Disquiet Junto Project 0611: Music That Listens to Itself
The Assignment: Record a piece of music that repurposes itself as it proceeds.
More info on Disquet Junto: disquiet.com/0611

Today's assignment was created with QPAS pinged by 0ctrl clocked by Tempi that was being modulated by Wogglebug Stepped out selecting modes and Burst in Tempi's Mod input.
QPAS Low Pass out into Mimeophon multipled to go to Morphagene. 
Mimeophon in blue zone (last one) acts as a looper and so does Morphagene. 

Didn't quite turn out as polyrhythm busy as I wanted it to be, but it certainly has an hypnotic/dreamlike/trance vibe as it is.

Pendulum Of The Sleepless (disquiet0611)

October 23rd Issue Of The New Yorker

Ambient Clouds Version 1

Whole lotta squawkin' goin' on...

Plucky melody by Elements 
Squawking by E352 Cloud Terrarium into Vult Freak
Drone 1 from Brenso
Drone 2 from Plaits
Delay by Veno-echo

Percussion by VPME QD and Grids
Percussion delay by Mimeophon w/ Repeats modulated

Tons of modulation going on...

Reverb by Starlab
Mixed on Boredbrain Xcelon

Cheers!

The Squawk - Generative Modular Ambient

I don't know exactly why, but while I was shaping this piece, the ethereal atmosphere, voices drowned in a kind of mist, evoked the image of a vampire for me. Far from the image of Dracula, but closer to that of a terrestrial mermaid who would charm its prey before enchanting and consuming them. I hope you won't get bitten while listening to the piece. Enjoy the music. Peace.

°°° Patch notes, recorded on the 30th of January 2024 (6 total versions recorded over 7 days)

° Sequencing from OXI one
° Bass from Beads, used as a voice
° Synth "melody" from ensemble oscillator
° QU-Bit Data bender processing ensemble oscillator
° 1 layer of vocals recorded into Lubadh, played at different speeds
° Lubadh recording processed with a reverb from FX Aid
° Lubadh recording processed by Tapographic delay
° 1 layer of vocals recorded in stereo during the performance (matched pair of Rode NT5P) and processed live with Mimeophon.
° Mimeophon played during the performance

Vampire

©2024 alphajuno llc + jd torian
******
Recorded acoustic guitar and dulcimer (in d) into the op1 tape loop with some other reverb. Then fed that thru the morphagene > mimeophon--looooong loop. Played bass over this. And then went outside and recorded some nice birds with computer mic. Had a nice fader jam. Fairly minimal processing.

am Birds Take 1

ꂵꍏꁅꈤꍟ꓄ꀤꉓ ꃴꍟꉓ꓄ꂦꋪꌗ
Electronic piece for stereo audio file

Year — 2024
Duration — 12'30''
Première — tbd

ꂵꍏꁅꈤꍟ꓄ꀤꉓ ꃴꍟꉓ꓄ꂦꋪꌗ

Here I am using the Make Noise 0-Coast in Duophonic mode by using the Arturia Keystep 37 to Arpeggiate the 0-Coast's main Oscillator and then using the 0-CTRL to Sequence the 0-Coast's Slope Envelope as an Oscillator in Cycling mode. Filter is the Make Noise QPAS and effects from their Mimeophon. Video version can be seen here - https://www.youtube.com/watch?v=vNS_uTW2biQ

Make Noise 0-Coast // Duophonic

reflections/reversed reverb

In this first part of an occasional series exploring modular synthesis and live performance. William Stokes talks to experimental electronic musician Scanner about his career, the choice of his favourite modules he'll showcase in his closing performance and the friendliness of the modular community.

Chapters
00:00 - Introduction
01:13 - The Tate Modern Installation
02:52 - Working With Laurie Anderson
06:40 - The Origin Of The Name Scanner
10:47 - Module 1: Morphagene
14:30 - Module 2: Mimeophon
18:52 - Module 3: Equation Composer
24:08 - Module 4: QU-Bit Prism
26:51 - Finding Your Sound With Modular
29:22 - Module 5: QU-Bit Nano Rand
31:16 - Module 6: Instruō øchd DivKid
33:12 - Modular Social Community
35:31 - Modular Aesthetics
38:38 - Module 7: Bela Gliss
42:37 - The Performance

Full module list at: https://www.soundonsound.com/people/scanner-my-life-modules-sos-podcast

Robin Rimbaud Biog
Scanner (British artist Robin Rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. 

To date he has scored 65 dance productions, including the hit musical comedy Kirikou & Karaba Narnia, Qualia for the London Royal Ballet, and the world’s first Virtual Reality ballet, Nightfall, for Dutch National Ballet.

More unusual projects have included designing sound for the Philips Wake-Up Light (2009), the re-opening of the Stedelijk Museum, Amsterdam in 2012 and the new Cisco telephone system used in many offices around the world. His work Salles des Departs is permanently installed in a working morgue in Paris whilst Vex, the residential house by Chance de Silva architects, featuring his permanent soundtrack, won the RIBA London Award 2018.

Committed to working with cutting edge practitioners he collaborated with Bryan Ferry, Wayne MacGregor, Mike Kelley, Torres, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others.
http://www.scannerdot.com

William Stokes Biog
William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. 

As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. 

Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” 

Stokes currently lectures in Music Production at City, University of London.

https://www.vokagentle.com/

Find more shows on our podcast channel: www.soundonsound.com/sos-podcasts

Electronic Music

Scanner - My Life In Modules

Scanner - My Life In Modules | Podcast

Superimposed Y/X sequence from René controlling the Furhtrrrr Generator. Echoes and verb from Mimeophon, kick and shaker from Furhtrrrr.

Sketch #29

Sketch #31

Sketch #32

Exploring Chaos with a small Minor7 improvisation recorded with my portable, couch Eurorack system (RackBrute 6U).

This is a direct recording made with the Disting Mk4, with no post-processing. I hope the audio quality is acceptable.
Headphone listening is recommended.

Patch Notes:

The Metropolix sequences two separate voices from the Klavis Twin Waves (Saw+Sub and Supersaw).
The first voice is filtered through the Raging Bull, with delay provided by the Mimeophon.
The second voice (supersaw) is filtered by the C4rbn.
A drone comes from the 4MS Ensemble Oscillator, processed by the Melotus Versio.
Envelopes are generated by the Zadar.
The Clank Chaos modulates everything.
Reverb is provided by the FX Aid (Dual Shimmer).

Attrait étrange - Exploring chaos with modular

Ambient / textural piece recorded live and constructed from a simple piano loop.
Video here:
https://youtu.be/Hl7Zndhwwjc?si=RfmzXrgkAKr-k4st

Ambient Performance#1

This is a quick rough first test of the AtoVproject Lx-euclid 4 Channel Euclidean Sequencer sequencing the Faselunare Vega 4 Channel Drum module. Effects from the Make Noise Mimeophon. Video version can be seen here (this track is the part two of the video.) https://www.youtube.com/watch?v=WkFUFuCXRhE

AtoVproject LX-Euclid 4 Channel Euclidean Sequencer // First Test

Explorer of sound world(s).

This profile is for my Disquiet Junto submissions
More info: https://disquiet.com/2012/01/27/the-disquiet-junto/

Modern-boring-world escape generator. Welcome.

Austin, TX-based electronica artist.
Minimal, chill, downtempo tech-house with 80's feel. Plus some other stuff. 
I play live! DM for details.

“There’s a universality at play here that connects us with a sometimes ineffable aspect of the human condition.” — Electronic Sound Magazine

Jäger des verlorenen Audio (Ahnen) Schatzes...

Family Tree of Life Audio-Loggin sacred secret...



raphaël languillat
• composer / electronic artist
• curator Naxos Hallenkonzerte
• based in Offenbach/Main (DE)
• part of Studio Wäscherei

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
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New tests, sketches and experiments from my film scores and various band projects (under the names of genshi, jido-genshi, Science Patrol, StarDotStar, cell:burn, Seven Summer Eyes, and a few others) as well as an archive of old songs of mine from various decades.

New tracks tagged #mimeophon