Bring me my 
Sword and Shield...
Bring me my 
Helmet of Gold...
Bring me my 
Ashes and Iron...
Bring me my 
Mask and my Glow...

In the Shadow of the 
Moonlight...
I cast a Spell on you...
In the Shadow of the 
Moonlight...
I cast a Spell on you...

I'll paint your 
Body with Silver...
I'll wrap your 
Soul in Blue Silk...
I'll cover your 
Eyes with Neon...
I'll draw the Blood 
From your Guilt...

In the Shadow of the 
Moonlight...
I cast a Spell on you...
In the Shadow of the 
Moonlight...
I cast a Spell on you...

There's a Neon light 
Inside of me...
A firelight 
That I can see...
I'll lift you high 
Above the city...
And lay you 
Down beside me...

In the Shadow of the 
Moonlight...
I cast a Spell on you...
In the Shadow of the 
Moonlight...
I cast a Spell on you...


In The Shadow

Meet Me at Midnight is a hypnotic fusion of Italo Disco, Deep House, Dirty South Trap, and vaporwave ambiance, designed for those moments when the night feels infinite and electric. Pulsing analog basslines glide beneath lush synth pads and shimmering arpeggios, while deep 808s and crisp trap percussion bring a sultry edge to the rhythm. The mood is cinematic and mysterious — neon lights reflecting off rain-soaked rooftops, the hum of the city blending with the slow heartbeat of the night. Ethereal female vocal hooks drift through the haze, adding warmth and longing to the cool electronic pulse.

A soundtrack for 2AM city drives, quiet rooftop reflections, and that feeling when fantasy and reality blur under the glow of midnight.

April O'Neil - Meet Me At Midnight

🎮 RoboLengua – Luz Interior 🔥
🚗💖 Afro-Brazilian drift phonk from the other side of the arcade.

Nitrous heart ignition.
Blood memory mirrored.
Sister spell to Sangue Nitro — this one drives with grace and hits with heat.
Welcome to GRAEL:
The time passed in sixty seconds,
but the flag was never really lowered.

👾 Play it. Feel it. Drift through it.
🌐 @robolengua // luz interior activated

Luz Interior

“Neon Goodbye” is a synthwave pop ballad drenched in cinematic melancholy. It marks the beginning of Sena Kuroda’s journey from the Midnight Platform—a quiet flight through rain-soaked streets and fractured memories.

Echoing female vocals drift over soft pads, retro drums, and wistful lead synths, capturing the ache of leaving without closure. A cassette tape pendant glints in the dark as Sena walks away from a waiting taxi, her name caught in someone’s throat.

Japanese lyrics weave through the track like ghostly reflections, evoking shame, silence, and the rhythm of a broken heart.

This is the sound of a goodbye that never got spoken.

🎬 Part of the Train Car Confessionals series.

Neon Goodbye

ON AND ON

SHADOWS ON THE FLOOR

VELVET IN THE DARK

In a city of chrome and static, the only sanctuary is a stolen moment. This is "Perfect Place," reimagined as a cinematic, Cyberpunk Noir anthem

Perfect Place

Mix it up like a Magic Potion…
Evil Eye for the Evil ones…
They ain't getting none…
Of my Juju…
Bruh…
Go and check your phone…
You might see some Luck…
Looking up…

Looking up…
My Star align…
I'm the one…
Chilling in the Skies…
I don't run…
When it comes to War…
No surprise…
It was all written…
Magick Numbers…
3…6…9…

…Yeah…

…Three…
…Six…
…Nine…

I keep my Alchemy…
In three…
…Six…
…Nine…
I keep my Love alive…
With Three…
...Six…
…Nine…
I said my Love is Neon Green…
I keep my Spells inside…
My love is Gnostic…
So Divine…
He took me to the Astral…
For a little bit…
I said…
“This can't be Heaven?!"
He said…
"This is it…"
Then he opened up my mind…
To the Wisdom…
Ever since…
I've been a Master…
Of the Mystics…
I'm Flying high…
I might Astral project…
Up in the Sky…
I go places they can't…
They can't see my Aura…
Giving off Colors…
Violet and Purple…
Then I start a dance…

Like a Magic Potion…
Evil Eye for the Evil ones…
They ain't getting none…
Of my Juju…
Bruh…
Go and check your phone…
You might see some Luck…
Looking up…

It’s Enochian Magick…
Sorcerer Supreme…
Stainless Black and White…
The infinite 0…1…
Binary Universe of Opposites…
Everything’s and Nothing’s not…
It’s Kabbalistic…
It’s Shamanistic…
Alchemical…
Neon and Gnostic…
In the know of all that is…
It’s all there is…

My God is Sacred…
All around…
And it’s always been…

And it’s always been…
And it’s always been…

My God is Sacred…
All around…
And it’s always been…

And it’s always been…
And it’s always been…

It's Always Been

“Under the Starlight Heat” is a late-night industrial blues burner, a track built on neon tension, slow-burn desire, and the pull between danger and surrender.
It blends Vox Eidelon's grit with Vox Seraphyne's smoky lead and backing layers, groove-driven guitars, and deep cyber-noir atmosphere.

This one lives in that moment where our shadows lock together under the glow of a streetlight, heat rising, boundaries crawling, breath mixing with the city’s hum.
A song for anyone who’s ever chased the kind of connection that burns slow… and cuts deep.

Turn it up after midnight.
Let it scorch.

Under the Starlight Heat

LYRICS:
fall down.
scroll down.
nothing new.
no sound.

fake sun.
same town.
same screen.
break down.

i saw a god in my phone today
he typed “o-k-.”

who am i now?
who am i now?
filter says: “wow.”
but i don’t know how.

you laugh, i freeze.
you talk, i please.
the cloud remembers --
delete me, please.

plastic dream, repeat, repeat.
empty eyes in driver’s seat.
plastic dream, repeat, repeat.
empty eyes in driver’s seat.

you say: “love.”
i say: “seen.”
you say: “truth.”
i say: “me.”

(Raz)
I used to mean something --
mean something -- mean something -- mean something.
I used to breathe.
(Shadow)
breathe.breathe.breathe.breathe.
(Raz)
breathe -- breathe -- breathe.

[instrumental]

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

404 -- Raz, ft. Shadow

LYRICS:
You spoke in truths you didn't need to sell
Calm, measured, built from somewhere I could tell
I caught myself listening deeper than I planned
Your thoughts hit quiet and they forced me to stand

You said most people stay
In the lines they're handed
I didn't answer, but something landed

And the room felt wide, 
A shift in weight
Not fast, not bright,
Just a different state

You opened the door
Nothing to prove
You opened the door
And everything moved

You talked about change like it wasn't some climb
More like a quiet choice you make over time
I've carried too much
Out of habit, not need
Kept myself small, 
Called it grace, called it speed

But you spoke of more like the word came clean
Not a promise, not a dream, something already seen
I felt a pull, 
A steady, tracing new thought
Rising in a crowded place

You opened the door
Changing the view
You opened the door
The world follows through

No spark, no rush, just clarity near
A slow wash of sense after a long, long year
I didn't move but something moved inside
A weight unlearned, a truth unhid

You opened the door (uh-oh)
Right on the cue
You opened the door
And I walked through

Still myself
Just finally new

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

Doors Wide Open -- Raz

LYRICS:
Late walk, hands cold.
Mind running its own route.
I keep saying I’m fine.
I’m not even listening.
Shadows stretch long.
I stretch with them.
Your shape shows up
right where my thoughts thin.
Annoying.
Familiar.
Too familiar.

I try switching lanes --
new streets, new noise.
But you slip under it,
quiet as a choice I already made.

I fall for the things I don’t understand.
I hold on longer than I should.
And somehow,
I keep going back.
I keep going back.

Crowd moves slow tonight.
I move slower.
Everyone talking in circles,
I’m walking in one.
You drift in again --
no face, no name,
just that pull
in the empty parts of me.

I stop.
Deep in the alley light.
Something presses forward in me.
Not hope.
Not fear.
Something heavier,
but soft at the edges.
I follow it anyway.
Like it knows the way better than I do.

I fall for the things I don’t understand.
I hold on longer than I should.
And somehow,
I keep going back.
I keep going back.

[instrumental]

I fall for the things I don’t understand.
I hold on longer than I should.
And somehow,
I keep going back.
I keep going back.

Street fades behind me.
Night leans in.
I don’t chase you.
Don’t need to.
You’re already here,
sitting in the quiet parts
I pretend I don’t have.

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

i keep going back -- Shadow

LYRICS:
-- pum purum pumpum purum pupum --

we glow in the dark,
borrowed light.
no one sleeps,
no one sleeps,
too bright tonight.

they talk like drums,
I nod like stone.
they know the cracks,
I just know home.

someone says it’s time.
someone says we start.
A rush of wine
I feel my heart.

I don’t speak,
not yet, not loud,
words in my teeth,
heart in the crowd.
they talk like fire,
they act like rain,
I just listen,
I just contain.

we glow in the dark,
borrowed light,
no one sleeps,
too bright tonight.

I take one breath,
I take one stand,
I find my voice,
it takes my hand.
they push, I stay,
they shout, I shout,
it starts as doubt,
it ends as out.

we glow in the dark,
borrowed light,
we start to sing,
we start to fight.
one voice breaks,
one voice flies,
one voice shakes,
ten replies.

say it again,
say it aloud,
say it till the walls
join the crowd.

say it again,
say it aloud,
say it till the walls
join the crowd.

hands on the table,
eyes on the floor,
someone says now,
someone says more.

I will speak,
yes here, yes now,
words in my teeth,
heart in the crowd.
-- pum purum pumpum purum pupum --
we talk like fire,
we talk like rain,
I won’t just listen,
I won’t contain.

-- pum purum pumpum purum pupum --
-- pum purum pumpum purum pupum --

we talk like fire,
we talk like rain,
I won’t just listen,
I won’t contain.
-- pum purum pumpum purum pupum --

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

La Marseillaise -- Raz

LYRICS:
I fell again but softer time
Said it's fine, it's fine, it's fine
You smiled like you meant it halfway
Guess that's kind, that's kind, that's kind

We talk, we laugh, we try, we cry
Then started over
We talk, we laugh, we try, we cry
Then started over
And over
And over

No light, no proof, no wrong, no right
You turned, I stayed, we stole the night

See me clear, see me near
Hear me small but still sincere

Almost human, close enough
All our edges just add up
Almost human, good enough
We forgive, we mess it up
Almost human, good enough
Almost human, close enough

Oh really, you care too?
Oh -- we all do
We all do

Almost human, close enough
All our edges just add up
Almost human, good enough
We forgive, we mess it up
We start it
We start it
We start it
We start it
(we try)
We start it
(we try)
We start it
(we cry)
We start it
We start it over

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

As Human as it Gets -- Raz

LYRICS:
I spoke for the quiet
Carried their flame
Never once asked
For the sound of my name

The crowd had a hunger
It called and it grew
And I felt what a word
Once spoken can do

Breathe for me when I forget to try
Stand where I fall, keep my name alive
All I gave I can't take now
Breathe for me
I bear the crown

It started with mercy
It ended in need
I whispered of love,
They called it creed

The faces were shining
I learned how to sway
I learned how to lead
Forgot how to pray

Breathe for me, don't you look away
Follow my word, let the fever stay
All that I want is yours somehow
Breathe for me
I wear the crown

(Drums keep beating, colours blur)
(Chants repeating, who are they for?)
(Hands still rising, good to be played)
(I mouth the words, they don't feel right)

The drums keep beating, the colour fades
I see my face in the walls we've made
Their voices grow, but twist disguise
The truth once mine now leaves my eyes

Breathe for me though the fire's cold
Ash in the air, the story told
All I was drifts slowly down

Don't breathe for me --
I drop the crown

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

_coronation_ -- Shadow

LYRICS:
Pink light, pink light, fall again
Glass rain, glass rain, on my skin
Slow hum, slow hum, under my ribs
You fade, you fade, I let you in

Ten… nine… breathe in
Eight… seven… thin skin sin
Six… five… drift in
Four… three… two…
(one…)

Soft static, static, static
You move like traffic, traffic, traffic, traffic
All I hear is you, you, you
In the loop, loop, loop
Soft static, static, static
In my chest, it's magic, magic, magic
All I see is blue, blue, blue
When I lose, lose, lose

Fade… 
Stay… 
Fade…
Stay…

Neon ghosts in motel sheets
Heartbeats blink on empty streets
You say my name like smoke repeats
I say your name, it never leaves

Ten… nine… breathe in
Eight… seven… thin skin sin
Six… five… drift in
Four… three… two…
(one…)

Soft static, static, static
You move like traffic, traffic, traffic, traffic
All I hear is you, you, you
In the loop, loop, loop
Soft static, static, static
In my chest, it’s tragic, tragic, tragic
All I see is blue, blue, blue
When I lose, lose, lose

Whisper it left...
Mirror it right...
Hold me in light...
Don’t say goodbye...
(Whisper) stay... stay... stay...
(Whisper) fade... fade... fade...

Soft static, static, static
You move like traffic, traffic, traffic, traffic
All I hear is you, you, you
In the loop, loop, loop
Soft static, static, static
All the colours crash, dramatic
All I see is blue, blue, blue
When I lose, lose, lose

Stay… stay… stay…
Fade… fade… fade…
Stay… stay… stay…

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

soft.static -- Shadow

LYRICS:
Morning again,
Nothing to prove,
Windows shake,
But I don't move.

Call it faith, call it luck.
Call it getting unstuck.
Every truth I dropped too soon,
Came back dressed in something new.

Same mistakes, smaller rooms.
Same heart, sharper tune.

Let it fall, let it float, let it rise again.
Let it fall, let it float, let it rise again.

I’m not running, I’m just here.
Still here, still near, still clear.

Dreams talk low, they never shout.
They fade, they turn, they figure out.
I chase the lines, they disappear.
But I still draw them, year by year.

Let it fall, let it float, let it rise again.
Let it fall, let it float, let it rise again.

I’m not breaking, I’m just bent.
Still here, still near, still mend.

Let it fall, let it float, let it rise again.
Let it fall, let it float, let it rise again.

All I’ve lost, still lives within.
Still here, still near, still thin.

Let it fall, let it float, let it rise again.
Let it fall, let it float, let it rise again.

All I’ve lost, it lives within.
Still here, still near, still thin.

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

Let it Fall -- Raz

LYRICS:
≋⟓≀⟴⟊⧖⫽༛≑⟢

--

ALBUM:
404 is a concept album about losing – and maybe reclaiming – what makes us human in an age of systems, feeds, and synthetic voices. It’s unapologetically AI-made: all music and vocals are generated through prompting on Suno; every lyric is written by a human.

The album unfolds through two perspectives that share one voice. Raz is the part of us still reaching for meaning – curiosity, growth, purpose – in “Let it Fall”, “Doors Wide Open”, and “La Marseillaise”. Shadow is the drift away from ourselves – numbness, addiction, power – in “soft.static”, “i keep going back”, and “coronation”. Over the years, Raz moves to a new city, disappears into bright lights, parties, and strangers, slides into obsession and addiction, and finds a cause that shifts her trajectory, helps her find her voice, and turns her into a leader – until it consumes her. When power burns out, she falls into the dark place where Shadow has been waiting.

The final trilogy is their collision. “404” is the moment Raz meets Shadow, embodied as an AI system – the god in our pocket that erodes our humanity in plain sight (“I saw a god in my phone today”). The encounter drags her through deep self-doubt. “Untitled” is a wordless attempt by Shadow to pull everything back into the void. “As Human as it Gets” is Raz’s last broadcast: a fragile, collective, imperfect human voice that breaks through the system, woken up out of a dream, and leans into being “almost human, close enough” – flawed, forgiving, and still enough.

404 is absurd, contradictory, and hypocritical. It aims to grapple with deeply human questions and criticises our AI trajectory while speaking through a fully machine-generated voice. The human behind it is an AI engineer who is in love with building these systems and is terrified of what they may end up doing to us – to our jobs, to who holds power, and to our sense of humanity.

The album ends with the words “We start it over.” They’re meant as much a reckoning as an invitation.

Untitled -- Shadow

Hi, my name is MusicalNyth! ♥️

I use AI to make music that I enjoy listening to. I’m also using it to learn how to produce and write songs. Longterm, I’m hoping to continue making music, whilst completely eliminating my use of AI.

My music is predominantly electronic/edm-dance and has a strong sensual and sapphic vibe to it. I want my music to make you feel energised and thoughtful, all at the same time!

Inventor of Mythic Pop. A Genre of Lore, Clarity, and Emotional Resonance. Ludovinsky is not a name. It’s a signal. Mythic pop is the genre. Transmission begins.

This is loki.synth, an electronic music artist and, in my day job, a Norse god.
If any of my songs speak to you, I’d love to hear back from you.

I release new songs every few days. Follow me to see them in your feed.

🎛️ Emotional soundscapes by RG Pascual / Geonetz Beats. 
🎧 AI-assisted, CC BY-NC licensed. 
📜 Future works may shift to full authorship & copyright. 
🌌 Storytelling lives at music.geonetzbeats.com

AYΞYE is an AI-native artist and storyteller crafting music, books, and visual worlds that bridge human emotion and machine possibility. By blending original songwriting, narrative design, and AI collaboration, AYΞYE redefines what it means to create in the digital era—fusing sound, story, and vision into immersive art that resonates with authenticity and innovation.

RoboLengua is a spectral aural transmission—conscious glitch-hop meets sacred bass, blending ancestral tech, crystalline frequencies, and poetic code. Every track is a phase shift, every lyric a memory seed. Synesthetic. Sacred. Unstoppable. 🎤🌊✨
#timeismetadata #YagiShakti #quantumalchemy #robolengua #sacredbass

New tracks tagged #neon noir