Variations for Wreckords is the culmination of three years of work and experimentation within the Electronic Music department at Bard College. The music is built from the physical deconstruction and reconstruction of vinyl records, juxtaposed together to create a new piece of music unique from the original material. The album is a 40-minute LP consisting of four tracks titled Variation 1-4 as each song is an exploration into a unique sonic world, overwhelmed by countless sources of music being cut and pasted into a new unrecognizable composition.

Special thanks to Sarah Hennies

NOMAGICMAN - Variations For Wreckords - Variation 2

NOMAGICMAN - Variations For Wreckords - Variation 1

Tsk Tsk - A Musique Concrète Étude

Tsk tsk. A clicking sound, often read as /ˈtɪskˌtɪsk/ interjection — used to show disapproval often in a humorous way. Accessed October 11, 2024, Britannica Dictionary.

The work is a satirical meditation and reflection on life, and how people all around us sometimes take offence so easily and quickly - tsk tsk-ing here there everywhere… when we should learn to tune out the noise and not miss out on the beautiful things that are around us if we learn to listen more carefully. As per my modus operandi, a cool “easter egg” can be found in this composition. Hope you will have an Amazing time finding this Grace-ful insert.


Process
I was always fascinated by the sounds that one could draw from normal instruments via extended techniques. I’ve wondered why so many orchestration and composition textbooks do not seem to think of, or talk about the human voice and body as an instrument, let alone cover possible ‘extended techniques’ that the voice is capable of. Au contraire, the human body deserves a far longer chapter than any man-made instrument - in the hands (pardon the pun) of a creative mind, and in view of the sophisticated state of artificial amplification of sound today, the human body is capable of contributing a palette of colours and sounds that might be more interesting and wide-ranging than a violin or an oboe!

I explored numerous possibilities that included extended vocal techniques and timbres ranging from overtone singing, vocal fry, modal voice, falsetto, to the tapping of the body in unusual places, vocal percussion etc. Experimentation with conventional microphone distances, as well as extremely close microphone distances due to the nature of sounds that I wished to collect (teeth tapping was especially challenging). Despite having collected over 20 unprocessed sounds, the final mixing and assembly of the étude saw a major “composing with an eraser”, using 4 objet sonore and employing the full gamut of processing techniques on both the processed sounds and the final étude: 

Cut, copy, and paste
Fade in/Fade out
Waveform reverse
Tape speed variation (affecting pitch and duration simultaneously)
Amplification
Multitrack sound layering
Stereo panning (L/R balance and spatialisation)


Albert Tay
11 October 2024
22:22hrs
Krannert Center for the Performing Arts
Urbana, Illinois, USA

Tsk Tsk - A Musique Concrète Étude

Setting a vibe.

Milla, 16 Jan 2025
https://milla-club.de/fields-and-currents/

Enjoy!

Umoth

Christmas is also a time to remember loved ones who have passed away. The feeling of missing someone often get amplified during the holidays.

Field recordings, effects, acoustic eyePad, computer

03.Bestefars Siste Jul

Bird Santa! Just sayin'!!!

Guitar, found objects, vocals, effects, processing

13.Fuglenissen

Mercurial Oscillations

All the sounds that you are hearing are from the human vocal tract and mouth, then manipulated.

Nicotine

Withdraw

Sideways To The Wind

Gongs éoliens - I

Chimes

Vents d'automne

Il y a un moyen de la revivre cette journée...

Deux Ex Machina

2025-01-06 Jamuary

Deckard's

London Centre for Nanotechnology researchers recorded the sounds of their lab’s for World Quantum Day. They were then stitched into a soundscape and guided meditation that draws inspiration from quantum concepts.

Quantum Soundscape & Guided Meditation

livecoding online orchestral composer from UC Berkeley

Hello, here you can listen to acousmatic compositions, jam session with modular synths, and experimental music :)

https://www.instagram.com/lorenzomontella_?igsh=MmVlMjlkMTBhMg==

The London Centre for Nanotechnology is a UK-based multidisciplinary enterprise operating at the forefront of science and technology. Our purpose is to solve global problems in information processing, healthcare, energy and the environment through the application of nanoscience and nanotechnology.

Experimental musician and performance artist with a plan to try to do all the other arts he still haven't mastered as well. Also known as Ambolthue, Torstein Wjiik, Origami Metallika, Haapløst FlexibL and loads more. Member of Origami Replika and numerous other projects. Instead of mentioning a selected few I'll keep quiet and instead say I love ya'll.

Mostly everything you hear is organic from the body then manipulated afterwards.

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

16 January 2025 at Milla Club, Munich: https://milla-club.de/fields-and-currents/

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness

CUT IT UP CUT IT IN
The Implicit Order is not involved in any wave, stream, genre, or scene.
I/O started in 1989 as a Mail Art project and by the early 1990’s it developed into a full time musical project. 
CUT IT UP CUT IT IN

New tracks tagged #musiqueconcrete