🍯 Full Video: https://youtu.be/alPvQKJuaAA
My trip to Montreal was marked by the fact that all the bees wanted to follow me for some reason🐝. So I decided to leave some of my "Honey" there.
I played this Live at the Jean-Drupeau Park in the Sainte-Hélène Island in Montreal.

Honey (Live in Montreal)

Dirty Rain

Disco Butter: A electronic instrumental collaboration with Shaun Moss. A fun, straightforward exploration of synthpop/disco over a hard Four-On-The-Floor beat.

Recorded, mixed and mastered by F87 with Macs running Reason Studios 13 and lots of VSTs from Arturia, Toontrack, Waves Audio, Neural DSP, Impact Soundworks, Native Instruments, G-Force Software, IK Multimedia, UVI and more.

F87 Singles

Disco Butter

Pandemik: A progressive rock instrumental with odd-time signatures, lush atmospheric textures, and guitar & synthesizer solos.

Recorded, mixed and mastered by F87 with Macs running Reason Studios 13 and lots of VSTs from Toontrack, Arturia, Native Instruments, IK Multimedia, Waves Audio, GForce Software, Neural DSP, Impact Soundworks and more.

Pandemik

Incognito: An instrumental made with a 70s cop show theme song in mind. Featuring my first attempt at an electric piano solo. Would be awesome to have an intro video to go with this (like the Beastie Boys Sabotage video)!

Recorded, mixed and mastered by F87 with Macs running Reason Studios 13 and lots of VSTs from UVI, Impact Soundworks, Toontrack, Native Instruments, IK Multimedia, Waves Audio, Neural DSP, GForece Software and more.

Incognito

Breakdance Warrior: Prepare for an epic dance battle, as two of the best on the street wage war for the crown. I wrote this with a buddy after watching parts of Breakin' 2: Electric Boogaloo on YouTube. Hope you enjoy as much as we did making this!

Breakdance Warrior

Another day, another song about falling, which seems to be a common theme of mine.

This was originally on the 2019 album Take Everything. It wasn’t a bad version, but it seemed quite quiet and there were a few glitches in it. So here in 2025 I’ve redone it, reworked it and added some extra female vocal harmonies just to lift it a little bit - dare i say it, make it more poppy.  

I’m sure the original lyrics are probably about falling in love.  This song isn’t. This song is about falling.  Falling into some sort of abyss. I guess I’m hoping that somebody might notice and pull me out.  I'm still waiting yeah maybe...   

Watch Me Fall

A audio journey into a dystopian future where the computers rule everything and how pretty you are determines how wonderful your life is.  An episode of Black Mirror?  Or just the reality of today?
A short, stripped back reworking of You Don’t Get it.  Because I wanted 8 tracks not 7.  And I wanted to use this artwork.  No extras added here from the 2025 version of you don’t get it.  Just took out the main vocals, and did a simple, yet funky arrangement!

Pretty U

Down Into The Black Hole

YOKAI

Musician, Producer, Programmer. Exploring all the genres. Hit me up if you'd like to collaborate on something.

30+ years of writing music.  now back to lots of hardware to complement the soft synths.  And of course, the compulsion to add the kitchen sink, fridge and oven is still there!

Kit:
Logic 
Cubase
Ableton Live
Reason
Expose
Loopcloud
Arturia V collection, Pigments
Arturia microfreak, minifreak, matrixbrute, minibrute, Spark 
Roland boutique Juno, Jupiter, JP3, 808 and 909
Arturia Audiofuse
Focusrite Scarlett
Roland Jupiter Xm, JD-Xi, Gaia SH-01 MDC-1 Dance Module
Korg Modwave, microKorg, MicroKorg XL, korg ER-1, korg 05RW, kaoss pad
Novation ultranova, mininova, a-station, Circuit Tracks
Access Virus-b
Beringher Deep Mind 12, UB-Xa, TD-3, Crave, MS-1
Nord Stage EX
Sequential Prophet 2000
Waldorf Pulse
M-audio Venom
Native instruments kontakt, massive, reaktor, FM8, battery, guitar rig, traktor, maschine, absynth, and the rest of the ultimate collection 
Spectrasonics Omnisphere
Spitfire Albion 
Aria orchestra 
Softube Parallels
Waves Gold and a lot of their plug ins. Abbey Road TG, brauer motion, butch vig vocals, ovox, flow motion
Isotope ozone
Sugar Bytes effectrix, looperator, turnado, factory, cyclop, obscurium 
Audio damage dubstation, panstation
AAS lounge lizard, strum, chromophone
UVI relay 
Fender Stratocaster 
Schecfer Diamond Electric 
Line6 Pod Guitar Mukti Effects 
Boss guitar multi effects and various other pedals 
Peavey Bass 
Yamaha DTX electronic drum kit 
Alesia drum pads 
Stanton turntables

Portuguese-Angolan Music Producer and Live Beats Performer based in Lisbon.

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
▬ Follow me on Bandcamp ► https://nativesound.bandcamp.com/music
 ▬ Follow me on YouTube ► https://www.youtube.com/@NativeSoundProject

🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

New tracks tagged #native instruments