Recorded, mixed & mastered 30 Nov 2023, 01 Dec 2023 & 03 Jul 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

Process notes

This started life in Nov 2023 along with Disquiet Junto 0622, which is to say a recording of acoustic guitar I made in 1988. (https://ift.tt/MwTqgeO)

Tools used - Ableton Live, a handful of Max for Live devices, K-Devices Shaper, AudioDamage Fluid, AudioDamage Ratshack Reverb, AudioDamage AdVerb, Monolake PitchLoop89 & Ableton native devices, along with iZotope Ozone 9 for mastering.

This original version of "The Distorted People That I Know" was submitted as part of Naviar Haiku 548, The Sound Of Silence

The sound of silence
is all the instruction
you’ll get

by: Jack Kerouac

Like other “Beat Poets”, Jack Kerouac was attracted to Eastern philosophy, perception, and poetry. Together with Ginsberg and Whalen, he helped “Americanise” the haiku form and introduce it to a wider audience outside of Japan.

“The American Haiku is not exactly the Japanese Haiku. The Japanese Haiku is strictly disciplined to seventeen syllables but since the language structure is different I don’t think American Haikus (short three-line poems intended to be completely packed with Void of Whole) should worry about syllables because American speech is something again…bursting to pop.
Above all, a Haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi Pastorella.”
(Kerouac)

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

The Distorted People That I Know (naviarhaiku548)

Electronic piano tracks with a little reverb.

The Silence of Sound (naviarhaiku548)

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

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