A album 2 Years In The Making, Its Finally Here.

Bacardi

Raise Your Hands (1995) (Man Of The Year Inspired)

Once Again

Where Do I Begin

Any Day

Burn Inside

Love Me No More

Nevaeh

Psycho

letting it all out

mixed emotions

instagram: https://www.instagram.com/twoskoop/

mixed emotions

Buy for just £1 with Royalty Free Music License., Instant Download.
Music that can be used for commercial, business promotions and YOU TUBE, TICK TOCK or as background music in shops or videos.


This is one of the tracks on a Mixed Emotions themed Royalty Free Music Vocal CD Album of by various artists with full legal licence.

Your also helping a good cause as this item is Supporting Hope House Hospices for seriously ill children. These are children so ill they are not expected to live to their teenage years.

for more information go to www.ebay.co.uk/itm/173759417409
or enter
"Mixed Emotions - 20 Tracks of ROYALTY FREE Music - CHARITY ALBUM for Hope House | eBay"
in your browser

Stream Eirianlys Music music
 | Listen to songs, albums, playlists for free on SoundCloud

Buy Royalty Free -£1

Victims of Divorce

Inspired by Romos, Virtual Riot, Teddyloid, Mikazuki BIGWAVE, Kocchi no Kento

Mixed Emotions

The song tells the story of a girl who likes you but still plays with your heart, leaving you caught between love and frustration. With introspective verses and a reflective outro, it captures the struggle of chasing someone who won’t fully commit.

Games you play

Fractured Thoughts

Lyrics

-Corus 
Girl, these repercussions hit too deep
But you still pull up just to lose sleep
Say you done, but you text at three
Who you foolin’? That ain’t me

These repercussions feel like sin
We break up, then you sneak right in
Say you hate me, but you love my grin
We play games that we both can’t win

-Verse
Say you hate lies, but you tell me yours

Say you want space, but you at my door

Say you moved on, but you still get weak

Who you foolin’? That ain’t me

Say you cut ties, but you still come close
Say it’s all love, but you hurt the most
Say it’s real clean, but we both know dirt
Can’t stop playin’, even when it hurt

-Corus 
Girl, these repercussions hit too deep
But you still pull up just to lose sleep
Say you done, but you text at three
Who you foolin’? That ain’t me

These repercussions feel like sin
We break up, then you sneak right in
Say you hate me, but you love my grin
We play games that we both can’t win

Repercussions

Shapes are the form or outline of an object.
This song captures the outline of a memory, a person, a past lover.
The mixed emotions on this track remind the listener of a time of mourning, of loss, or of a past time that didn't work out quite as expected. The music carries the listener through a pervious feeling of struggle that has now passed, and the winds of time now blow the sadness away.

Shapes (sad).wav

live Gloor-Weber-Bischorfberger_Trio-GlooDiver-Remix

One evening in Wetzikon

One evening in Wetzikon, September 2025, Dreaming Machine 2605.1

~  ROYALTY FREE MUSIC - SUPPORTING CHARITIES ~ 
Based in Eryri (Snowdonia), North Wales,
Eirianlys Music is a Small, Personal Independent Studio that Writes, Records & Produces a Myriad of Unique & Different ROYALTY FREE Albums Supporting Children's Charities.

*** MAIN Charity: Supporting Hope House/Tŷ Gobaith Hospices ***
https://www.hopehouse.org.uk/
https://www.hopehouse.org.uk/ty-gobaith
Twitter X : @HHTGhospices

Second Charity: BBC CHILDREN IN NEED
Twitter X: @BBCCiN

I'm Véronne, a teen artist blending pop, rap, melodic rap, and R&B into a sound that's all my own. My real name is Dillon Godshall, and music has always been my way of expressing what's real whether it's a vibe, a struggle, or a celebration. I'm all about keeping it authentic, digging deep into emotions, and making tracks that resonate with anyone who's ever felt like they're navigating life's highs and lows. Each song I create comes from the heart, with the goal of connecting on a level that's bigger than just music. From catchy hooks to introspective lyrics, I'm out here telling my story while also giving a voice to those who might feel like they're not being heard. It's all about self expression, growth, and finding your truth. My journey is just beginning, but one thing's for sure: I'm in this for the long haul, and I'm bringing the vibes with me.

I’m 23 music is my hobby I make a little bit of everything

I’m new to music about 4 months into it I enjoy making bedroom r&b n I love to explore what other type of music I make let me know y’all’s feed back about my music

Thise Gloor is a Zürich based composer, pianist and producer. His releases contain Contemporary Jazz, Contemporary Classical Music, and a ecclectic mixture in electronic (dance) music.
Born 1969 he grew up, after a stay in South Africa during  early childhood, in Fischenthal, one of the few villages in the mountains of Zurich state.
1990 to 1995 studies at the Jazz School Lucerne and at the Music Academy Basel (composition, music theory) among others with Matthias Steinauer, Christoph Baumann and Roland Moser.
Gloor played in various formations in the field of jazz and improvisation (Kieloor Entartet, Michael Gassmann Quartet, etc.) from 1989 to 1996. Member of Nadelöhr, later KOJ Zurich from 1997 and until today Fabulous Fable Quartet. Freelance composer / improviser / performer. His interests as a composer and producer are acoustic phenomena in general and the edges of the term style in particular. Growing up with a lot of Mozart and Haydn and a great love for Schubert, he discovered jazz as a teenager and later new music through mentor and a role model Matthias Bruppbacher at the Kantonschule Wetzikon, where he also accompanied some performances of the school orchestra with basso continuo and gained experience with chamber music. There he had been deeply impressed especially by the piano pieces by Karlheinz Stockhausen. The music of Olivier Messiaen also found echoes in compositions for Kieloor Entartet. He was fascinated by the mixture of deep musicality, an absolutely unique sound language and the thoroughly tangible instructions and analyses of this composer in his "Tomes". The works of Webern also played a very important role in shaping his style. 
His stay at the Music Academy in Basel then showed him his possibilities, but also limits. For a long time his attempts to understand the great composers, to imitate them, to emulate them (even in his choice of writing tools) and a feeling of inadequacy, coupled with a great will to condense all this into a "system", caused him some difficulties.  Between 1994 and 2003 he created commissioned compositions for Trio Lépic, Katarakt, Ensemble "oggi musica", "Nadelöhr", "Schweizerische Naturforschende Gesellschaft", "Seebahn- Quartet" and others. Thanks to his contacts to excellent interpreters / composers / clients, here are Rico Gubler, Matthias Steinauer, Markus Hochueli, Vera Fischer, Franziska Müller, Nicole & Nina Hitz, the Seebahn - Quartett, the Trio Lépic to mention, it was possible for him to realize some excellent recordings of his works. Here, of course, his long-time friends Lucas Niggli and Matthias Kielholz and later Emmanuel Schnyder, who were members of Kieloor Entartet, are the first to be mentioned. With them he was allowed to experience the greatest adventures, successes and crashes. 
During this time he also had contacts to Christoph Grab, Dominik Burger, Christian Strässle, Thomas Hirt, Fredi Schmid, Michael Gassmann, Kriz Flueler, Bernhard Bamert, Jan Brönimann, Werner Hasler, Felix Utzinger and many more. From some of these collaborations there are excellent live recordings of the Jazzfestival Schaffhausen 1991, 2001, 1994 and 2011 by Radio SRF ( Radio DRS ). 
Since 2016 managing director of the culture & art club RAUM132 in Wetzikon. There he realized from 2007 to 2013 a small jazz festival Wetzikon, and also premieres of his own works were heard. Among others in 2016 the big project WALLA, where the first scene of the opera WALLA with Robert Koller as soloist and a top-class Ad - Hoc - Orchestra are premiered, or in 2013, where the work Kraissler 2.1 came to the only performance; a re-creation of the concept "Wie die Zeit vergeht" by Karlheinz Stockhausen. In 2015, the premiere of the work Amphimakros with  improvising rhythm section with Philipp Saner as soloist on guitar was a highlight. It was also a turning point in his creative work, in which the automated production of art and ideas came more and more to the fore.

New tracks tagged #mixed emotions