For this week’s LAB, we are thrilled to feature ATSO, a DJ and producer from Porto whose journey into the world of hypnotic soundscapes began as a humble hobby and quickly blossomed into a deep-rooted passion. Known for his entrancing sets and innate sense of groove, Atso brings a unique energy that reflects both personal dedication and collective spirit.
His style is shaped by long hours of digging, experimenting, and connecting with the local scene. As part of Analytical Convenience, and more recently with his project MO;MENTO, Atso has been building spaces—both online and offline—where music takes the lead.

This mix is a reflection of that journey: subtle, focused, and full of groove.

Support the artist:
SoundCloud:  https://soundcloud.com/unknownatso
Instagram:  https://www.instagram.com/___atso/
 
Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 021 - Atso

For this week's LAB, we are delighted to bring you Pooyan Saadati,  an Iranian DJ and Producer based in the United Kingdom, with an unique set, blending dark, minimal and hypnotic sequences. With a tremendous love for performing, this mix offers us a sneak peak of Pooyan's talent and skill.


Support the artist:
SoundCloud:  https://soundcloud.com/pooyan-saadati
Instagram:  https://www.instagram.com/pooyansaadati/

Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 022 - Pooyan

This week on LAB, we’re welcoming back Yankee Charlie, a French artist who’s no stranger to our platform. He first appeared on our debut VA Connected with the standout track Sulaco, and now returns with a mix that dives even deeper into his world.

Firmly rooted in the underground, Yankee Charlie brings a sound that’s raw, textured, and hypnotic—built for dark rooms and long nights. His approach is subtle but intentional, drawing you in with tight grooves and evolving layers.

This set is a continuation of the story he’s been building—steady, focused, and unmistakably his.

Support the artist:
SoundCloud:   https://soundcloud.com/yankee-charlie
Instagram:  https://www.instagram.com/yankeecharlie75/

Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 023 - Yankee Charlie

Soundcloud: soundcloud.com/sspatiu
VK: vk.com/sspatiu
Linktree: www.linktr.ee/sspatiu
Facebook: facebook.com/valentina.kovalenko.591213
Instagram: instagram.com/sspatiu

Valentina Kovalenko

DEEP MVMT Podcast #341 - Valentina Kovalenko

KidIsLive - Summer 2025 Warm Up DJ Set

Estamos bien

Metamorfosis

Western in Australia

We are only what we can be

Ocaso

Algumritmo Records, based in Lisbon, Portugal, is a electronic music label. Committed to diverse sonic exploration, the label's tracks oscillate between hypnotic and raw techno. Operating as both a record label and cultural hub, AlgumRitmo fosters a global community of artists dedicated to pushing genre boundaries. As an artistic collective, AlgumRitmo collaborates globally, shaping the narrative of techno music. Emphasizing art's role in cultural evolution, each release bears a distinct imprint, reflecting a deliberate and curated aesthetic by Algumritmo.

► Minimal Techno ► Tech House ► Dub Techno
► Conceptual Design by 「 https://soundcloud.com/sudexro 」
► A new upload every 10 days
► Established 2015

Mig Dfoe (nombre real: Juan Miguel Camacho Sánchez) es un productor y DJ de música electrónica originario de México, cuyo trabajo combina texturas melódicas, atmósferas introspectivas y ritmos experimentales.  

A lo largo de más de una década ha publicado EPs y álbumes que muestran una evolución desde capas ambientales y downtempo hacia sonoridades más rítmicas y electrónicas. Entre sus trabajos se cuentan lanzamientos como Adios Corazon EP, Respira, The Stone Master y La Playa. 

Mig Dfoe es un proyecto sólido y documentado dentro de la electrónica alternativa —un productor mexicano con trayectoria, lanzamientos en sellos y presencia en plataformas clave— y su obra oscila entre lo emocional, lo experimental y lo melódico.

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

New tracks tagged #microtechno