MEOWMEOW - MORPHING ROOM(S)

Ganymede

Pounces - Morphing
BUY LINK: https://yungdumbrecords.bandcamp.com/album/pounces-morphing-yd021
Label: YUNG DUMB Records (https://soundcloud.com/yungdumb)
https://www.instagram.com/yungdumbrecords
> Pounces (https://soundcloud.com/pounces)
https://www.instagram.com/rameaubot_

Pounces is a Caribbean-born Denver-based DJ/Producer and 1/3 of the Haus Catz crew. His new solo EP titled 'Morphing' on YUNG DUMB comes equipped with 4 tracks of house tinged breaks and floor-ready bass oddities, touting vocal chops, clubby percussion and wobbly synths that borrow from all corners of the dance music realm. While diverse inspiration is clear, 'Morphing' maintains an anomalous and unique originality the whole way through.

BUY LINK

PREMIERE : Pounces - Lambo 'Car Do'

method: some old, some new devices, experimenting
narration: an older poem on one of the muses
image: copyright jo richter

poem / copyright jo richter

halte mich, stille, als hielte ich still
kondensstreifengitter und gassen
gegossen in glas, traummolassen
schleifen die stadt als hielte sie still
bereit, die kunst in form zu fassen

interlinear translation: erato // hold me tight, silence, as though I was holding my own / grids made of contrails and alleys / cast in obsidian glas, dream molasses / raze the place as though it knew no defence / and as though she was inclined to give shape to art

erato

A track with motion and elemental transitions great for Documentaries and Films.  Changing moods.

Transformers

i ONCE OPENED MY EYES FULL OF DESPAiR< AND CRiED TO MYSELF.

448V 1 10.15.24

Stitches

My first song entirely done with Torso S4 sculpturing sampler. Live manipulation and channel switching/muting.
The samples are captured from a single collection from the 1950ies an 60ies, donated to me by Lars Hellström, thanks Lars.

My vision is to democratize electronic music. Many electronic instruments have the ability to be programmed harmonically and rhythmically that it gets easy for everybody to improvise without technical or instrumental knowledge.

Mr Casanova

.. ݁₊ ⊹ . ݁˖ . ݁⋆⭒˚.⋆. ݁ᯓ★    . ݁₊ . ݁˖ ⊹ . ݁.. . ݁˖ . ݁⋆⭒˚.⋆ ݁ᯓ★
    . ݁₊ ⊹⋆⁺｡˚⋆˙‧₊ ݁ᯓ★      ݁₊ ⊹ ⋆⁺｡˚⋆˙‧₊ᯓ★
                              ╱|、⭑.ᐟ.ᐟ.ᐟ      
                     ♡   (˚ˎ 。7  ⭑.ᐟ.ᐟ
                           |、˜〵     
          ᓚᘏᗢ       じしˍ,)ノ

˙⋆˚₊‧⦓⦕ཐིᓭᖭ⦒˗ˏˋ★ˎˊ˗⧼ᖫᓯཋྀ⦖⦔‧₊˚⋆˙

˗ˏˋ˙⋆˚₊‧ᓭᖭ⦒💙⧼ᖫᓯ‧₊˚⋆˙ˎˊ˗

WWW.MEOWMEOW.NL ^ↀᴥↀↀ^^^ ^~^^~~``~`````MIAOooooo !!! hallo ik ben MEOWMEOW from the netherlandszdkxzc and i like to produce breakcore-ish music made with a lot of sugar, spice, and everything nice. inspired by miaooo gig adventures in 🇳🇱🇬🇧🇵🇱🇩🇪🇧🇪🇯🇵🇨🇭🇸🇪🇱🇹 made possible by much loved freaky friendsXX!! !~``

!!~``!! for bookings, or anything you'd like to ask or share with me: dm this soundcloud account or email daxplastic@gmail.com

MEOOOOOOWWWWWWWW

After 30 year break I return to my root in electronic music. 

My vision is to democratize electronic music. Many electronic instruments have the ability to be programmed harmonically and rhythmically that it gets easy for everybody to improvise without technical or instrumental knowledge. That's the main reason why my focus is on electronic music in the wide field of ambient, experimental and EDM.

For the gadget fans, here is some more equipment that makes up my production environment:
Korg MS 2000
Torso S4 sampler
M-Audio Triggerfinger Pro

The core idea of Elektrokaiser is the live experiment of electronic music lab together with the audience.
Experiencing the joy and pride that people show when they dare to join in and try out is so rewarding. 
Empowerment for all in an area that is usually exclusive to the skilled artist is the key here.

Therefore:
ALL MY TRACKS YOU WILL FIND HER ARE LIVE RECORDED FREE FROM ANY POST PRODUCTION!

Correlation ≅ Causation
Perception ≅ Reality

Perception is Relative

Any perceived meaning behind these songs and the order they are re-posted in is a narrative constructed by the viewer/listener. They are primarily (not all, some are random encountered likes) selected as encountered due to having a memetic connection to the others in melody and form. The lyrics have no meaning in relation to this account. Please do not project your interpreted narrative upon this account or its owner. If you choose to do so, it's at your own risk.

Music is a beautiful facet of a vast spatio-temporal construct.

(1 - Best listened to with headphones in newest to oldest repost order.)
(2 - *[REDACTED]*)
(3 - Please do not be afraid to feel! :D)
(4 - You all have been so nice and comforting, I think I'll finally be able to spread my wings to fly with you soon!)
(5 - Stories that exist untold, can be unfold.)

Dj Booking & Inquiries : lesyeuxorange@gmail.com

Next ==> 06/12@ La Graviere,Geneve 🇨🇭
               12/12@ Atelier, Cluj 🇷🇴
               13/12@ La Rotonde Stalingrad
               17/01@ La Rotonde Stalingrad
               24/01@ Jolene, Copenhagen 🇩🇰
               21/02@ La Rotonde Stalingrad
               05/03@ Rex Club
               07/03@ Sacre
               21/03@ La Rotonde Stalingrad
               26/04@ La Rotonde Stalingrad
               16/05@ La Paloma, Barcelona 🇪🇦
               23/05@ La Rotonde Stalingrad
               24/05@ Eden Open Air
               07/06@ Flyin' Club Festival, Saint Palais sur Mer
               21/06@ La Rotonde Stalingrad
               22/06@ London, tbc 🇬🇧
               02/08@ Slice Open Air
               30/08@ Canal Barboteur 


Past Gigs : 
Paris => Cabaret Sauvage, Trabendo, Rex Club, Badaboum, La Java, Mazette, La Machine du Moulin Rouge, La Prairie Du Canal, Petit Bain, Nexus, La Madrague Festival, Palais de Tokyo, La Rotonde Stalingrad, Silencio, ZigZag, La Clairiere, Wanderlust, Nuits Fauves, Double Vie, Pamela, Virage,  Le Monseigneur etc...

France => Calvi On The Rocks, Cabourg Mon Amour, We Love Green, Sarcus Festival, Tres cool Festival-Deauville, Highfive Festival-Annecy, Briques Rouges Festival-Lille, Bains Numeriques Festival-Enghien, Macadam Nantes x2, Lieu Unique Nantes, Le Sucre Lyon x3, Le Terminal Lyon, Le Petit Salon Lyon, Iboat Bordeaux x3, Chapiteau Marseille, 1988 Live Club Rennes, Gare Saint Sauveur Lille x2, Ostra Nancy, Grenoble Campus, La Bobine Grenoble, Angers, Nuit Blanche Saint Denis etcetc...

Europe => London x4 , Manchester x3, Leeds x2, Edinburgh, Berlin x3, Hamburg, Freiburg, Amsterdam, Helsinki, Stockholm x2, Copenhagen, Geneve x4, Lausanne, Neuchatel, Zurich x4, Bern, Lucern, Madrid x2, Ronda, Barcelona, Porto, Prague, Skopje, Milan, Istanbul, Budapest, Sofia, Bucharest x2, Vilnius x2, Palanga, Belgrade, Zagreb, Warsaw, Saint Petersburg, Moscow etc...
RoTW ==> Mexico City x2, Guadalajara, Leon, Merida, San Miguel De Allende, Queretaro etc...

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment--This gesture is so meaningful, both financially and emotionally-- I prefer to let the music be my bio--a huge thank you to those who listen and to those who give."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #morphing