This album is a Symphonic Jazz journey where concert hall elegance meets late-night city glow in the 1920s.

Concert 7

Concert 3

Concert 10

Concert 8

Concert 11

Concert 12

Concert 4

Concert 6

Concert 1

A jazz-metal barrage where syncopated, angular guitars and clashing piano accents slice through breakneck odd-meter drums. Verses pivot between aggressive distortion and lush modal jazz voicings while the bass threads intricate lines through shifting tempos to keep the tension high. Over that pressure cooker, the lyrics drop you into Joshua L. Chamberlain’s eyes at Little Round Top: cartridges nearly gone, “Fix bayonets” shouted into smoke, the left flank hinging tight, the Colt Navy spitting multiple shots before any ramrod can matter, Melcher breaking the center, prisoners begging water, and the ridge holding under a brutal downhill charge. Every section tightens like a vise, from whispered counts of the last rounds to a final command to advance, until cold iron “writes the law” and the tide breaks.

For fans of technical heaviness with cinematic storytelling, this track marries odd-time precision to battlefield grit and turns history into a modern, nerve-rattling anthem.

Bayonets at Little Round Top

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Forged in fire and wired for war, Synth Berserker is not just a sound—it’s a declaration.
Blending cinematic power, Viking fury, outlaw grit, and battle-scarred poetry, Synth Berserker smashes through genre walls with the force of a warhammer. From Norse chant to disco heartbreak, pagan country to searing metal, every track is a weapon—each lyric a curse, a blessing, or both.

Born of myth and rebellion, Synth Berserker channels divine wrath, betrayed honor, and untamed emotion into songs that strike deep and leave scars.

Genres: Norse folk, metal, cinematic country, outlaw country, country rock, soft/country rock, rock, Blues Rock, and disco-infused power ballads
Signature sound: crushing drums, soaring melodies, fierce vocals, and an unrelenting spirit

New tracks tagged #modaljazz