A sarcastic, slow-clap anthem for when fake friendships finally snap. Blonde blends moody pop with bold attitude, perfect for anyone who’s ever realized the 'best friend' was never really on their side.

BLONDE

“Pink Noise” is a lush, atmospheric pop track that explores the space between clarity and chaos. With shimmering synths, pulsing bass, and hazy vocals, it captures that surreal emotional state where everything feels both loud and muted — like love behind a glass wall. It’s soft static with a heartbeat, nostalgia in high fidelity.

#PinkNoise #PopMusic #AltPop #DreamPop #IndiePop #AtmosphericPop #SynthPopVibes #astrul #EmotionalPop #SurrealPop #PopWithDepth #HazyAnthem #HeartbreakInHD #PopAesthetic #NewMusic2025 #MoodyPop

Pink Noise

"Looks Like Heaven" dives deep into the illusion of perfect love. Told from the perspective of a woman mesmerized by a toxic relationship, the track blends sensuality, pain, addiction, and collapse. She thinks she’s in paradise — but she’s slowly unraveling. The electro-pop soundscape flows between fragility and intensity, with whispered vocals and haunting hooks. Every word is a silent scream, every gimmick an echo of the fall. A raw and poetic song about blinding love… and the rebirth still waiting.

"Looks Like Heaven" est une plongée émotionnelle dans l’illusion d’un amour absolu. Racontée à travers les yeux d’une femme envoûtée par une relation toxique, cette chanson mêle sensualité, douleur, addiction et chute. Elle croit vivre le paradis, alors qu’elle perd peu à peu pied. L’ambiance sonore oscille entre fragilité et puissance, dans une atmosphère électro-pop acide et poétique. Chaque mot est un cri silencieux, chaque gimmick un écho de la descente. Une chanson poignante sur l’aveuglement amoureux… et la renaissance à venir.



Looks Like Heaven

"I’m Gonna Be There for Me" is a powerful, soul-stirring anthem of self-realization and emotional liberation. The song begins with a heartfelt promise: “I’m gonna be there for you / Are you gonna be there for me?”—a vulnerable question asked by someone who has given their all in the name of love.

Driven by longing and deep devotion, the protagonist travels metaphorical galaxies in pursuit of a love she believed would complete her. She’s radiant, resilient—ready to give everything. But as the story unfolds, the truth surfaces: her love was never meant to come at the cost of herself. She realizes that no matter how deep her love runs, she cannot—and will not—set herself on fire to keep someone else warm.

The turning point arrives in quiet strength: “I’m gonna be there for me.” It’s not a retreat from love—it’s a return to self. The song becomes a transformational journey, echoing the painful yet empowering moment when a woman stops chasing reciprocity and chooses wholeness instead. It’s about honoring your own needs, reclaiming your worth, and finally understanding that the most important person to love, to stand by, to fight for—is you.

This is not just a song; it’s a declaration. A reminder that loving others should never mean betraying yourself.
 

I’m Gonna Be There for Me

"The End of Tragedy" is a raw and haunting track about a love that burns too deep and cuts too sharp.
Built on a dark, danceable beat, it explores the chaos of obsession, heartbreak, and emotional collapse.
Between whispered regrets and shouted truths, this song is a confession —
the final scene of a relationship that was never safe, but always intense.
For anyone who's crawled back to the edge just to feel something one last time.

"The End of Tragedy" est un morceau brut et intense sur un amour qui consume, qui détruit.
Sur un beat sombre mais entraînant, la chanson explore l’obsession, la rupture et la descente émotionnelle.
Entre regrets murmurés et vérités hurlées, c’est une confession à cœur ouvert —
la scène finale d’une relation jamais saine, mais toujours passionnée.
Pour tous ceux qui sont revenus au bord du vide, juste pour ressentir… une dernière fois.

The End of Tragedy

“Top G” rides moody pop waves with a fierce attitude and a dangerously catchy chorus. Packing the same confident swagger as pop hits like Ariana Grande’s “break up with your girlfriend, I’m bored,” it’s a track for anyone who loves glossy production mixed with a sharp, aggressive edge.

Fierce, seductive, and unforgettable — Top G puts you on top of the game.

🎧 Follow Milieu Beats for more bold pop anthems and modern bangers.

Visuals: https://youtu.be/0nAa7hIdy-s

Top G

Succeed (Prod. Taigen)

“Past Again” by DEVILDEV is a raw and emotional journey through the conflict of holding on and letting go. Built on a sleek pop-trap foundation with subtle atmospheric textures, it blends heartfelt storytelling, elegant wordplay, and a haunting sense of inevitability. Minimal yet powerful, the track captures the weight of choices that cut both ways, leaving the listener suspended between resolve and regret.

Past Again

Honey Jar is a dark, moody alt-pop EP inspired by Billie Eilish’s cinematic minimalism and intimate production style. Across six bass-heavy, atmospheric tracks, the project blends dark pop, indie pop, and emotional ballads into a sound that’s both haunting and addictive.

The songs dive into the complexity of relationships — from heartbreak and breakups to toxic love, longing, and the cold relief of moving on. Minor-key melodies, whispered vocal layers, and lush yet restrained arrangements give each track a hypnotic pull.

Whether it’s the empowered detachment of If You’re Moving On, the bittersweet melancholy of I Don’t Mind It, or the dream-like intensity of Inside the Embers, Honey Jar captures the emotional highs and lows of love in its rawest form.

Perfect for fans of Billie Eilish, FINNEAS, Lana Del Rey, Tate McRae, and Gracie Abrams, this EP is made for late-night drives, sad-pop playlists, and anyone chasing music that lingers long after it ends.

Genres: dark pop, moody pop, alt pop, indie pop, emotional pop, sad pop
For fans of: Billie Eilish, FINNEAS, Lana Del Rey, Tate McRae, Gracie Abrams

Inside the Embers (Emotional Pop)

I Saw Me Leave (Melancholy Pop)

Just a Touch (Atmospheric Dark Pop)

I Don’t Mind It (Dark Pop)

If You’re Moving On (Cold Pop)

If I Wasn’t Yours (Moody Alt Pop)

Inside the Girl I Buried is about the version of me I had to leave behind to survive.
She was fragile, always trying to be enough for someone who only loved the parts they could control. She smiled when she wanted to scream, stayed quiet when her heart was breaking, and kept giving until there was nothing left.

I buried her—not out of cruelty, but out of mercy.
Because if she stayed, I wouldn’t.

This song is the sound of that goodbye… and the slow, haunting process of finding the pieces worth keeping.

Inside the Girl I Buried

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

Somewhere between light and vertigo, my music travels through heartbeats, soul cracks and suspended moments.
Mixing pop, electro and emotional rhythms, I write songs that say what we often feel but rarely speak. Welcome to my world.

Entre lumière et vertige, ma musique explore les chemins du cœur, les fêlures de l’âme et les instants suspendus.
Entre pop, électro et mélancolie dansante, je compose des chansons qui racontent ce qu’on ne dit pas toujours, mais qu’on ressent tous. Bienvenue dans mon monde.

Almost daily new royalty-free music for creators, artists, and storytellers. From trap to synthwave, blues to dubstep — every track is original, genre-bending, and built for impact.
🎹 Beats for videos, games, edits, freestyles, and pure listening.

"Curt VibeZ" Artist From London, Ontario Canada
"LIVE FREE & STAY TRUE."

I never meant to write an album.
I meant to survive.

“The Songs I Never Said” is a collection of everything I kept buried—truths I swallowed, pain I made quiet, love I gave too freely, and the things I should’ve screamed but didn’t. Every track is a piece of the aftermath: the ghosts, the damage, the healing.

These aren’t just songs. They’re confessions.
They’re the words I wrote when no one was listening,
and the feelings I couldn’t say out loud until now.

If you’ve ever loved the wrong person too hard, lost yourself trying to be enough, or sat in the dark wondering what the hell just happened—this is for you.
Because sometimes, silence is just the start of the story.

—Melissa Schultz
Writer of the songs I never said.

Hey! Thanks for stopping by. If you want to chat about music, collabs, or just say hi, drop me a line at:
schultzmelissa2025@gmail.com
Can’t wait to connect! 🎶✨

New tracks tagged #moody pop