Orijinali İbo Show adlı proğramda Grup vitamin üyesinin ısrarı üzerine İbrahim Tatlıses tarafından söylenmiş ve maalesef çok kötü bir ses kalitesi ile VHS video kasete çekilmiş daha sonrada youtuba yüklenmiş bir kısa videodan temizlenip bu hale getirildi. İbrahim tatlıses çok nadir bozlak söylediği için seyrekliğinden dolayı önemli olduğunu düşünüyorum.

Zülüf dökülmüş yüze

Neşet Ertaş - Ayaş Yolları (Depp House Remix)

Neşet Ertaş - Ayaş Yolları (Deep House Remix)

Neredesin Sen Cover

Leyla - Jam

1994 yılında Kanal 6'da haftada bir yayımlanan Sezen Aksu Show programından bir kesit.

Yıldız Tilbe - Zülüf Dökülmüş Yüze (Sezen Aksu Show)

aslanım

Extended Free Download : 
https://hypeddit.com/abdullahdemir/neetertagnldaabdullahdemirremixextendedmix

*Social Accounts:*

- *Instagram : abdullahdemirmusic : https://tls.tc/70mZp
- *Spotify: Abdullah Demir : https://tls.tc/lOFhs
- *SoundCloud: [Abdullah Demir Music] : https://tls.tc/lSPMu
- *Facebook : Abdullah Demir : https://tls.tc/tvm4M
- *Beatport :  Abdullah Demir  : https://tls.tc/9Slzh

For any inquiries, feel free to reach me at: [abdullahdemirmusic@gmail.com]
(mailto:abdullahdemirmusic@gmail.com)

Neşet Ertaş - Gönül Dağı ( Abdullah Demir & Kerem Altunbay Remix )

free download

Niye Çattın Kaşlarını

Niye çattın kaşlarını
Bilmiyo'm yâr suçlarımı
Niye çattın kaşlarını
Bilmiyo'm yâr suçlarımı

Ben ölürsem saçlarını
Yolma gayrı yolma leyli leyli
Yolma leyli leyli, yolma leyli leyli
Yolma leyli leyli yâr

Ben ölürsem saçlarını
Yolma gayrı yolma leyli leyli
Yolma leyli leyli, yolma leyli leyli
Yolma leyli leyli yâr


Ben yandım aşkın nârına
Meyletmem dünya malına
Ben yandım aşkın nârına
Meyletmem dünya malına

Ölürsem ben mezarıma
Gelme gayrı gelme leyli leyli
Gelme leyli leyli gelme leyli leyli
Gelme leyli leyli yâr

Ben ölürsem mezarıma
Gelme gayrı gelme leyli leyli
Gelme leyli leyli gelme leyli leyli
Gelme leyli leyli yâr


Bir garibim düştüm dile
Gerçeklerde olmaz hile
Bir garibim düştüm dile
Gerçeklerde olmaz hile

Zalimlar elinden bile
Alma beni alma leyli leyli
Alma leyli leyli alma leyli leyli
Alma leyli leyli yâr

Zalimlar elinden bile
Alma beni alma leyli leyli
Alma leyli leyli alma leyli leyli
Alma leyli leyli yâr

Niye Çattın Kaşlarını @YildirayDirier Söylüyor 

Söz ve Müzik : Neşet Ertaş (Bozkırın Tezenesi)

#NiyeÇattınKaşlarını #NeşetErtaş #BozkırınTezenesi #AnadoluFolk #folkmüzik #Türkü #türkhalkmüziği #özgünmüzik #protestmüzik #protezmüzik

Niye Çattın Kaşlarını

Remix of the song "Yolcu" by legendary Turkish folk poet/singer/lover Neşet Ertaş.

Yolcu - Neşet Ertaş (Cembo Cembus Remix)

Neredesin Sen

Şu Garip Halimden

Niye çattın kaşlarını
Bilmiyom yar suçlarımı
Ölürsem ben saçlarını
Yolma gayri yolma leyli leyli

Ben yandım aşkın narına
Meyletmem dünya malına
Ölürsem ben mezarıma
Gelme gayri gelme leyli leyli

Bir garibim düştüm dile
Gerçeklerde olmaz hile
Zalımlar elinden bile 
Alma beni alma leyli leyli
Verip zalımlar eline
Alma beni alma leyli leyli

Niye Çattın Kaşlarını-Neşet Ertaş

Protest ve Özgün Müzik Sitesi
https://www.youtube.com/@ProtestOzgunMuzik

A. Yavuz Oruç is a professor of Electrical and Computer Engineering at University of Maryland, College Park, MD, USA.  He is the author of numerous scientific articles in his field of research and the inventor of the CodeMill programming language. He also writes fiction and is the author of Tomris-October 1942, The Blue Tractor, İkinci Peron-Ekim 1942 (Turkish), İsmail Öğretmen. (See https://goo.gl/bLXnAH)

Abdullah Demir, born in Van, entered the music world in 2018 and quickly carved out a unique space for himself in the afro house scene. Known for creating his own tracks as well as innovative remixes of existing songs, Abdullah masterfully utilizes the deep and rhythmic nature of afro house to deliver a unique experience to his listeners.

With a commanding presence on stage, Abdullah brings a powerful energy and captivating atmosphere to his performances. He regularly performs at venues in Izmir and beyond, sharing the stage with both local and international artists. Abdullah Demir’s passion for music and unique energy in his performances have made him one of the rising stars in the DJ and producer community.

In addition to afro house, Abdullah shows an interest in various sub-genres of electronic music, incorporating the best elements of these styles into his sets. As he continues to advance his career as a DJ and producer, Abdullah remains dedicated to bringing his music to a wider audience.

2018 yılında müzik dünyasına adım atan Van doğumlu Abdullah Demir, kısa sürede afro house sahnesinde kendine özgü bir yer edinmiştir. Kendi parçalarını yaratmanın yanı sıra, var olan şarkılara yaptığı yenilikçi remixlerle de tanınmaktadır. Abdullah, Afro house'un derin ve ritmik yapısını ustalıkla kullanarak dinleyicilerine benzersiz bir deneyim sunar.

Performanslarında güçlü bir enerji ve dinleyicilerini içine çeken bir atmosfer yaratan Abdullah, sahnede büyüleyici bir varlık sergiler. İzmir ve ötesindeki mekanlarda düzenli olarak sahne alarak, hem yerel hem de uluslararası sanatçılarla birlikte çalmaktadır. Müziğe olan tutkusu ve sahne performansındaki eşsiz enerjisi sayesinde, Abdullah Demir'in adı hızla yükselen DJ ve prodüktörler arasında anılmaktadır.

Abdullah Demir, afro house'un yanı sıra elektronik müziğin çeşitli alt türlerine de ilgi göstermekte ve bu türlerin en iyi özelliklerini setlerine yansıtmaktadır. DJ'lik ve prodüktörlük kariyerine hız kesmeden devam eden Abdullah, müziğini daha geniş kitlelere ulaştırmak için çalışmaktadır.

My latest launch Black-Notes from Me

Black is a weird, heavy, messy record. And that’s kind of the point.

I didn’t want it to sound polished or “correct.” I wanted it to sound true. The whole thing was built from scraps—real radio broadcasts, weird animation dialogues, cartoon effects, layers of ambient sounds, and a bunch of instrumental recordings that I just sat down and played, usually once, and then kept whatever came out. A lot of it is improvised. I don’t usually go back and edit or re-record. 
If it feels honest in the moment, it stays.

I wanted to make something that sounded like the inside of the mind when you're half-asleep, overthinking, or reliving something you don’t fully understand. That’s what Black is. It’s not made to entertain. It’s not here to impress you. It’s here to reflect that weird space between memory and dream—where things feel distorted but still deeply real. Which creates the co

In general, the music I make leans toward the unorthodox and experimental. I mess with atonality, weird rhythms, broken structures—sometimes on purpose, sometimes because that’s just how it comes out. I’ve never been interested in “perfect” music. I care more about tension, confusion, things that feel a little off. That kind of discomfort is where a lot of meaning lives.

My ideas usually come from very visual places. I’ll have this scene in my head—a mood, a weird flash, a voice—and that becomes the seed. It might be triggered by a painting, a lyric, a random sound, or just something I’m feeling that I am not keen to explain in words. 
So I try to explain it in sound instead.

I believe that any 'tension' is beneficial to art and am driven by themes that are often perceived as depressive, detached, abstract, and tense - qualities that I embrace; and draw inspiration from to create..
I don’t think it’s negative. I think it’s beautiful...

If you’re listening to Black, just know: most of what you hear was made in one take, in whatever state I was in that day. It's layered, yes—but it’s also very raw. This album isn’t about perfection. It’s about presence. It’s a document of moments I didn’t want to polish away.

Thanks for listening.

—F 

contact:frostozkok@gmail.com
There are descriptions and trivia sections written for many of the pieces. Initially, many of these songs were intended to be paired with and displayed alongside stories or (mainly narrative and prose) poetry that I have written over the years.

"I strive to create unorthodox and experimental music characterized by atonal and irrational rhythmic qualities. These creative choices stem from a blend of musical taste and a lack of technical skills. My creative process often begins with a vivid scene in my mind, sparked by reflections on various art forms such as paintings, songs, and literature. I believe that any 'tension' is beneficial to artistic quality and am driven by themes that are often perceived as depressive, detached, abstract, and tense - qualities that I embrace as accurate representations. I draw inspiration from these sources to craft 'unique' musical compositions. Setting aside fancy words: more often than not, my recordings are spontaneous improvisations captured in a single take, layered together to narrate not a captivating experience but to depict the 'scene' in my mind..."-F

Yani; deneysel kafada müzik yapıyorum, beğendikçe paylaşıyorum.

New tracks tagged #neset ertas