Echoes Beneath the Forest
What if the warnings were real?

From the shadowy edges of South America's jungles, swamps, and buried ruins, Echoes Beneath the Forest unleashes 12 myth-fueled tracks that blur the line between legend and lurking truth.

Whistles in the night. Cities made of gold. Creatures that never die.
These aren't bedtime stories—they're cultural warnings carved in blood, bone, and belief.
And now… they sing.

Follow the eerie breath of La Mala Hora, get hunted by El Pombero, and fall into the haunted depths of the Tunnels of Teotihuacán. Each track reveals a living myth—feral, unrepentant, and unforgettable.

You won’t find jump scares here. Just rhythm and ruin—told through sound.

Truth echoes louder than fiction.
credits
released August 7, 2025

Breathe for the Earth

La Mala Hora

El Pombero

Blood Runs Dry

City of Fools

Two Dogs, One Soul

Don’t Sleep Full

Curse of the Ceiba

Tunnels of Teotihuacán

Giant Slayer enters the darkest territory yet explored. This doom metal piece follows a demented warrior through his final massacre, where the line between hero and monster completely dissolves. The slow, crushing pace allows each brutal detail to land with devastating weight, building toward an inevitable reckoning. A tale of violence, madness, and the ultimate price of brutality.

Created with Suno AI

Lyrics by Kenneth Carlino

Giant Slayer

On “Glass Housee,” Seasidee Terry distills heartbreak, memory, and emotional distance into a haunting minimalist groove. With ghostly repetition and piercing vulnerability, he paints himself as both a lingering presence and a lost connection—“your wallpaper in your memory.” The chorus hits like a quiet warning, balancing forgiveness with fracture: “Be careful throwing stones… my arms are open.” Over echo-laced synths and spare percussion, Terry weaves intimacy and detachment into a portrait of love that’s broken, but not quite gone.

Glass Housee

“Amnesia” is Seasidee Terry at his most tender and exposed—a slow-burning plea against emotional erasure. With a voice trembling on the edge of hope and heartbreak, Terry explores memory, vulnerability, and the fear of being forgotten. “Don’t forget me,” he repeats like a prayer, layering echo and ache into each line. Minimal production lets the emotion breathe, while warm synths and distant percussion cradle his confessions. It’s a midnight conversation with love, loss, and the parts of ourselves we’re scared to leave behind.

Amnesia

A soundscaped version of Juliana Holzhauer-Barrie's poem 'As the Crow Flies'. Listen on headphones for the full experience.

As the Crow Flies

Versión Informativa sobre el Narval, cetáceo del ártico y su relación con los idígenas Inuit del Cabo York.

EP 3- El narval unicornio del mar

lyrics:. Дарума сан дарума сан
Я бью блядь краном по её глазам

Мы утопим тебя в ванной
Заколотим краном насмерть
Нечисть вся будет сыта
Поглощая страх твой жалкий

Был чувак теперь уж жертва
В жертву примешь смерть для нечта
Я к тебе приду в дом ночью
Вырежу сперва ту почку

Вспотрошенное брюхо
Не осталось жить духа
У тебя есть бля два часа
Потом тебе выколят глаза

Будешь как дарума сан упала
Как Дарума сан упала
Гниют хищенные тела в подвале
Потерял глаза,подчинись страданиям

darxxma-san🚿

Myth and Glory (Original Mix)

yall remember that "My Dollhouse" game on roblox, right?

Yutuan2016_MyDollhouse ₰ (LouhiJump)

This is the traditional story from Tsimshian mythology. Recorded raven calls, which are amazingly varied, have been added into the music. Some inspiration is from Native American styles and Jethro Tull. The dynamic flute sound is a ney performed by Ido Romano of Israel. The intro, which also occurs before the final chorus, has a climbing bass to fit the idea of lifting into the sky. The verse has gone through style changes. First, it was a bluesy rock rhythm guitar, then acoustic fingerpicking. After creating a cooler bass part, inspiration came for a cleaner electric guitar part that didn’t follow the same pattern as the bass but complimented it. I think the key changes and style changes help to make it more musically interesting. Lead vocals are by Christina Rotondo of the UK who has also performed lead vocals on a song in a Doctor Who episode. Greg Van Kerkhof of South Africa provides background vocals and performs on bass.

Raven Stole the Sun

The music was originally written on the piano with the idea that I would write a song in the style of Castle Walls (Styx). My cousin lived on a street called Eolus. I looked it up, was inspired, and wrote the lyrics about the Greek god of the wind. The music evolved from there. “Ah…” vocals on Man of Miracles (Styx) and Pleiades (King’s X) that sound like a low choir inspired some of the background vocals. “Godness” was accidentally used in the song Venus by Shocking Blue because the singer wasn’t fluent in English. Turns out it’s actually a word, but just rarely used since the 1800s. Seems fitting here as a nod to Shocking Blue. Soprano Mailen Blanco Arriola of Argentina provides the soprano background vocal in the part with whispers in the middle of the song. The lead vocals and chorus harmony were performed by Dan Picknell of the UK.

Captain Aeolus

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Music, rock, progressive rock, metal, jazz, blues and pop. Almost always AI, and usually my own lyrics.

Ra'z A Writah
301 to 310. Let's make sumn.
Check me out https://suno.com/@razawritah?utm_source=Amby&utm_medium=Ra

Some of my songs are about my adventures in the Olympic Mountains

New tracks tagged #myth