Brick Tempo (raw)

Originally from 2007, this 2025 / 2026 rework has kept the exact same arrangement and added in vocals with ear candy synths. 

It’s built around a five chord / five bar progression, which gives it a subtlety disjointed feel, keeping up the dystopian undertones alongside the loving lyrics.  

Transmission Out

Pure creator

Produced for Native Instruments' Blood Moon beat challenge, just in time for the Worm Blood Moon 🩸🌚

Blood on the Moon

For Native Instruments challenge - a tune in celebration of the impending Lunar Eqlipse. Enjoy!

Tune on the Moon

Blood Moon

Wild forest

Without limits

Rubycon

210 BPM Terror.
Les Méchants.

Production réalisée sur Maschine MK3 (Native Instruments).
Ambiance sombre, énergie brute, atmosphère cinématographique.

KAMIKAZ.EXE

KAMIKAZ.EXE – LES MECHANTS  (210 BPM Terror)

Too Hot

Set mixed with PLAYdifferently MODEL1

BENABOU Les Soupirs Tumultueux Du Monde (Original Mix) Backhaus
AINT.S Y65 (Original Mix) areon 8
MATT ALTMAN Assault on the Zombie Yakuza ((Modēm Remix) E-HRZN
ATONISM Virtual Reality (Original Mix) Vault Records
LINEAR PHASE Object Of Disapproval (Original Mix) NEWRHYTHMIC
BARBOSA Primal (Original Mix) SYXT
R.M.K. Werk It (ALNA Remix) Fossil Archive
RETHE Bleach (Ketch Remix) Duplicity Records
ALARICO Troia (Original Mix) Vault Records
ARKAN Perception (Original Mix) Drawner Records
DENO Silent (Original Mix) AESIR Records
FRANCO ROSSI Squamata (Original Mix) Void Records
KAAN PIRECIOGLU Human Engine (Original Mix) Float Records
KHAS Buzzing Ears (Original Mix) Grab The Groove
MATHYS LENNE Natural Born Killers (Original Mix) Mutual Rytm
NAKAMO Aquae Sulis (Original Mix) Prima Materia 002
NEMESIS Tiempo Amargo (Original Mix) Subsist
RØDHÅD & UVALL KINVA 02 (240206) WSNWG
TORU IKEMOTO Infinite Wind (Original Mix) AUM
WANKEL ROTARY Complice Del Tiempo (Original Mix) Xelima Records
TRUNCATE Dust 1 (Kai Van Dongen Remix) Truncate
BOURS Killa Killa (ØTTA Remix) [Selected]

2026 FEB Siles @ Studio | Light the tunnel Part Two

"Blue Light" di Native Sound è un brano elettronico/ambient con un'atmosfera rilassante e suggestiva. La traccia ha un ritmo lento e ipnotico, con suoni che creano un senso di calma e serenità. La produzione è di alta qualità, con un uso efficace di effetti e texture sonore. È un pezzo che potrebbe essere perfetto per un momento di relax o per aggiungere un tocco di tranquillità a un ambiente. 😊

Blue Light

An older project that i forgot about, something a little bit different this time, thought you guys might like it !
Peace

Cold Tape

"Shadow Drift" is a cinematic Lo-Fi journey inspired by the phenomenon of a Blood Moon. The track captures the transition from the eerie, still darkness of the pre-eclipse to the grand sense of wonderment as the moon reaches its vibrant peak.

Shadow Drift

The second release, built entirely on Native Instruments Maschine. 
Here, I wanted to explore the contrast between the groove of live pads and the dark aesthetic of trap music. 

This isn't just beats; it's a soundscape built from start to finish on atmospheric arpedgios. Take a seat.

The Follow Up

First time I did live rec of my Maschine MK3, please give me feedback so I know how I can make beter music! :) but most importantly; ENJOY! 

Btw I re-uploaded the same track but with a better mastering :) (V1.1)

Raafskaap - Sheep On Maschine (Raw Livejam REC) V1.1

Cm. 135 BPM. Live people vocals, bells, 808s and retro beats. Darkness that bangs. Welcome to the service.

Bells of Cm

Another very old track, originally written on a technics keyboard. Around 1992. Patch 43 was the organ sound for the main melody riff you hear at the start. The delay only had two presets - one  that was at 130bpm. So this is also at 130bpm. 
I remember when writing it I was trying to emulate the sounds of ‘Trance Europe Express’. A compilation of borrowed from my techno loving mate Mike. It had loads of R&S stuff on it. As well as Orbital, The Orb, Aphex Twin, Sabres Of Paradise, System 7, CJ Bolland, Sven Väth, Psychick Warriors Of Gaia, Black Dog, Moby, Cosmic Baby. A truly seminal album. That influenced me and many others. 
In this remake I’ve brought in a more melodic middle piece. The original only had two chords repeated throughout. The bass, drums, keys and strings are all pretty much from the original. Just new sounds as I don’t have that technics keyboard anymore. Some minimal vocals to give it some punch.  
And…. We’re back in 1992 again!!

Remedy II

"sah-lee-noh"

Electronic Dance Music Producer | Musician | Aspiring DJ

More music on my Audiomack! 👇

- acid is love acid is life
- Resident DJ at Keerekiwere Soundsystem
- Bookings: Dm or Bookings.raafskaap@gmail.com

KAMIKAZ.EXE
Hardcore / Terror / Speedcore / Hardtechno

French producer.
Dark atmospheres & aggressive kicks.
Original tracks.

Bookings:  kammiikazziii51400@gmail.com

30+ years of writing music.  now back to lots of hardware to complement the soft synths.  And of course, the compulsion to add the kitchen sink, fridge and oven is still there!

Kit:
Logic 
Cubase
Ableton Live
Reason
Expose
Loopcloud
Arturia V collection, Pigments
Arturia microfreak, minifreak, matrixbrute, minibrute, Spark 
Roland boutique Juno, Jupiter, JP3, 808 and 909
Arturia Audiofuse
Focusrite Scarlett
Roland Jupiter Xm, JD-Xi, Gaia SH-01 MDC-1 Dance Module
Korg Modwave, microKorg, MicroKorg XL, korg ER-1, korg 05RW, kaoss pad
Novation ultranova, mininova, a-station, Circuit Tracks
Access Virus-b
Beringher Deep Mind 12, UB-Xa, TD-3, Crave, MS-1
Nord Stage EX
Sequential Prophet 2000
Waldorf Pulse
M-audio Venom
Native instruments kontakt, massive, reaktor, FM8, battery, guitar rig, traktor, maschine, absynth, and the rest of the ultimate collection 
Spectrasonics Omnisphere
Spitfire Albion 
Aria orchestra 
Softube Parallels
Waves Gold and a lot of their plug ins. Abbey Road TG, brauer motion, butch vig vocals, ovox, flow motion
Isotope ozone
Sugar Bytes effectrix, looperator, turnado, factory, cyclop, obscurium 
Audio damage dubstation, panstation
AAS lounge lizard, strum, chromophone
UVI relay 
Fender Stratocaster 
Schecfer Diamond Electric 
Line6 Pod Guitar Mukti Effects 
Boss guitar multi effects and various other pedals 
Peavey Bass 
Yamaha DTX electronic drum kit 
Alesia drum pads 
Stanton turntables

Vitomir Krstic, known as "Bizzdiss" is 34 years old, music producer and MC from Novi Sad, Serbia. "Bizzdiss" is a seasoned boom-bap music producer whose beats resonate with the raw essence of hip-hop's golden era. Born and raised in Novi Sad, Serbia, Vitomir started as a b-boy around 1999 which led him into hip-hop culture. Drawing inspiration from legends like DJ Premier, Pete Rock, and J Dilla, Vitomir developed a deep appreciation for the art of sampling and the rhythmic complexities that define boom bap. Around 2008 he began crafting beats that pay homage to the roots of hip-hop while infusing a contemporary flair. Vitomir's production style is characterized by his ability to seamlessly blend soulful, jazzy samples, punchy drum breaks, and hypnotic melodies. His beats transport listeners back to the era when boom-bap was the heartbeat of the streets, yet they carry a freshness that resonates with today's hip-hop audience.

DM for beats or inquiries of any kind.
bizzdiss@gmail.com

Peace!

Middle aged geezer who has lived in London since Elizabethan times. Understand how to edit and mix, as well as an interest in music theory and a bit of guitar/bass/keyboards. Doing this very much for the fun of it and not really interested in copying anybody else. Love "hybrid" music and sound (or sound design) - meaning I love crossing different genres. Into LoFi and Electronic Folk right now...

O.J.B. is a beatmaker, composer and sound engineer based in Denver, CO. He specialises in composing music ranging from hiphop and triphop to film scores. Having trained as a sound engineer and producer and honing his skills for a number of years, OJB now produces professional and unique music with a wide-range of sounds.

For more information contact Owen Bush at info@ojb-music.com

Siles is undoubtedly one of the most important DJs in Spain, with an established residence in the legendary club Barraca for nearly 18 years. In its long history has shared booth with the best artists in the world, which has led him to be respected by many of them for his work as resident dj. This has allowed him to play in the most outstanding Spanish clubs, such as Fabrik - Code, Club4, MetroDanceClub, BCM or Cassette, or in festivals such as Electrobeach, Medusa Sunbeach Festival and Summer Play Festival.

Within the last two years he releases under the name SILES, publishing in renowned labels as Sci+Tec, Deeperfect, Senso Sounds, Myself Music or Night Light Records. Elegant, technician and a connoisseur of the current scene, nowadays Siles has achieved to be a benchmark in his style. Certainly we can dare to say that he’s really on fire.

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
▬ Follow me on Bandcamp ► https://nativesound.bandcamp.com/music
 ▬ Follow me on YouTube ► https://www.youtube.com/@NativeSoundProject

🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

As an electronic musician with a passion for live guitars, I create raw and emotional tracks that blend genres like hip-hop, grunge, and lo-fi. Whether I'm jamming on my trusty stratocaster or crafting beats at home, my music is a reflection of my desire for a world filled with creativity and connection. With each track I produce, I strive to capture the intensity and power of live performance while embracing the limitless possibilities of digital production. Join me on this musical journey and let's explore the boundaries of sound together.

Music has been my primary language since I was three years old. A multi-instrumentalist with a foundation in classical and jazz saxophone, I’ve spent my life exploring the textures of piano, drums, trombone, and the deeper voices of the tenor and baritone sax. My musical curiosity is in my DNA; my grandfather once provided the live scores for silent movies, a legacy that heavily influences my love for atmospheric storytelling.

While I chose to pursue a practical path in business and entrepreneurship over music scholarships, my creative drive remained a constant. Today, I combine the discipline of an entrepreneur with the soul of a composer, blending Lo-Fi, Jazz, Ambient, and Reggae into cinematic "mood" pieces. My music is an exploration of soundscapes—where technical study meets the curiosity of a lifelong creator.

New tracks tagged #native instruments