emoo

Summertime *Cover*

you can also subscribe to my youtube channel
https://youtube.com/@berkanerbilgin8487?si=Dw9hxJoAQ1kSJL0n

My Chemical Romance - I Don't Love You Cover

Remaster of Denzcore - Helena (My Chemical Romance HARDCORE/NIGHTCORE BOOTLEG), transforming the iconic cover into a high-energy, fast-paced anthem. Get ready for intense beats and electrifying vibes! ⚡🎶

Denzcore - Helena (My Chemical Romance HARDCORE/NIGHTCORE BOOTLEG Remaster)

Beacon

🔻 “6 DEEP” – by 4Me2BeFree
🎧 Song Insight
“6 DEEP” is a funeral anthem for the living—where grief, regret, and post-breakup ghosts collide. It's the sound of being buried emotionally while the world scrolls past. Combining Juice WRLD-style emotional rap with the theatrical build of My Chemical Romance, this track confesses its pain like a private journal… and screams it like a eulogy no one showed up for. You don’t need to die to be forgotten—sometimes it happens while you’re still breathing.

🎙️ Lyrics
Intro
Yeah
I sit here waitin' for the ill to take me
Peace ain't near, and the memories chase me
Pills don’t seep, just ache in place
F**kin' dreams crushed—yeah, I need some space

Verse 1
I feel it creepin', takin’ hold
Never wanted to break this bold
Skip the script, all the lies you sold
I was tryna wait, be the hand you hold

But I’m slippin', can’t fake no more
Holdin' this line got me shakin' at the core
Your glowin’ phone? Just another war
Lights blind—can’t find what I’m livin’ for

Pre-Chorus
Drips push in, pull back, it’s mine
Red floods trace down the line
No rewind, just fade and fall
Back on the bed—my final call
A fortress, a tomb—I married the wall

Chorus
You saw me wrapped inside that fight
I died to save what never felt right
I can't stay here—let me drown
You cried like love would bring me 'round
Six feet deep, now you swear you care
But when I needed you—wasn't there

Verse 2
Now you vibin’ on a beat, postin’ my name
Actin’ like you knew—like this ain't a game
But it’s all just lights, another show
Another ghost line, another no-go

Was I even meant to be?
Do we gotta make this tragedy me?
Don’t try no more, don't fake a plea
Just echoes now where love should be

Bridge
My words were pain, no mistake
You cashed in, took what you could take
Lines bled greed, nose to floor
You knew it all, still asked for more

Don’t let me be just another lost one
6 deep, another soul gone
The writing’s been on every wall
But you read none of it at all

Breakdown
From the ground, I split in two
This loss? Nah—it’s not on you
My voice repeats, a warning beat
But all you heard was your own deceit

Final Chorus
Yeah, you say I’m a vibe—but I died
Still can’t see it, even when you cry
Smoke won’t numb what you let slide
I’m in a box, screamin’ on the inside

Dead tone, reachin’ for a grip
Feelin’ the fall in this motel script
I met my end when hell walked in
Just me, the silence, and where I’ve been

Outro
And if this is how you hear me now
Just know I tried—I just didn’t know how
This ain't for fame, no trending tweet
It’s the last page of me beneath your feet

🧠 Artist Reflection
This song started as a Juice WRLD-style rap—raw and confessional—but it evolved into something bigger. Something theatrical. Something buried. “6 DEEP” is for anyone who’s ever felt invisible even while screaming. It’s one of those tracks that wrote me more than I wrote it. I don’t always know where the emotion ends and the music begins.

💡 About 4Me2BeFree
4Me2BeFree blends vulnerability with cinematic energy, combining emotional rap, alt-rock, and immersive storytelling. With over 130,000+ global streams, Īan’s music speaks to the haunted, the heartbroken, and the healing.

©️ Copyright
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

6 Deep (Explicit)

Just a sample of what I have in the works

My Chemical Romance - Helena (Davy Bones Remix) [DEMO]

lil edgy song by the boys from the boys for the boys and in the boys

grip [demo]     [prod. IOF x surfgreenvibes]

Join Damian at Download Festival 2025 for Day Two as he catches up with Mothica to plan her ultimate dream music festival! From iconic headliners like My Chemical Romance to rising stars like Juno Dream, Mothica reveals her fantasy lineup that blends nostalgia, discovery, and great vibes. We chat about what makes a festival truly unforgettable – think cozy bed setups for fans, mouthwatering tacos, and a scenic location in Glasgow, Scotland.

Whether you’re a die-hard Mothica fan, a festival fanatic, or just love discovering new artists and creative event ideas, this is a conversation you won’t want to miss.

👉 Don’t forget to like, share, and subscribe for more artist interviews and behind-the-scenes content from Download Festival 2025!

Videographer: Damian FitzGerald
Editor: Damian FitzGerald
Producer: Damian FitzGerald

Social links

Band socials:
https://www.mothica.com
https://x.com/dearmothica?s=21
https://www.instagram.com/mothica/
https://www.facebook.com/mothicamusic/?locale=en_GB
https://www.youtube.com/mothica

V13 Media:
https://v13.net
https://twitter.com/v13media
https://www.instagram.com/v13media/
https://www.facebook.com/v13media 
https://soundcloud.com/v13media

Damian FitzGerald:
https://v13.net/author/damian_fitzgerald/
https://twitter.com/damolition82
https://www.instagram.com/damolition82/
https://www.facebook.com/damian.fitzgerald1/
https://www.threads.net/@damolition82

Mothica Interview at Download 2025 – Dream Festival Plans with MCR, Tacos & Beds in Glasgow

[In a former work, Ricardo's theory on the value of money as related to commodity-prices has
been analysed; we can, therefore, confine ourselves here to the indispensable. According to
Ricardo, the value of metallic money is determined by the labour-time incorporated in it, but only
as long as the quantity of money stands in correct relationship to the amount and price of
commodities to be exchanged. If the quantity of money rises above this ratio, its value falls and
commodity-prices rise; if it fails below the correct ratio, its value rises and commodity-prices fall
– assuming all other conditions equal. In the first case, the country in which this excess gold
exists will export the gold whose value has depreciated and import commodities; in the second
case, gold will flow to those countries in which it is assessed above its value, while the under-
assessed commodities flow from these countries to other markets, where they command normal
prices. Since under these circumstances “gold itself may become, either as coin or bullion, a
token of metallic value of greater or smaller magnitude than its own value, it is self-evident that
convertible bank-notes in circulation must share the same fate. Although bank-notes are
convertible, and therefore their real value corresponds to their nominal value, the aggregate
currency consisting of metal and of convertible notes may appreciate or depreciate in accordance
with its aggregate quantity, for reasons already stated, rising above or falling below the level
determined by the exchange-value of circulating commodities and the metallic value of gold....
This depreciation, not of paper as compared with gold, but of gold and paper taken together, or of
the aggregate currency of a country, is one of Ricardo's principal discoveries which Lord
Overstone and Co. pressed into their service and made a fundamental principle of Sir Robert
Peel's bank legislation of 1844 and 1845.” (Zur Kritik der Politischen Ökonomie, p.155.)]

Swag

The wealth of those societies in which the capitalist mode of production prevails, presents itself
as “an immense accumulation of commodities,”1 its unit being a single commodity. Our
investigation must therefore begin with the analysis of a commodity.
A commodity is, in the first place, an object outside us, a thing that by its properties satisfies
human wants of some sort or another. The nature of such wants, whether, for instance, they spring
from the stomach or from fancy, makes no difference.2 Neither are we here concerned to know
how the object satisfies these wants, whether directly as means of subsistence, or indirectly as
means of production.
Every useful thing, as iron, paper, &c., may be looked at from the two points of view of quality
and quantity. It is an assemblage of many properties, and may therefore be of use in various ways.
To discover the various uses of things is the work of history.3 So also is the establishment of
socially-recognized standards of measure for the quantities of these useful objects. The diversity
of these measures has its origin partly in the diverse nature of the objects to be measured, partly
in convention.
The utility of a thing makes it a use value.4 But this utility is not a thing of air. Being limited by
the physical properties of the commodity, it has no existence apart from that commodity. A
commodity, such as iron, corn, or a diamond, is therefore, so far as it is a material thing, a use
value, something useful. This property of a commodity is independent of the amount of labour
required to appropriate its useful qualities. When treating of use value, we always assume to be
dealing with definite quantities, such as dozens of watches, yards of linen, or tons of iron. The use
values of commodities furnish the material for a special study, that of the commercial knowledge
of commodities.5 Use values become a reality only by use or consumption: they also constitute
the substance of all wealth, whatever may be the social form of that wealth. In the form of society
we are about to consider, they are, in addition, the material depositories of exchange value.
Exchange value, at first sight, presents itself as a quantitative relation, as the proportion in which
values in use of one sort are exchanged for those of another sort,6 a relation constantly changing
with time and place. Hence exchange value appears to be something accidental and purely
relative, and consequently an intrinsic value, i.e., an exchange value that is inseparably connected
with, inherent in commodities, seems a contradiction in terms.7 Let us consider the matter a little
more closely.

Unswagged

Join Damian at Download Festival Day Two as he catches up with Lee Jennings from The Funeral Portrait during his first-ever performance in the UK! In this lively interview, Lee talks about what it’s like playing across the pond, his outstanding sunglasses, and — most importantly — building his dream music festival.

From iconic headliners like My Chemical Romance, Deftones, and Green Day, to rising stars like Beartooth, Halestorm, and Bad Omens, Lee curates a killer lineup that blends nostalgia and fresh talent. Expect wild card choices, creative ideas, and even a festival waterpark in the mix.

Whether you’re a fan of The Funeral Portrait, a festival enthusiast, or just love hearing artists talk about their musical inspirations, this one’s for you.

👉 Don’t forget to Like, Share & Subscribe for more artist interviews from Download Festival 2025!

Videographer: Damian FitzGerald
Editor: Damian FitzGerald
Producer: Damian FitzGerald

Social links

Band socials:
https://www.thefuneralportrait.com
https://www.instagram.com/tfp_devotion/?hl=en
https://www.facebook.com/TheFuneralPortrait/
https://www.youtube.com/c/TheFuneralPortrait

V13 Media:
https://v13.net
https://twitter.com/v13media
https://www.instagram.com/v13media/
https://www.facebook.com/v13media 
https://soundcloud.com/v13media

Damian FitzGerald:
https://v13.net/author/damian_fitzgerald/
https://twitter.com/damolition82
https://www.instagram.com/damolition82/
https://www.facebook.com/damian.fitzgerald1/
https://www.threads.net/@damolition82

Lee Jennings from The Funeral Portrait Talks Download Festival, Festival Waterparks & MCR Headlining

furryconvention2005 is Soundcloud's premier furry convention, held on this Soundcloud account every whenever.

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

☠️🏴‍☠️ Pirate Music 🏴‍☠️☠️

Be sure to check out music from @fate-fortuity !

insta: _davybones_

High-fidelity content by music, entertainment and pop culture lovers. Ex-PureGrainAudio. Vita. Veritas. Vox Populi. C’est La V13.

New tracks tagged #mychemicalromance