help me out

Ainda Sinto

Wait

Tak Tak Kapıda Kim Var

A nostalgic remake...he doesn't mind her being in charge...

Call The Shots (Groove Version)

Basement Freaks serves up a classic funk instrumentation version of his own jam 'White Hot' which features the sizzling vocals of Ms. Kylie Auldist (The Bamboos, Cookin' On 3 Burners) over a jumping groove. He's taken it back to the old school and managed to achieve the seemingly impossible of improving on his already impeccable music.

https://basementfreaks.bandcamp.com/album/white-hot-wont-get-fooled-again

White Hot feat Kylie Auldist (45 RPM Edit)

Let it snow

Jingle Bells

A classic motown vibe about this song, the lyrics inspired by the words and works of WB Yeats. Who'd have thought he'd work so well with Motown!

LOVE HAS TAKEN WING

“Come In My Catacombs (and Smash Me Slow)”

(Tiny Dancing Girl ft. Grunk the Smasher — produced by Fists of Death)

[Intro – whispered over slow beat and dripping echoes]

(soft laugh)
Down here in the dark… torches low…
Grunk, this ain’t a battlefield.
You found the Catacombs — my Catacombs.
Come in if you dare.
Smash me slow.

[Verse 1 – female]

Dust on the stones, heat in the wall,
You busted through like you heard a call.
Skeletons sway where the bassline drops,
You look confused, but you don’t stop.

[Pre-Chorus - female]

You say “me smash,” I say “not yet.”
You move too fast, you ain’t there yet.

[Chorus – Hook  - female]

Smash me slow, feel that flow,
You don’t need brute force to make it show.
Smash me slow, keep that low,
If you want this dance, learn the tempo.
(whispered echo) Come in my catacombs…

[Verse 2 –  - female]

You smell like battle, fire, and sweat,
Your hammer’s the only thing working yet.
You talk too much, let the rhythm speak,
Hands on my hips, bass hits deep.
You lean in close, armor creaks,
This ain’t a fairy tale — it’s mystique.

[Pre-Chorus  - female]

You say “me conquer,” I say “please.”
Learn my tempo if you want release.

[Chorus – Hook 2 -- female]

Smash me slow, don’t lose control,
The night’s still young, your mind still old.
Smash me slow, keep it low,
This ain’t a quest — it’s a show.
(whispered) Come in my catacombs… yeah…

[Bridge – spoken and sung ad-libs  - female]

Mmm… yeah…
Drop that hammer, not the beat.
You can’t fight rhythm with steel and meat.
(whispered) You won’t need your hammer to smash me.
Follow my hips, forget the fight,
Just breathe real slow in the torchlight.
(whispered) Come in my catacombs… come inside…

🎤 [Rap Verse – Male - Grunk the Smasher]

Yo — Grunk in the cave, torch so dim,
Found a tiny girl, had to dance with her hymn.
Fought ten rats, and a troll on fire,
Now me sweaty, full of desire.
She say “slow down,” Grunk hear “attack,”
Tried to dip, almost broke his back.
Whole room shake, sound like doom,
Bass so thick it filled the room.
She say “boy, you dumb, but sweet,”
Grunk say “yeah, me complete.”

[Final Chorus – duet, harmonies and echoes]

Smash me slow, feel that glow,
You don’t need a war to let it show.
Smash me slow, deep below,
Just aim for my heart when you’re ready to blow.
(whispered echo) Come in my catacombs…

[Outro –  - female laughing, fading echoes]

(laughs)
You really thought this was a rescue?
Go on, hero…
Come in my catacombs… and smash me slow.
(fade out under torch crackle and bass thump)

Trailer

Come In My Catacombs (and Smash Me Slow) (Remix)

A love of the Irish Poets leads to this exciting project, creating songs inspired by their words and works

George Fotiadis is a multifaceted creative music producer under the alias Basement Freaks. Born in Greece, Fotiadis has established himself as a versatile artist with a rich portfolio spanning audio storytelling and funk-infused electronic music.

Under the Basement Freaks pseudonym, George Fotiadis has carved out a notable presence in the music world, particularly within the funk, soul, and breakbeat genres. He is recognized as a producer whose work pays homage to the golden age of funk, merging the 1970s and 1980s vibes with a modern twist. 

He also contributes to the music production community by releasing live-recorded sample packs through Black Octopus Sound, enhancing his influence among producers and DJs.

Fotiadis’s approach to music is marked by creativity and a refusal to adhere strictly to convention.

Started writing lyrics last year, now it's a full time activity.

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New tracks tagged #motown