Coraz głośniej mówi się o terapeutycznym znaczeniu więzi człowieka z naturą, ale też o silnej wzajemnej zależności. Mimo to, w codziennej gonitwie często zapominamy, że jesteśmy częścią globalnego ekosystemu. Dopadają nas wątpliwości czy jednostkowe decyzje mają wpływ na środowisko, a działania polegające na segregowaniu śmieci, oszczędzaniu energii i świadomych konsumenckich wyborach, faktycznie mają sens. Tym bardziej, że narosło wokół tego tematu wiele szkodliwych mitów. Tymczasem natura sama upomina się o swoje prawa i, czasem w bardzo brutalny sposób, przypomina nam o nierozerwalnym związku człowieka z ekosystemem.

Czym dokładnie jest ekopsychologia i dlaczego stała się tak ważna w procesie wdrażania ekologicznych rozwiązań? Na czym polega zrównoważony rozwój? Czy istotnie mamy wpływ na zmiany klimatu? Jakie są społeczne nastroje w kontekście aktywności ekologicznej? Dlaczego bywamy zniechęceni i zdezorientowani? Jakie mity stały się źródłem dezinformacji?

O tym wszystkim podczas spotkania opowiedziały nasze ekspertki: psycholożka, trenerka podejścia uważności i współczucia dr Julia E. Wahl oraz psycholożka, socjolożka, psychoterapeutka systemowa Agnieszka Wołyńska.

W ramach cyklu „Prawdy i mity o ekologii. Jak być eko, kiedy jest się zielonym?” przyglądamy się najczęściej powtarzanym mitom na temat ekologii. W świecie pełnym sprzecznych informacji i uproszczonych odpowiedzi pomagamy oddzielić fakty od mitów, dostarczając wiedzy popartej nauką i doświadczeniem ekspertów. Naszym celem jest wspieranie świadomych wyborów oraz pokazanie, jak być naprawdę eko, nawet gdy dopiero zaczynamy swoją przygodę ze zrównoważonym stylem życia.

Strefa Psyche Uniwersytetu SWPS to projekt popularyzujący wiedzę psychologiczną na najwyższym merytorycznym poziomie oraz odkrywający możliwości działania, jakie daje psychologia w różnych sferach życia zarówno prywatnego, jak i zawodowego. Projekt obejmuje działania online, których celem jest umożliwienie rozwoju każdemu, kto ma taką potrzebę lub ochotę, niezależnie od miejsca, w którym się znajduje. Więcej o projekcie: https://web.swps.pl/strefa-psyche


Czy Twoje wybory naprawdę mają znaczenie? Ekopsychologia kontra mity ekologiczne

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A mezzogiorno il sole picchiava la terra. Tutti i fiori erano aperti a testa in su. Solo un giovane girasole, rivolto verso oriente, rompeva quella geometria perfetta. Questa è la storia di Piro: un girasole idealista e romantico che per inseguire i suoi sogni è disposto a sfidare la natura. Un fiore caparbio che per amore è capace di andare oltre sé stesso.
Audiolibro a cura dell'autore Adriano Giannini. Età 5+.

Piro - Audiolibro di Adriano Giannini

Walled Garden [EP Preview]

Przygody Misi Połoninki – magiczny świat pełen radości, natury i niezwykłych odkryć 🐻
Zapraszam do świata Misi Połoninki – uroczej mieszkanki Bieszczad, która w każdej bajce wyrusza na nowe, ekscytujące przygody! Razem z nią odwiedzisz bieszczadzkie spa, odkryjesz tajemnice lasu, zasmakujesz kolorowego obiadu i spędzisz radosne chwile w sali pełnej zabawy. Nie zabraknie też wodnych psot nad Solinką i zagadek ukrytych wśród liści.
To ciepłe, pełne natury i przyjaźni opowieści, które rozbudzą wyobraźnię i przeniosą słuchaczy w magiczny świat górskich przygód. 

28.02.2025. Misia Połoninka i sala pełna zabawy

I'll Make You Feel Alive

@lotusofdeath

Co-authors own the work’s copyright jointly and equally, unless the authors make an agreement otherwise. Each joint author has the right to exercise any or all of the exclusive rights inherent in the joint work. Each author may grant third parties permission to use the work on a nonexclusive basis without the consent of other joint authors

17.9 Copyright Interests—Joint Authors
(17 U.S.C. §§ 101, 201(a)) 
            A copyright owner is entitled to exclude others from copying a joint work.  A joint work is a work prepared by two or more authors.  At the time of the joint work’s creation, a joint work must have two or more authors, and: 

1.         each author must have made a substantial and valuable contribution to the work; (Lotusofdeath (Spencer W. Cain) Provided a vocal sample from 0:00 to 0:53; "Alex Jones - JRE Clips) & a 16 bar drum loop))

 

2.         each author must have intended that [his] [or] [her] contribution be merged into inseparable or interdependent parts of a unitary whole; and

 

3.         each author must have contributed material to the joint work which could have been independently copyrighted. (Lotusofdeath (Spencer W. Cain) N/A as a youtube clip is not a copyrightable material as it does not fall under the "Transformative Clause" under the Digital Millennium Copyright Act))

 

            Each author of a joint work shares an undivided interest in the entire joint work.  A copyright owner in a joint work may enforce the right to exclude others in an action for copyright infringement. (Lotusofdeath (Spencer W. Cain) has been fully and properly credited for his contributions in this work)

            In deciding whether parties intended their contributions to be merged [in element 2, above], you may consider whether the parties signed a written agreement stating that the copyright in the work is to be jointly owned.  If there is no such agreement, you may consider whether: 

a.         [both] [each of the] parties exercised control over the work;

b.         [both] [each of the] parties’ actions showed they shared the intent to be co-authors when they were creating the work, for instance by publicly stating that the work was their shared project; and

c.         the audience-appeal of the work depends on the contribution of each party so that the share of each party’s contribution to the work’s success cannot be appraised. 

            In making a substantial and valuable contribution to a work, each author’s contribution to the joint work need not be equal. (It wasn't, as I (Natura) composed, mastered and produced 90% of this track with 10% going to lotusofdeath (Spencer W. Cain) for his contributions of a vocal sample from 0:00 to 0:53)))

            A written agreement stating the copyright in the work is to be jointly owned may show that each author of a joint work intended that [his] [or] [her] contribution be merged into inseparable or interdependent parts of a unitary whole. (No such legally notarized agreement exists between me (Natura) and lotusofdeath (Spencer W. Cain)))

to DMCA this art is to knowingly misuse the Digital Millennium Copyright Act, Spencer W. Cain (Lotusofdeath) has misused and ABUSED DMCA (Digital Millennium Copyright Act) to falsify a claim on this track as his own work. To do this again will be perused with legal action... 

There are no 2nd chances

Milk Thistle

"Przebudzenie wiosny" to wiersz autorstwa Ewy Nauka. Głos użyczyła Weronika Nauka.

Przebudzenie Wiosny

Falegnameria Marri è un album totalmente autoprodotto, sintesi di tre anni di maturazione musicale. Tre anni di idee e un anno di registrazioni. Il nome ricalca quello del gruppo perché delinea perfettamente il percorso della band nella sua fase di crescita. in copertina c'è uno scatto dell'ultimo live del 5 gennaio 2025 a segnare la chiusura di un ciclo, la fine di una storia. La band ora guarda verso il futuro.

Falegnameria Marri

Dimmi Che

Strefa Psyche Uniwersytetu SWPS to projekt popularyzujący wiedzę psychologiczną na najwyższym merytorycznym poziomie. Odkrywa możliwości działania, jakie w różnych sferach życia daje psychologia. Jego założeniem jest udostępnienie rzetelnej wiedzy psychologicznej, do której można sięgać niezależnie od miejsca i czasu, w jakim się znajdujemy. Więcej informacji o projekcie: psyche.swps.pl.

Sognare, creare, imparare.
Casa editrice specializzata in libri per bambini e ragazzi.

Sounds and Noises

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Releases:
@intrinzic-music
- Veiled (Single)

Contact: naturabeats@gmail.com
Booking: danmjones1315@gmail.com
Instagram: https://www.instagram.com/naturabeats/

Mixes & Flips: https://soundcloud.com/staebarutan

Founder of Garden Music Group

Falegnameria Marri è una band indipendente nata nel 2019 a Perugia. Composta da nove elementi, prende il nome dalla falegnameria di famiglia, trasformata in un laboratorio creativo e sala prove, diventata nel tempo un punto di ritrovo per la community che sostiene la band. La sua formazione numerosa la rende un vero e proprio collettivo musicale, capace di fondere le influenze di ogni membro—dal folk al rock, dal prog ai ritmi etnici e latini—creando un sound originale e contaminato. La loro musica si inserisce nell’ampio panorama della world music.

Falegnameria Marri nasce nel 2019 con l’obiettivo di partecipare a Unimusic, concorso musicale dell’Università di Perugia, portando brani inediti. Dopo la vittoria, il gruppo debutta al festival L’Umbria che Spacca e, pochi mesi dopo, pubblica in forma indipendente il primo album Ritmi Bizzarri. Nel 2020 arriva alla finale di Sanremo Rock, esibendosi sul palco dell’Ariston. Nel 2021 pubblica il singolo In questo mare, presentato con un home release party nella falegnameria. Da quel momento il progetto si espande, portando la band fuori dall’Umbria. Nell’estate 2022 la Falegnameria Marri si imbarca in un tour nazionale di 20 date, toccando città come Roma, Milano, Teramo, Siena e Piacenza. Da allora si esibisce in festival di rilievo, tra cui L’Umbria che Spacca (apertura a Motta nel 2020 e a Willie Peyote nel 2022), Alchemika, Strozza Music Fest, Artfall Festival (apertura a Lion D), Primavolta Festival (apertura a Ciccio Merolla), Arterie Festival, Sunny People Festival (apertura ai Nobraino) e Janus Fest. Il secondo album autoprodotto "Falegnameria Marri" è in uscita il 19 aprile 2025. In parallelo, il gruppo avvia collaborazioni come il progetto Music Declares Climate Emergency con XR Perugia e la co-organizzazione del Totem Fest insieme ai Todo Modo Sound System. Da sempre attiva anche sul piano sociale e politico, nel 2024 la Falegnameria Marri sostiene la candidatura a sindaca di Perugia di Vittoria Ferdinandi, partecipando alla campagna elettorale con concerti ed eventi musicali.

Falegnameria Marri è un progetto emergente, totalmente indipendente e autofinanziato, che incarna a pieno la filosofia del do it yourself.  La sua musica e i suoi testi valorizzano le radici culturali e le tradizioni del territorio sottolineando, al tempo stesso, l’importanza di un’evoluzione continua, in armonia con la realtà multietnica e in costante cambiamento in cui viviamo, ponendo al centro l’inclusività e la giustizia sociale.

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