This beautiful piano duet of "America the Beautiful" was arranged by the talented Anne Britt. It took many hours of practice and numerous recording attempts, but I've finally captured the essence of the piano parts. To add my own creative flair, I've incorporated some orchestration elements.

If you're interested in learning this piece, I've included a link below to order the sheet music. Trust me, it's worth the time and effort to learn!

I hope you all enjoy this rendition as much as I do! Let's celebrate this special day with beautiful music representing our incredible nation's spirit.

Link to the sheet music: annebrittmusic.com

#Happy4thofJuly #AmericaTheBeautiful #MusicMagic #PianoDuet #Orchestration


Text: Katherine Lee Bates (1859-1929)
Music: Samuel A. Ward (1848-1903)
Tune Name: MATERNA

Oh, beautiful for spacious skies,
For amber waves of grain,
For purple mountain majesties
Above the fruited plain!
America! America!
God shed his grace on thee,
And crown thy good with brotherhood
From sea to shining sea.

Oh, beautiful for pilgrim feet,
Whose stern, impassioned stress
A thoroughfare of freedom beat
Across the wilderness!
America! America!
God mend thine ev’ry flaw,
Confirm thy soul in self-control,
Thy liberty in law.

Oh, beautiful for heroes proved
In liberating strife,
Who more than self their country loved,
And mercy more than life!
America! America!
May God thy gold refine,
Till all success be nobleness,
And ev’ry gain divine.

Oh, beautiful for patriot dream
That sees beyond the years
Thine alabaster cities gleam,
Undimmed by human tears!
America! America!
God shed his grace on thee,
And crown thy good with brotherhood
From sea to shining sea.

America the Beautiful (Piano Duet - One Piano, Four Hands)
Arranged by Anne Britt
Copyright © 2019 by Anne Britt. All rights reserved.
►Purchase Sheet Music: https://annebrittmusic.com/shop/?swoof=1&woof_text=america%20the%20beautiful

Orchestration copyright © 2023 by J. Sagers Music. All rights reserved. 
http://www.jsagersmusic.com

This was played on a Yamaha digital piano using a Steinway Model D Concert Grand virtual piano from Garriton. All orchestrations rendered in Finale 27.3 using the following Garriton Virtual Sound Libraries: Personal Orchestra 5  and Garriton Harps and mixed in Adobe Audition.

America the Beautiful

America The Beautiful

The "State Anthem of the Russian Federation" is the national anthem of Russia. It uses the same melody as the "State Anthem of the Soviet Union", composed by Alexander Alexandrov, and new lyrics by Sergey Mikhalkov, who had collaborated with Gabriel El-Registan on the original anthem. From 1944, that earliest version replaced "The Internationale" as a new, more Soviet-centric and Russia-centric Soviet anthem. The same melody, but without any lyrics, was used after 1956. A second version of the lyrics was written by Mikhalkov in 1970 and adopted in 1977, placing less emphasis on World War II and more on the victory of communism, and without mentioning Joseph Stalin by name.

The Russian SFSR was the only constituent republic of the Soviet Union without its own regional anthem, instead using the National Anthem of the Soviet Union. The lyric-free "Patrioticheskaya Pesnya", composed by Mikhail Glinka, was officially adopted in 1990 by the Supreme Soviet of Russia, and confirmed in 1993, after the dissolution of the Soviet Union, by the President of the Russian Federation, Boris Yeltsin. This anthem proved to be unpopular with the Russian public and with many politicians and public figures, because of its tune and lack of lyrics, and consequently its inability to inspire Russian athletes during international competitions. The government sponsored contests to create lyrics for the unpopular anthem, but none of the entries were adopted.

Youtube: https://www.youtube.com/watch?v=Clld5udoZgY&ab_channel=MusicalThinker

Synthesizer Hymns

Russian National Anthem (Synthesizer Cover)

The "Deutschlandlied", officially titled "Das Lied der Deutschen" has been the national anthem of Germany either wholly or in part since 1922, except for a seven-year gap following World War II in West Germany. In East Germany, the national anthem was "Auferstanden aus Ruinen" ("Risen from Ruins") between 1949 and 1990.

Since World War II and the fall of Nazi Germany, only the third stanza has been used as the national anthem. Its phrase "Einigkeit und Recht und Freiheit" ("Unity and Justice and Freedom") is considered the unofficial national motto of Germany and is inscribed on modern German Army belt buckles and the rims of some German coins.

The music is the hymn "Gott erhalte Franz den Kaiser", written in 1797 by the Austrian composer Joseph Haydn as an anthem for the birthday of Francis II, Emperor of the Holy Roman Empire and later of Austria. In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the lyrics of "Das Lied der Deutschen" as a new text for that music, counterposing the national unification of Germany to the eulogy of a monarch: lyrics that were considered revolutionary at the time.

The "Deutschlandlied" was adopted as the national anthem of Germany in 1922, during the Weimar Republic, to which all three stanzas were used. West Germany retained it as its official national anthem in 1952, with only the third stanza sung on official occasions. After German reunification in 1990, in 1991 only the third stanza was reconfirmed as the national anthem. It is discouraged, although not illegal, to perform the first stanza (or to some degree, the second), due to association with the Nazi regime.

Deutschland, Deutschland über alles,
Über alles in der Welt,
Wenn es stets zu Schutz und Trutze
Brüderlich zusammenhält.
Von der Maas bis an die Memel,
Von der Etsch bis an den Belt,
Deutschland, Deutschland über alles,
Über alles in der Welt!

Deutsche Frauen, deutsche Treue,
Deutscher Wein und deutscher Sang
Sollen in der Welt behalten
Ihren alten schönen Klang,
Uns zu edler Tat begeistern
Unser ganzes Leben lang –
Deutsche Frauen, deutsche Treue,
Deutscher Wein und deutscher Sang!

Einigkeit und Recht und Freiheit
Für das deutsche Vaterland!
Danach lasst uns alle streben
Brüderlich mit Herz und Hand!
Einigkeit und Recht und Freiheit
Sind des Glückes Unterpfand –
Blüh' im Glanze dieses Glückes,
Blühe, deutsches Vaterland! 

Youtube: https://youtu.be/wHxFhMclvv0?si=MGdbDEmU5u0upxO9

Deutschlandlied

German National Anthem - Das Lied Der Deutschen (Deutschlandlied)

"La Marseillaise" is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Army of the Rhine").

The French National Convention adopted it as the First Republic's anthem in 1795. The song acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. The song is the first example of the "European march" anthemic style. The anthem's evocative melody and lyrics have led to its widespread use as a song of revolution and its incorporation into many pieces of classical and popular music.

Youtube: https://youtu.be/tYgW5Qoti8g?si=GyO0GPrNWSAqaxjb

French National Anthem - La Marseillaise (Synthesizer cover)

This is the National Anthem of a fictional North American and European country Sandvia. It is based on Oceania's anthem "Oceania 'Tis for thee" from the movie 1984.

Lyrics:

Long live our island be thy might
The Unity of Freedom is relied
The Great Sandvia will live long
To keep Frukkenburg reliable
Open our railways, use your power
Never before has such glory been seen

Sandvia,
Sandvia,
Sandvia,
Our Country
Century will live longer
And it's for you

Sandvia, Our Country

Il Canto degli Italiani, also known as Fratelli d'Italia and Inno di Mameli is the national anthem of Italy.
The lyrics were written by Goffredo Mameli in Genoa in 1847, trying to create a patriotic song for all Italians who were striving for unification. After a little more than two months, the music for Mameli's text was composed by Michele Novaro.
However, it will be a long time before "Inno di Mameli", as it is named after its writer, becomes the national anthem of Italy. At the time of the creation of the Italian state and until the fascists came to power, the official anthem of Italy was the former anthem of the Savoy dynasty and the Kingdom of Sardinia, "Marcia Reale" (Royal March), to which the fascist anthem "Giovinezza" (Youth) was added when Benito Mussolini came to power. ).
After the creation of the Republic of Italy, on October 12, 1946, Il Canto degli Italiani became the temporary anthem of Italy, and was legalized as the national anthem by the decision of the Constitutional Commission of the Italian Senate on November 15, 2017.

Youtube: https://youtu.be/MnMpwlPGpF4?si=n-Ugk9wK-tcU34Gi

Italian National Anthem - Il Canto Degli Italiani (Synthesizer Cover)

Mazurek Dąbrowskiego is the Polish national anthem, written in 1797 by Józef Wybicki. It is named after the Polish military commander Jan Henryk Dąbrowski.
The song was initially called "Song of the Polish Legions in Italy" ("Pieśń Legionów Polskich we Włoszech"), and was also known as "Poland will never die", according to the opening lines "Jeszcze Polska nie zginęła". These words are often misquoted as the unofficial Polish national motto. The song gained importance and became one of the most popular anthems during the student uprising of 1830 and the January uprising of 1863. During the People's Spring of 1848, it became known throughout Europe as a revolutionary anthem in Berlin, Vienna, Prague and Paris. This prompted the Slovak poet Samuel Tomášik to write the hymn Hey, Slavs, based on the melody of Dąbrowski's Mazurek, which was later accepted by the First Congress of the All-Slavic Movement in Prague as the All-Slavic Anthem. During the Second World War, the translation of this anthem became the anthem of Yugoslavia. Other well-known versions of that anthem are Šumi Marica, the anthem of Bulgaria from 1886 to 1944.

Polish National Anthem - Mazurek Dąbrowskiego (Synthesizer Cover)

Kde domov můj (Where is my home) has been the national anthem of the Czech Republic since 1993.

The words of the anthem come from the play "Fidlovačka aneb náčky hněv a náčky rvačka" written by Josef Kajetán Tyl. This theatrical piece was first performed in Prague on December 21, 1834. The music was written by František Škroup. The theater work has several parts, but only the first stanza is taken as the anthem.

During Czechoslovakia, the national anthem consisted of two parts. The first part was the current Czech national anthem and the second part was the national anthem of Slovakia (Nad Tatrou sa blýska). The national anthem was performed without a break.

Kde domov můj, kde domov můj?
Voda hučí po lučinách,
bory šumí po skalinách,
v sadě skví se jara květ,
zemský ráj to na pohled!
A to je ta krásná země,
země česká domov můj,
země česká domov můj!

Youtube: https://www.youtube.com/watch?v=OI6rtH3ivI4&ab_channel=MusicalThinker

Czech National Anthem - Kde Domov Muj (Synthesizer Cover)

Imnos eis tin Eleftherian (Greek: Ύμνος εις την Ελευθερίαν, Hymn to Freedom) is the national anthem of Greece and Cyprus.

Dionýsios Solomós wrote a patriotic poem of 158 stanzas in 1823, and the first two stanzas became the official Greek anthem in 1865. The music for the anthem was composed in the same year by Nikolaos Mantzaros. Two versions were written: a long one for performing the whole song and a shorter one for only the first two stanzas.

Cyprus adopted the anthem in 1960. According to the constitution, this anthem is performed in the presence of the president of the Greek Cypriots, and the Turkish anthem is performed in the presence of the vice-president, a Turkish Cypriot. Cyprus stopped using the Turkish national anthem because of the civil war in 1963.

The Anthem of Freedom was also the Greek Royal Anthem (since 1864).

This anthem is performed at every closing ceremony of the Olympic Games in honor of Greece as the cradle of the modern Olympics.

ORIGINAL
1. Σε γνωρίζω από την κόψη
Του σπαθιού την τρομερή,
Σε γνωρίζω από την όψη,
Που με βιά μετράει τη γη.

2. Απ’ τα κόκκαλα[d] βγαλμένη
Των Ελλήνων τα ιερά,
Και σαν πρώτα ανδρειωμένη,
Χαίρε, ω χαίρε, ελευθεριά!

TRANSLITERATION
1. Se gnorízo apó tin kópsi
Tu spathiú tin tromerí,
Se gnorízo apó tin ópsi,
Pu me viá metrái ti gi.

2. Ap’ ta kókkala vgalméni
Ton Hellínon ta hierá,
Ke san próta andrioméni,
Khére, o khére, eleftheriá!

Greek & Cyprus National Anthem - Imnos eis tin Eleftherian (Synthesizer Cover)

Deșteaptă-te, române ("Wake up, Romanians") is the Romanian national anthem.

The song was written by Andrei Mureșanu and set to music by Gheorghe Ucenescu. It was published in 1848, during the revolution, under the title "Echo" ("Un răsunet"). It was sung for the first time in the city of Brașov in the same year, and was immediately accepted as the anthem of the revolution, which is why it got its current name.

National Anthem Day is celebrated in Romania on June 29. This song was also the national anthem of Moldova for a while, but in 1994 it was replaced by the current Limba noastră. The song has 11 stanzas, but at public performances only the 1st, 4th and 2nd stanzas (in that order) are usually sung.

Youtube: https://www.youtube.com/watch?v=SyscjfQ3oVk

Romanian National Anthem - Deșteaptă-te, române (Synthesizer Cover)

Lijepa naša domovino (often just Lijepa naša), the anthem of the Republic of Croatia since 1991. Her opening words are a frequent metonym for Croatia (Liepa Naša).

It is counted among the few peaceful hymns because it glorifies the beauty of the homeland, and does not call for struggle or resistance like marching hymns (eg the Marseillaise).

The Zagreb lawyer Antun Mihanović, one of the poets of the Croatian national revival, wrote the patriotic poem Croatian Homeland, which became the basis of today's national anthem – the first, second, penultimate and last stanzas were taken from the 14 stanzas. The Croatian Homeland was published on March 14, 1835, on the cover page of the tenth issue of the literary newspaper Danica, which was the bearer of the literary revival at the time.

Youtube: https://www.youtube.com/watch?v=L0ZsDCXjAXk

Croatian National Anthem - Lijepa naša domovino (Synthesizer Cover)

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Bože pravde (God of Justice) is the anthem of the Republic of Serbia. The music was composed by Davorin Jenko, and the text was written by Jovan Đorđević in 1872. The original lyrics were written for the theater play "Mark's Saber", which premiered that same year in honor of Prince Milan Obrenović's coming of age.

God of Justice was originally a solemn song that became the anthem of the Principality of Serbia. With the coronation of Milan Obrenović as king in 1882, Serbia became an independent kingdom and the Serbian king was glorified in poetry. The Republic of Serbia has been using a new anthem since 2004 based on the recommendation of the National Assembly of the Republic of Serbia and the conclusions of the Government of the Republic of Serbia, and since 2006 also based on the provisions of the Constitution of the Republic of Serbia. Since 2009, the law has determined, previously recommended in 2004, verses that do not mention the crown, nor the king, nor the kingdom, and the thus changed festive song is used as the official national anthem.

Youtube: https://www.youtube.com/watch?v=v01Is2lZqCg

Serbian National Anthem - Bože pravde (Synthesizer Cover)

The National Anthem of Bosnia and Herzegovina, sometimes called the Intermezzo, is the national anthem of Bosnia and Herzegovina. Dušan Šestić composed the music. In the middle of 1998, the Office of the High Representative announced a public competition for the national anthem. About 80 works were received, and the expert commission recommended three works to the Parliamentary Assembly of Bosnia and Herzegovina.

On February 10, 1999, the House of Representatives decided that Intermeco would be the new anthem, but the House of Peoples did not adopt a law with the same text. This provoked the reaction of the then High Representative Carlos Westendorp: On June 25, 1999, he passed the Law on the National Anthem with the Bonn powers. The law prescribes the music, not the text. It was published in the Official Gazette of Bosnia and Herzegovina (No. 19/01) four days later, and its official application began on July 7.

This replaced the anthem "You are the only one" which was unofficially used at occasions such as football matches. The alleged exclusion of mention of Croats and Serbs in the text is cited as the reason, although the text itself does not mention any people from Bosnia and Herzegovina.

Bosnia & Herzegovina National Anthem - Intermezzo (Synthesizer Cover)

Embark on a musical journey with "Beneath the Thistle Sky: Anthem of the New Scottish Dawn," a song that weaves the rich tapestry of Scotland's history, landscapes, and dreams into a symphony of hope and unity. This anthem stands as a beacon of light, illuminating the path towards a future where every voice in Scotland, from the misty highlands to the bustling cities, joins in a chorus of shared destiny and pride.

Crafted with a blend of traditional Celtic instruments and the grandeur of an orchestral arrangement, "Beneath the Thistle Sky" invites listeners to experience the heart and soul of Scotland. The stirring melodies of bagpipes, the resonant call of drums, and the lush symphony of strings come together to create an anthem that resonates with the spirit of the Scottish people and their unbreakable bond of unity.

As you listen to this anthem, let it remind you of Scotland's enduring beauty, the resilience of its people, and the collective hope that guides us into the dawn of a new era. "Beneath the Thistle Sky" is more than a song—it's a celebration of Scotland's past, a testament to its present, and a dream of its future. Join us in this anthem of unity, and let the music carry you to the heart of Scotland, beneath the ever-watchful skies.

Beneath The Thistle Sky

Ja Vi Elsker  (inte färdig)

Copyright © Dank Stankum 2024 All Rights Reserved

🎆 This 4th Of July 🇺🇸

🇺🇸 Dive into the heart of American spirit with "This 4th of July"! This song captures the essence of what makes our nation great—courage, sacrifice, and unyielding determination. From the sandy shores of Carolina to the sprawling fields that glisten like gold, we honor the men and women who stand guard over our freedoms. 🌟 As we gather under the vast American skies, let's remember the price of our freedom and celebrate the bravery of those who march on to protect it. This anthem is a tribute to their valor and a call to hold high the torch of liberty that lights up our nation. 🎇 Join us in singing praises this Independence Day, where every note resonates with gratitude and pride. #ProudAmerican #CelebrateLiberty

This 4th Of July

Experimenting with emerging technologies to bring music of victory and triumph to the world

Good day to all! Here you can listen to my compositions that I composed according to my wishes. My compositions are mostly orchestral and I have no desire to sing or write songs.
As for instruments, I use a Korg Pa50 synthesizer and that is enough for me to compose songs. I currently use Audacity and YouCut in which I do various tone and sound mixes.

Hello

Welcome to the creative world of Jeff Sagers, a musician with over 40 years of experience in the art of music composition, orchestration, and engraving. His passion for music has led him on a remarkable journey that has left a mark on the world of orchestral music.


Jeff's Story

With a career spanning over five decades, Jeff lives in the world of music. His journey began at age 4, when he first discovered the piano, setting in motion a lifelong love affair with sound and composition.

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In addition to composing, Jeff has a keen eye and ear for orchestration and arranging. His meticulous attention to detail and deep understanding of musical theory allow him to bring any piece of music to life with stunning orchestral arrangements. From small ensembles to full orchestras, Jeff's arrangements breathe new life into every score.

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In the digital age, musical scores have transcended traditional paper formats. Jeff is also an expert engraver, with a knack for turning musical notations into beautifully printed and digitally rendered scores. His work ensures that the art of music is preserved and shared with the world in the most professional and visually stunning manner.



Dank Stankum, at the forefront of musical innovation, is revolutionizing the way music is created both now and in the future. As a creative writer-producer, his influence spans across video and music production, mastering a diverse spectrum of genres with an unwavering passion and a unique flair. His approach to music production blends cutting-edge technology with timeless storytelling, setting new benchmarks in the industry.

In today's rapidly evolving music scene, Dank is pioneering methods that integrate immersive audio technologies and interactive platforms, crafting experiences that transcend traditional listening. His forward-thinking strategies involve diving deep into the fusion of digital and analog techniques, ensuring his creations resonate with audiences on a global scale. Dank's studio has become a hub of innovation, where virtual reality concerts and holographic performances are becoming the norm, offering glimpses into the future of live music.

Looking ahead, Dank envisions a world where music creation is further democratized, allowing artists from every corner of the globe to collaborate in real-time, without the barriers of distance or language. He is deeply involved in developing platforms that enable this seamless integration, fostering a global community of creators who can share, innovate, and produce music that reflects a mosaic of cultures and influences.

Dank's trailblazing work is setting the stage for a new era of music production, where the focus is on expanding the creative potential of artists through innovative sound design, novel rhythms, and unique collaborations. This approach is crafting a future where music is more personalized, accessible, and expressive than ever before.

Beyond his technical contributions, Dank is a visionary advocating for the role of music as a catalyst for change, inspiring a movement towards more sustainable practices within the industry. From eco-friendly tours to digital concerts that reduce carbon footprints, he is at the forefront of creating a more responsible music ecosystem.

In essence, Dank Stankum is not just creating music for the future; he is redefining the entire landscape of music production and consumption. His pioneering efforts are carving paths for upcoming generations, ensuring that the future of music is vibrant, inclusive, and boundlessly creative.

New tracks tagged #nationalanthem