THINKDUST” dives into a dark, emotional alt-pop atmosphere, blending atmospheric synths, intimate tension and a hypnotic slow-burn energy. The track explores vulnerability, desire, and the thoughts that linger like dust — haunting, but revealing. Cinematic, ethereal and deeply personal, THINKDUST captures the moment where emotion meets electronic darkness.

THINKDUST

Velvet Eclipse drifts between shadow and starlight, weaving distorted synths, pulsing EDM bass, and punk-inspired electronic drums into a hypnotic darkwave ritual. Twisting harp and sitar melodies shimmer through the mix like cosmic threads, while male chant echoes from a distant void, giving the piece both weight and transcendence. The track feels like stepping into an astral temple where ancient mysticism meets futuristic reality.

Velvet Eclipse

An emotional song about love that felt real but was built on lies and heartbreak.

━━━ LYRICS ━━━

[Verse]
Fingers trace the ghost of your skin,
Midnight whispers, where do I begin?
Shadows in the sheets, lies beneath,
A love so sweet, but venom in its teeth.

Broken halos, wings that don't fly,
Promised me heaven, left me sky-high dry.
Dagger tongue, cut deep, can't deny,
Every kiss you gave me, dressed in a lie.

[Prechorus]
Thought we were gold, you turned to rust,
Heartbeats crumble into dust.

[Chorus]
Your love was a lie, I can feel it in the dark,
Every word, every touch, left a mark.
Your love was a lie, but it felt so true,
Now I'm drowning in the ghost of you.

[Verse 2]
Your perfume still lingers in the air,
Faint reminders, I thought you'd care.
Laughter echoes, now it sounds cruel,
Played me soft, but I'm no fool.

Dreams of you, they poison my sleep,
Promises shallow, but they cut deep.
Held my hand, but your grip was loose,
Tied to a love that was built to reduce.

Your Love Was a Lie

Jack Shaft ft. Whyrd – Connected (Deep House Cover)
A hypnotic, groove-driven deep house rework of the classic Stereo MC’s – Connected.
Warm basslines, tight 4x4 drums, and soulful vocals bring this 90s anthem back to life for today’s underground floors.
Perfect for late-night sets, after-hours vibes, and deep house lovers looking for something smooth, moody, and fresh.

Produced by Hani Albader
Exclusively on Bandcamp

Connected

“Soft Gravity” is an atmospheric indie-pop ballad about panic, dissociation, and the one person who pulls you gently back into yourself. It’s the feeling of coming apart inside and finding a steady breath, a quiet chest, and a love that doesn’t try to fix you — it just stays. This track lives in that late-night space where your mind is loud but someone’s presence makes the volume drop. For anyone whose heart runs too fast and for the people who sit beside them anyway.

Soft Gravity

desert rain (need me like)

A wee teaser of a song I'm working on. It's about being young, in love and the imprint your home town leaves on the soul. I hope you like it. The actual song does not sound like this but it is mock noir in tone .... but a bit more toe tapping.

EK Confidential Intro Teaser

“Five Stars” is a tear-in-the-backseat story about heartbreak, anonymity, and the strange mercy of strangers. It’s the ride where everything finally spills out—the breakup, the weight, the exhaustion—and the driver just lets the silence hold it without trying to fix a thing. Built with soft piano, subtle percussion, and a cinematic singer-songwriter vocal, the song moves like a slow nighttime drive through a city you’re trying to forget. It’s raw, vulnerable, and painfully human—an anthem for anyone who’s ever fallen apart in front of someone who didn’t ask for a single explanation. A quiet, emotional gut-punch with a chorus that lands right where it hurts.

Five Stars

“Burns in Black” is a haunting, intimate ballad about being the hidden part of the fire—the wick that drinks the fuel, takes the heat, and disappears so everyone else can enjoy the light. 
Close-mic’d vocals, soft acoustic guitar, and a melancholic violin trace the quiet cost behind every warm glow: the part of you that stands in the hottest place, turns to carbon, and never gets remembered when the room feels safe again. It’s sacrificial, tender, and a little unsettling—a song for caretakers, protectors, and anyone who’s ever burned themselves down so others could shine.

Burns in Black

Cracked Reflection – Night Life (A.I.)

Night Life (A.I.) is the fourth full-length album from Cracked Reflection, written during one of the most intense creative runs of my life. What started as a few late-night ideas turned into thirteen songs—each one built from raw emotion, real experiences, and the strange, beautiful chaos that comes from creating with both instinct and imagination.

This album blends dark rock, alternative pop, cinematic storytelling, gritty funk, modern country-leaning ballads, and acoustic confessionals. Every track carries a different heartbeat: explosive attitude in “Narcissistic,” carnival-haunted tension in “Homicidal Suicide,” playful danger in “Unless You’re Gonna Mean It,” and quiet, honest vulnerability in songs like “You and Me, Me and You” and “My Inspiration.”

Even though the styles shift, the theme stays the same:
the world is loud, life gets weird, love gets complicated, and somehow we still keep going.

All lyrics were written by me.
Some production elements used A.I. assistance, but the ideas, the stories, the emotion—that’s all human.

Thank you for helping push Cracked Reflection past 21.6K plays so far.
This album exists because people kept listening.

Enjoy the songs, in whatever order speaks to you… and welcome to the Night Life.

You and Me, Me and You

From The DC Sound Project, ASLEEP AT THE WHEEL is a fast-rock gut-punch, raw and uncompromising. Recorded live in one take, the track pulses with the frustration and fury of feeling "damned" by a love that demands constant "mental gymnastics." This is the moment of explosion where the singer realizes the only way out is to junk the whole thing: "The engine's blown, so I'm gonna junk it." Turn up this urgent, honest track and feel the rush of hitting the emergency brake.

Lyrics

Oh my, look at me try,
I swear that I'd rather die,
Than let you down,
Again and again . . .
You know I can't decide, 
If I'm blind,
To the feeling deep inside.
You've gone and thrown,
My plans in the air.

I thought that I could,
Just walk away.
Same old bullshit, 
Different day.
My . My My. My My My My.

So here I lie,
Head in hands,
Tryin' my best to understand,
I guess I fell asleep, 
At the wheel . . .
Yes I'm scared,
Time is fleeting, 
Can't you hear my heart's still beating, 
Lovin' you, makes me feel,
Like I'm damned . . .

I thought that I could,
Just walk away.
Same old bullshit, 
Different day.
My . My My. My My My My.

Hold on,
Wait a minute . . .
It's no good,
If you're heart's not in it.
Oh look, WOW!
Ain't that a surprise . . . ?
Well HELL,
Who would'a thunk it?
The engine's blown,
So I'm gonna junk it.
My mind's flipped out,
On the merry-go-round . . .

I thought that I could,
Just walk away.
Same old bullshit, 
Different day.
My . My My. My My My My.

Oh my, look at me try,
I swear that I'd rather die.
Than let you down,
Again and again . . .
Oh Well HELL!
How fantastic, 
You're performing mental gymnastics, 
And the price of freedom is,
Doin' in me in . . . 

I thought that I could,
Just walk away.
Same old bullshit, 
Different day.
My . My My. My My My My.


ASLEEP AT THE WHEEL

Exotic atmospheres merge into an experimental heartbeat, cinematic tears revealing everyone's face in one alone.

  For any commercial inquiries, feel free to contact me:

prodluciernago@gmail.com 

Instagram: https://www.instagram.com/prod.luciernago 

F# Minor // 120 Bpm

All rights reserved. Copyright © Luciérnago

We Are One ~ Experimental x Cinematic Type Beat

🔥 NEW RELEASE by mhatanGRAUZAHN – “FuFuFu Teehee” 🔥
A mischievous, flirtatious, and intoxicating blend of Alternative / Indie R&B, Alt Pop, and Indie Pop.
This track dives deep into a girl’s electric anticipation before an intimate night with her lover—full of naughty plans, playful tension, and bold experimentation.

“FuFuFu Teehee” captures that sensual mix of confidence and curiosity:
whispered teasing, heated expectations, and a cheeky little teehee that says she knows exactly what she’s doing.
Driven by sultry rhythms and bold, provocative lyricism, the song unfolds like a private confession wrapped in glossy pop attitude.

✨ What to expect:
– A seductive, tongue-in-cheek storytelling style
– Smooth Indie R&B flavor with Alternative pop edges
– Playful sensuality without losing artistic elegance
– A hypnotic chorus you can’t get out of your head
– Darkly vibrant vibes perfect for late-night playlists

📌 Featured Lyrics:
“Fu fu fu, teehee— you won’t believe what you’re about to see.”
“I have years under my belt, and now I’m setting them free.”

If you love provocative storytelling, experimental vibes, or anything that merges naughty energy with polished sound, this track is for you.
Turn it up, dive in, and let the heat rise. 🔥😏

🎧 Listen now & follow for more bold, genre-bending releases!
#AlternativeRNB #IndieRNB #AltPop #IndiePop #PopRap #SensualPop #NewMusic #mhatanGRAUZAHN #FuFuFuTeehee

FUfuFUteeHEE

A haunting journey into the shadows with "Their Dark Secret" by The Dark Messiahs.

This track is an atmospheric blend of Doom Jazz and Dark Jazz Noir, characterized by its intense mood and minimalist arrangement. Featuring sparse percussion from Sticks Thompson and resonant, brooding bass work by Wilt Flowers, the rhythm section lays a hypnotic, deep foundation.

Sonny Rhodes' melancholic piano weaves a spectral melody above the dark soundscape, occasionally punctuated by the chilling, soulful contributions of Guy Stansfield on clarinet and Blue Six on muted trumpet.

Perfect for late-night listening, film noir enthusiasts, or fans of deeply atmospheric, instrumental music that pushes genre boundaries.

That sounds like a fascinating track! A blend of doom and jazz is very unique. To create a robust, keyword-rich set for SoundCloud and help boost your traffic, I'll focus on leveraging the distinct elements of the music.

Here is a full, keyword-rich metadata set for your track:

🎶 Track Metadata for SoundCloud
Title
The Dark Messiahs - Their Dark Secret (Doom Jazz Noir)

Description
A haunting journey into the shadows with "Their Dark Secret" by The Dark Messiahs.

This track is an atmospheric blend of Doom Jazz and Dark Jazz Noir, characterized by its intense mood and minimalist arrangement. Featuring sparse percussion from Sticks Thompson and resonant, brooding bass work by Wilt Flowers, the rhythm section lays a hypnotic, deep foundation.

Sonny Rhodes' melancholic piano weaves a spectral melody above the dark soundscape, occasionally punctuated by the chilling, soulful contributions of Guy Stansfield on clarinet and Blue Six on muted trumpet.

Perfect for late-night listening, film noir enthusiasts, or fans of deeply atmospheric, instrumental music that pushes genre boundaries.

The Dark Messiahs are:

Sticks Thompson - Drums
Guy Stansfield - Clarinet
Blue Six - Trumpet
Wilt Flowers - Bass
Sonny Rhodes - Piano

For Fans Of (Similar Artists/Styles)
Bohren & der Club of Gore
Dale Cooper Quartet & the Dictaphones
The Kilimanjaro Darkjazz Ensemble
Angelo Badalamenti (Twin Peaks Soundtrack)
Jazz Noir / Dark Ambient
Cinematic Post-Rock

#DoomJazz
#DarkJazz
#JazzNoir
#TheDarkMessiahs
#TheirDarkSecret
#NewMusic
#Atmospheric
#ExperimentalJazz
#Soundtrack
#MutedTrumpet

The Dark Messiahs - Their Dark Secret (Doom Jazz Noir)

An original song co-written by members of Song Club, an inclusive collective of young musicians and staff at Templestowe College.  This song was the first exploration of song-writing for many of the young musicians. They wanted to express a range of emotions relating to the concept of rain. The music technology students recorded and mixed this song. Thanks to everyone involved!

Song Club 2025 - Original Song Project - 'Rain'

A quiet ambient piece with simple patterns and slow movements,  
carrying a slightly nostalgic atmosphere.  
Designed as a late-night soundscape for calm listening and clear thinking.

Tools: iPad  
Tags: ambient / idm / electronic / soundscape

first chord

gone

keep

Mostly:  Synthpop, Electro, melancholy, sad, House, Trance, Trip-Hop, Electronica, Synthwave

Also a YouTuber (aber nur für Deutsche)

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

Producer and beatmaker blending dark vibes, emotional melodies, and modern rhythms. Inspired by artists like The Weeknd, Drake, and beyond.
Explore my catalog and let’s create something timeless together.

Hani AlBader is a prolific Brooklyn-based DJ / Producer / Remixer who has maintained an appeal in both underground and commercial circles. 
A Strong work ethic & gutsy attitude earned this prolific artist worldwide recognition as a top producer & the remixer to stars like Justin Timberlake, Alicia Keys, Pink, Christina Aguilera & Michael Jackson to name a few. 
Hani started out in 1984 as a bedroom Dj recording mixed cassette tapes for himself & close friends.   By 1988 during his college years in Denver Hani became a professional Dj at several major clubs.  Saved enough money to buy used Synthesizers,  Drum Machines & 4 track tape decks from pawn shops. Hani learned on his own the art of making Electronic Dance Music & was able to release a few underground records just to put his name out there but,  that was not enough. In 1993 Hani got his start doing underground Acid House tracks for Carl Craig's Label Planet-e & Deep Dish's label Yoshitoshi.  
By 1994 Hani was enrolled in the Institute of Audio Research in New York City. There he gained a well-needed knowledge of the fundamentals of audio acoustics, electronic circuitry, engineering & mixing.  While attending the institute Hani also wasted no time. Hani started his remix career working on projects for Artists such as Deee-Lite, Repercussions & Urban Soul.  Upon graduating IAR, Hani started at Bass Hit Studios as an intern assistant engineer. He chose this particular studio only because it was the closest to his apartment.  Soon Hani learned that Bass Hit was a Mecca for House music producers & remixers. Call it destiny.
It was at  Bass Hit Studios that Hani acquired a deeper sense of Electronic Dance Music by working for such House music luminaries as Masters at Work (Little Louie Vega & Kenny Dope), Roger Sanchez, and Danny Tenaglia. 
Hani cleaned the studio after them, picked up the garbage, and delivered food however, he also learned the basics of House arrangements and mixing.
The competition in New York City was very high & Hani had to quickly make a name for himself therefore, he did not follow the rules. He did not wait for record labels to give him a chance at remixing songs he liked. He chose songs he gravitated to & went on to produce his own remixes in his simple little studio without being commissioned or paid to do it. Through his connections, Hani built a long list of Dj friends who admired his talent & consistently played his work around the globe. His 1995 unauthorized remix of Sade’s "I Never Thought I'd See the Day" under the given alias Musk Men got him the exposure he'd been working for. It got bootlegged by several distributors in US & Europe and gave Hani a Jump-start. Sade was not into remixes so the remix never got approved by(Epic / Sony). Then came Hani's unauthorized remix of Sting's  "Sister Moon" bootleg. This was a big Sound Factory Bar/ Ministry Of Sound records thanks to Louie Vega & friends like Roger Sanchez . Due to its success, this one got the official approval by Sting & got released on AM:PM by Simon Dunmor. This bootleg remix & many others are available on http://djhani.com/
This Biography continues on http://djhani.com/hani-biography/

Christmas time is here and we have written our first ever Christmas song!! Out NOW!
Our latest album, 'SNAGGLETOOTH' is now available to purchase on vinyl @ https://elasticstage.com/soundcloud/releases/the-dc-sound-project-snaggletooth-album

The DC Sound Project. Eight albums deep and still going strong. It usually starts with a good old-fashioned jam session, then somehow ends in a coffee-fuelled recording marathon. We write songs about love, politics, heartbreak, and those occasional “what the hell is wrong with the world?” moments, all brewed fresh on the Wirral. Press play… it’s music therapy with better side effects!

We’re an independent duo creating everything from raw folk ballads to gritty blues-rock. Every video is carefully crafted with free footage and, sometimes, AI-generated visuals to tell the story behind the song.

💿 Albums: 
Snaggletooth (2025)
Addiction (2025)
Black Ice (2024)
Yellin’ at the Clouds (2024)
The Puppeteers (2024)
Burning Bridges (2023)
Rattlesnake (2023)
Melancholy Blue (2023)

🎶 Listen: SoundCloud • Spotify • Apple Music • Amazon • Facebook • Instagram • Twitch

Thanks for joining us on this journey, it’s all about the love of music! 🎶✨

These Guitars Say Sorry is the banner for a diverse range of artists, from UK singer-songwriter These Guitars Say Sorry to classical composer Jeremias Langsämmer along with his ensemble, Icelandic post-rock band Laxá with the Heima Kvartett, ambient artist Siegfried Jünger, and Doom Jazz ensemble The Dark Messiahs. Founded by Jez Stephen, who incepted all the projects, the label has released over 30 albums, crafting a unique sonic identity across genres.

Since 2021, These Guitars Say Sorry has released a track every week, later compiling them into albums available on all major platforms. Explore the catalog on Bandcamp: https://theseguitarssaysorry.bandcamp.com/ and support the work for as little as $1 a month on Patreon: www.patreon.com/tgss.

I’m a singer songwriter .. i play piano and a bit of guitar and ukelele.. right now i'm experimenting with some melody and lyric ideas and production styles via AI .. lyrics are all mine .. most melodies as well… as I start recording I’ll start uploading my own stuff.  I really appreciate any feedback 🙏🙏

Independent Producer // Artist

Turning thoughts into audio. 🎹

I’m a solo artist building this from the ground up. Every play counts, and every share helps.

If you want to directly support the next project, you can drop some love on Cash App. All support goes strictly back into software and gear.

Support the Art: $tigrisbloom

New tracks tagged #moody,