local scene. As part of Analytical Convenience, and more recently with his project MO;MENTO, Atso has been building spaces—both online and offline—where music takes the lead.

This mix is a reflection of that journey: subtle, focused, and full of groove.

Support the artist:
SoundCloud:  https://soundcloud.com/unknownatso
Instagram:  https://www.instagram.com/___atso/
 
Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 021 - Atso

Story city-Walk Away

For this week's LAB, we are delighted to bring you Pooyan Saadati,  an Iranian DJ and Producer based in the United Kingdom, with an unique set, blending dark, minimal and hypnotic sequences. With a tremendous love for performing, this mix offers us a sneak peak of Pooyan's talent and skill.


Support the artist:
SoundCloud:  https://soundcloud.com/pooyan-saadati
Instagram:  https://www.instagram.com/pooyansaadati/

Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 022 - Pooyan

This week on LAB, we’re welcoming back Yankee Charlie, a French artist who’s no stranger to our platform. He first appeared on our debut VA Connected with the standout track Sulaco, and now returns with a mix that dives even deeper into his world.

Firmly rooted in the underground, Yankee Charlie brings a sound that’s raw, textured, and hypnotic—built for dark rooms and long nights. His approach is subtle but intentional, drawing you in with tight grooves and evolving layers.

This set is a continuation of the story he’s been building—steady, focused, and unmistakably his.

Support the artist:
SoundCloud:   https://soundcloud.com/yankee-charlie
Instagram:  https://www.instagram.com/yankeecharlie75/

Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 023 - Yankee Charlie

Soundcloud: soundcloud.com/sspatiu
VK: vk.com/sspatiu
Linktree: www.linktr.ee/sspatiu
Facebook: facebook.com/valentina.kovalenko.591213
Instagram: instagram.com/sspatiu

Valentina Kovalenko

DEEP MVMT Podcast #341 - Valentina Kovalenko

KidIsLive - Summer 2025 Warm Up DJ Set

With "Metamorfosis," Mexican producer Juan Miguel Camacho Sánchez, better known as Mig Dfoe, delivers a work that honors his reputation as a master of atmosphere. More than a collection of tracks, this EP feels like a life cycle in itself, an evolutionary process distilled into electronic music.

The Sound of Transformation

The album kicks off with "Salamandra," a track that immediately establishes a tone of mystery and progression. The synthesizers are organic and watery, evoking an underwater soundscape, while a subtle yet firm percussion pulls you forward. It's elegant deep house, with a bassline that envelops you without being overpowering.

The central and eponymous track, "Metamorphosis," is the heart of the project. 

Here, Mig Dfoe's melodic complexity shines brightly. The track constantly evolves, introducing layers of ethereal arpeggios and melancholic pads reminiscent of the Berlin school, but with a more Latin cadence. The "metamorphosis" is felt in how the beat intensifies, reaches a peak of emotive energy, and then slowly dissolves.
Reflection and Closure

"Zakan" serves as a reflective interlude, with a slower tempo and a rougher sonic texture. It's an ideal transitional track, maintaining immersion while offering a moment of calm before the closing.

Finally, "Estamos bien" acts as the optimistic resolution of the journey. It maintains the techno pulse, but major chords introduce a sense of hope and lightness. It's the perfect conclusion to an album that explores transition: the process was turbulent, but the destination is peace.

"Metamorphosis" is a must-listen for anyone who appreciates soulful electronic music. Mig Dfoe demonstrates a maturity in his production, using rhythm not only to make you dance, but to tell a story of transformation. It's a work that perfectly balances dancefloor energy with introspective depth.

Metamorfosis

Buy Metamorfosis

Estamos bien

With "Metamorfosis," Mexican producer Juan Miguel Camacho Sánchez, better known as Mig Dfoe, delivers a work that honors his reputation as a master of atmosphere. More than a collection of tracks, this EP feels like a life cycle in itself, an evolutionary process distilled into electronic music.

The Sound of Transformation

The album kicks off with "Salamandra," a track that immediately establishes a tone of mystery and progression. The synthesizers are organic and watery, evoking an underwater soundscape, while a subtle yet firm percussion pulls you forward. It's elegant deep house, with a bassline that envelops you without being overpowering.
The central and eponymous track, "Metamorphosis," is the heart of the project. 

Here, Mig Dfoe's melodic complexity shines brightly. The track constantly evolves, introducing layers of ethereal arpeggios and melancholic pads reminiscent of the Berlin school, but with a more Latin cadence. The "metamorphosis" is felt in how the beat intensifies, reaches a peak of emotive energy, and then slowly dissolves.

Reflection and Closure

"Zakan" serves as a reflective interlude, with a slower tempo and a rougher sonic texture. It's an ideal transitional track, maintaining immersion while offering a moment of calm before the closing.

Finally, "Estamos bien" acts as the optimistic resolution of the journey. It maintains the techno pulse, but major chords introduce a sense of hope and lightness. It's the perfect conclusion to an album that explores transition: the process was turbulent, but the destination is peace.

"Metamorphosis" is a must-listen for anyone who appreciates soulful electronic music. Mig Dfoe demonstrates a maturity in his production, using rhythm not only to make you dance, but to tell a story of transformation. It's a work that perfectly balances dancefloor energy with introspective depth.

Soleil, il revient toujours is a deeply atmospheric electronic journey where Mig Dfoe explores memory, light, and emotional transformation through immersive sound design. The EP moves between long-form meditative pieces and intimate melodic vignettes, weaving a narrative that feels both personal and cinematic.

Across its seven tracks, Mig Dfoe blends warm analog tones, hypnotic rhythmic structures, and dreamlike harmonies that drift between melancholy and quiet hope. The project radiates with a sense of return — to light, to emotion, to inner spaces that time can’t erase. Each composition evolves slowly and deliberately, unfolding like sunlight traveling across a room or a thought resurfacing from deep within.

The EP’s sonic palette moves from glowing, expansive techno landscapes to soft, romantic fragments of electronic minimalism. It captures the feeling of wandering through memories at dawn, where every sound has weight and every silence feels intentional.

Soleil, il revient toujours is not just a collection of tracks — it’s a reflective emotional cycle, a story about warmth that returns after long shadows, and a reminder that even fragile moments can echo with strength. Mig Dfoe invites the listener to step inside, breathe, and let the music expand slowly, patiently, like the rise of a new day.

Western in Australia – 9:50

A widescreen, desert-sized soundscape with cinematic electronic storytelling. Long, unfolding movements evoke dusty horizons, isolation, and freedom. An epic closing track that feels like a digital western set under an Australian sun.

Soleil, il revient toujours

Western in Australia

Algumritmo Records, based in Lisbon, Portugal, is a electronic music label. Committed to diverse sonic exploration, the label's tracks oscillate between hypnotic and raw techno. Operating as both a record label and cultural hub, AlgumRitmo fosters a global community of artists dedicated to pushing genre boundaries. As an artistic collective, AlgumRitmo collaborates globally, shaping the narrative of techno music. Emphasizing art's role in cultural evolution, each release bears a distinct imprint, reflecting a deliberate and curated aesthetic by Algumritmo.

𝗢𝗨𝗧 𝗡𝗢𝗪
➤ AFTERHOUR SOUNDS COMPILATION VI
https://afterhour-sounds.bandcamp.com/album/afterhour-sounds-compilation-vi

___________________

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025


___________________

𝗣𝗔𝗦𝗧 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 01-02/03 Südpol/Hamburg
➤ 15/03 Klunkerkranich/Berlin
➤ 30/04-01/05 Station Endlos/Halle - w. philia & SK
➤ 28.-29.05. Release Party at JK/Berlin
➤ 18-20/07 Kompaz am Fluss Festival
➤ 30/08 Klunkerkranich/Berlin
➤ 20/09 gart.n/Berlin [Solidance]
➤ 25/10 Bahnwärter Thiel/Munich 

2024
➤ 09/03 Klunkerkranich/Berlin 
➤ 31/03 Kabinett der Kuriositäten/Mainz
➤ 06/04 Beate Uwe/Berlin
➤ 04/05 Wellenwerk Open Air/Berlin w. https://soundcloud.com/3000-grad & https://soundcloud.com/sumpfkruege
➤ 25/05 Klunkerkranich/Berlin
➤ 27/07 Klunkerkranich/Berlin [House Edition]
➤ 28/07 gart.n/Berlin [Raving Beyond Borders - Solidance
➤ 28/09 w. https://soundcloud.com/sumpfkruege at Klunkerkranich/Berlin [Sumpf Edition]
➤ 04/10 Chihuahua Dockside // Göteborg, Sweden
➤ 26/10 Bahnwärter Thiel/Munich
➤ 23/11 w. https://soundcloud.com/fiasco_kollektiv at Klunkerkranich/Berlin
➤ 21/12 Kater Blau/Berlin

2023
➤ 27/10 Bahnwärter Thiel/Munich
➤ 14/10 3000Grad x Afterhour Sounds x Rave Cage at Mensch Meier/Berlin
➤ 24/09 Rebellion der Träumer x Afterhour Sounds at gART.n/Berlin
➤ 02/09 Klunkerkranich/Berlin
➤ 03/06 Afterhour Sounds x SUMPFKRÜGE at Klunkerkranich/Berlin
➤ 11/03 Klunkerkranich/Berlin
_________________

✉ 𝗖𝗢𝗡𝗧𝗔𝗖𝗧

~ Only via Mail ~

Premiere requests only:
premieren@afterhour-sounds.com

Loveletters & cooperations:
info@afterhour-sounds.com

Afterhour Sounds news:
https://t.me/afterhour_sounds
_________________

 THE GOOD, THE BAD & THE UGLY:

GOOD: Slots for our LIVE-SPECIAL series are available in the near future. Don’t hesitate to contact us via Mail. Check the playlist for more impressions. 

BAD: We don’t accept any kind of podcast request. Please be patient. Maybe we contact you  in the future. 

UGLY: Please make sure that your music fits us and our output. Randomly sending pm’s to different podcast series are not the best way to grab a spot. 
_________________

𝗙𝗔𝗠𝗜𝗟𝗬 𝗔-𝗭
■ arkadiusz. (https://soundcloud.com/arkadiusz-dmytrow) (SoundCloud/Bandcamp/TG/Events)
■ bpod (https://soundcloud.com/bpod) (IT)
■ Francesca (https://soundcloud.com/francesca_unofficial) (Events/Spotify)
■  Habikat (https://soundcloud.com/habikat) (Instagram)
■ J.WOCKENFUSS (https://soundcloud.com/jwockenfuss) (Artwork)
■ Maria Theresia von Eberg (https://soundcloud.com/maria-theresia-von-eberg) (Events)


🖤 https://soundcloud.com/msaupe

🙏 https://soundcloud.com/elektro-uwe
🙏 Max Zünkler for the lovely artwort (1 until Nr.182) 

..and to all the others like mattmosphere, gina sabatini, bonnie ford, o/y, Tony Casanova, Alma Linda, Florian El Diábolo,…



𝗕𝗜𝗢

Imagine you're at a great techno party and have just heard the last track when the DJ switches on the lights and a murmur spreads through the crowd: It's time for the afterhour!

Welcome to a world where the sun is not the enemy, but a silent witness to sleepless nights and unlimited dance floor adventures

The afterhour is more than just an extension of the night - it is a universe of its own full of quirky, heartfelt and often hilarious moments. It is the place where the music lives on, time stands still and the party community forges its strongest bonds - even if it is sometimes only perceived with half an open eye and a wry smile. 

Over 10 years we host our famous podcast series. Which started as an small idea of some Afterhour nerds developed over the years to something special for us ♥️

In the beginning, we focused on finding and supporting (un)known artists through blog posts, reposts and podcast contributions. Gradually, we expanded our sections to include live recordings and premieres. In-house releases and events were not long in coming. 

Join us and dive into the world of Afterhour Sounds. https://t.me/afterhour_sounds  🌈 🎵 🪩

hombre plata crafts hypnotic, narrative-driven house built on groove, restraint, and the underground pulse of real Los Angeles.

► Minimal Techno ► Tech House ► Dub Techno
► Conceptual Design by 「 https://soundcloud.com/sudexro 」
► A new upload every 10 days
► Established 2015

Contact Info - ark1recordsza@gmail.com

My name is Jayson Joshua Ontong, I am a Music Producer that goes by the name, "ARK1".

Constructor de Atmósferas Electrónicas y Pionero Digital

Mig Dfoe (nombre de pila: Juan Miguel Camacho Sánchez) es un productor y DJ mexicano con una sólida trayectoria de más de dos décadas en la escena global de la música electrónica. Su base de operaciones actual es Morelia, Michoacán, México, tras haber vivido y trabajado en importantes centros musicales como Barcelona y Ámsterdam.

Trayectoria y Visión

Inmerso en la producción musical desde la era temprana de los Digital Audio Workstations (DAWs), Mig Dfoe ha sido un testigo y participante activo en la democratización tecnológica del sonido. 

A lo largo de su carrera, su música ha viajado por diversas plataformas y sellos, destacando especialmente su trabajo con Traum Schallplatten de Colonia, Alemania. El director del sello, Riley Reinhold, le dio una plataforma internacional, lo que le permitió realizar remixes para artistas de la talla de Extrawelt, Minilogue y Applescal, e incluso estrenar material en uno de los subsellos de Traum, Zaubernuss.

Trabajo Reciente: Metamorfosis EP

Mig Dfoe mantiene su relevancia en la vanguardia electrónica con lanzamientos recientes. Su más nuevo trabajo, el Metamorfosis EP, ejemplifica su constante evolución sonora y su habilidad para transformar ideas complejas en paisajes sonoros cautivadores. El EP añade una nueva capa a su ya diverso catálogo, el cual incluye piezas envolventes como "Ataxia" y "Ocaso", así como trabajos anteriores que cimentaron su reputación, como el "Adios Corazon" EP.

Con una base de seguidores que aprecian su enfoque en la calidad técnica y la resonancia emocional, Mig Dfoe continúa siendo una figura relevante que equilibra la experimentación con la profundidad melódica, consolidándose como un constructor de atmósferas que desafían la noción de lo que debe ser la música electrónica.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

New tracks tagged #microtechno