ZOVNISHNIY SVIT [15-EDO]

Voyage to The 5th Dimension [20-EDO]

GLORIA (2024-2025)
excerpt of a rehearsal
performed by: SOXXI Percussion Group

GLORIA (2024-25) excerpt

GLORIA (Bembé à la Nativité de mes Orishas) fragments. 
performed by: SOXXI percussion group.

GLORIA (2024-25).ensayo fragment.3

GLORIA (Bembé à la Nativité de mes Orishas) fragments of a reherasal.
performed by: SOXXI percussion group.

GLORIA.fragmento 4.reherasal

GLORIA    2024-2025
(Bembé à la Nativité de mes Orishas)   
Lyrics by Louis Franz Aguirre, inspired by anonymous Yoruba, Congo, and Latin prayers.
for percussion sextet
Live recording of the premiere, at the SOXXI Festival in Valencia, Spain, May 4th 2025.
Performed by the SOXXI Percussion Group.

GLORIA (2024-2025)

in the king's hall

https://soundcloud.com/pre12tetbrotherhood/pmrctxmml8v2?si=1f4559d188bc42c8b062f1d323a05a07&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

再再考

漕艇 P.12.B.

My first full orchestra piece since my very favourite Symphony of Bees (https://heartfulhealing.co.uk/track10) from November.

This is Part II of a 2-part piece where I'm exploring different ways of treating orchestral themes.  Part 1 (which you can hear at https://heartfulhealing.co.uk/track17) is a much more conventional treatment, based on a traditional 8-bar melody and more tonal.  This second movement is much more exploratory, and I've given myself freer reign to write in a more personal way.  Rather than one traditional melody, there are 5 main thematic fragments (3 of which have been anticipated in the Part I) that come together in different ways through the movement, but with plenty of interesting deviations too.  It includes some evolving soundscapes and my most extensive and integrated use of microtonality to date.

You can find out more about this piece, and hear Part I, at heartfulhealing.co.uk/track17

Track 17b - Themes For Orchestra, Part II (June 2025)

I try to approach the idea of using themes in 2 very different ways in these 2 movements.  Part I is more conventional and based on a traditional-style 8-bar melody, varied and developed in numerous different ways.  Part II is based on 5 more fragmented themes, combined in different ways at different points.  It's also more exploratory, and includes my most extensive and integrated use of microtonality to date.

You can find out more about this piece at https://heartfulhealing.co.uk/track17.

Track 17 - Themes For Orchestra, Parts I & II (May/June 2025)

The four verses of a chorale from the Saint Matthew's Passion undergo a transformation from nearly in tune (12ed1220c) and crystal clear to out of tune (12ed1280) and reverb saturated. An experiment in working with slight variants of 12ed1200 (12edo) tunings.

o Haupt 6-17-25

Into the Depth of the Soul is an ambient microtonal guitar piece that reaches into the quiet corners of the heart — where pain lingers, unspoken.

It unfolds like a slow emotional journey, searching for peace beneath layers of grief and memory. With every resonating tone, it expresses the silent weight we carry — and the fragile hope of release.

This is music for healing, for feeling, and for beginning to let go.

Into the Depths of the Soul

rain movement

movement !

movement "

movement #

movement

Find out more about me and my composing journey at https://heartfulhealing.co.uk/music

My name is Adir Oudaei and I am a composer for film, television, games, and media. My musical voice blends orchestral writing with electronic textures, expressive guitar colors, and Middle Eastern influences—crafting emotionally grounded scores that support storytelling across genres.

Originally from Israel and now based in Budapest, I began my journey as a guitarist in a metal band—an experience that still shapes my approach to rhythm, texture, and sonic identity. My compositions often explore distinctive rhythmic patterns and polyrhythms, aiming to create bold and emotionally resonant sound worlds.

I hold a B.A. in Cross-Disciplinary Composition from the Jerusalem Academy of Music and Dance, where I studied with Zohar Sharon, Josef Bardanashvili, and Amit Weiner. I am currently pursuing an M.A. in Composition for Media and have recently continued my studies at the Franz Liszt Academy of Music in Budapest with Bella Máté and Balázs Ádám.

My work has been recognized with the 2024 Dean's Prize from the Faculty of Cross-Disciplinary Music and an Honorable Mention in the Prof. Haim Alexander Composition Competition. I have collaborated with GRAMMY-winning and Emmy-nominated composer Sharon Farber, contributing arrangements for concert and media projects. My scores include The Shelter, among other upcoming films.

I integrate guitar, piano, synthesizers, and oud into my scoring process, blending acoustic and electronic elements to shape a unique sonic identity for each project. I work fluently in Cubase and Sibelius, with additional experience in Logic Pro and Ableton Live. I have taught Cubase at the Jerusalem Academy and continue to offer private lessons in guitar, composition, and production.

I am now open to collaborations in film, television, games, and media. Let's talk!

https://louisaguirre.cargo.site/
https://www.youtube.com/channel/UCpHP3DQe90w6q6uD_kY-UAw/featured?view_as=subscriber
Louis Aguirre (f. 1968) Cubansk komponist bosiddende i Danmark. Aguirre er uddannet som komponist i Cuba, Amsterdam, men fortsatte studierne efter han flyttede til Danmark i 2004, og afsluttede solistklassen i komposition ved Det jyske Musikkonservatorium i 2007. Aguirre er en stærk og original stemme i dansk musikliv. Hans værkliste, med mere end 200 værker, inkluderer: opera, orkester- og kammermusik, soloværker, vokalmusik, koral-, elektronisk- og didaktisk musik. Han er en aktiv del af musiklivet i Danmark og Nordjylland, bl.a. ved sit arbejde som medlem af komponistgruppen Snow Mask og som kunstnerisk leder af Snow Mask Ensemblet. En række af hans værker er inspirerede af den cubanske Santeria religion og de religiøse tekster fra området.

a random protogen that produces music I guess

New tracks tagged #microtonality