(Verse 1)
In the dawn of time, when the void was spun,
Al'un devint deux—now the dance had begun.
A flash, a spark, from the quantum sea,
Hadrons took form in symmetry.

(Chorus)
Oh, collide now, neutron and positon bright,
Tangled in forces, splitting the light.
Algebra sings where the particles play,
One became two, and two slipped away...

(Verse 2)
The proton laughed with its quark-tied grace,
While mesons twirled through spacetime’s embrace.
Feynman’s diagrams, bold and precise,
Drew love in the margins of infinite dice.

(Chorus)
Oh, collide now, neutron and positon bright,
Tangled in forces, splitting the light.
Algebra sings where the particles play,
One became two, and two slipped away...

(Bridge – Whispered, like a theorem’s ghost)
"Group theory hums in the deep, dark core,
A Lie algebra knocks at the door...
The universe writes in a cryptic hand,
But Roland once swore— it all came from sand.**"

(Outro – Slow, fading)
So I’ll sing this tune to the void’s reply,
Of hadrons that live and particles that die.
If Al'un was One, then Two is the key...
But the math leaves a shadow— and the shadow is me.

The hadron's song

Jina: "Vipande vya Ego"
(Shairi la Cut-Up, Vipande vya Kioo)

*(Beti 1 - Vipande vya Utafutaji)*
Kutafuta nje — maana katika vipande elfu
Ego inagongana — mwenzako, kioo kinachovunjika
Tulitazama — ukweli — umegawanyika

*(Beti 2 - Vipande vya Mawazo)*
Mgawanyiko ndani — ukimya kama kisu
Maneno makali — yameporomoka — chini ya jua
Kamwe kuungana — ni vivuli tu vinavyocheza

*(Beti 3 - Ngumu ya Kukusanya)*
Kukusanya vipande — lakini gundi ni damu
Kioo kilichojeruhiwa — kinatuonyesha — nyuso zisizo sawa
Tulitazama — ndani ya mikwaruzo

*(Beti 4 - Uwongo wa Rangi)*
Mwanga unapinda — kupitia ukweli wetu wenye mapengo
Kila rangi — ni kiriwa lisilokamilika
Prisimu inazunguka — tunaiita — upendo

*(Beti 5 - Miito ya Kimya)*
Vipande vinaimba — nyimbo za tulichopoteza
Sauti zetu — sasa ni mitetemo tu — kwenye fremu
Jumba la kumbukumbu tupu — la yaliyoweza kuwa

*(Beti 6 - Mwisho wa Vumbi)*
Hakuna tena uonyeshaji — ni vumbi tu — linapeperuka
Upepo unachukua — ni sisi tulikuwa — tangu mwanzo

*(Beti 7 - Epiloghi ya Nyuma)*
Mikono inanyoosha — kwa kingo zisizotoa damu
Mchoro wa vipande — ulikuwa daima — sakafu tuliyotembea
Tunapiga magoti — kuabudu — uharibifu wetu

*(Beti 8 - Kutokuwa na Nguvu ya Kuvuta)*
Vipande vinaelea — kuelekea katikati iliyopotea
Kile tulichoshikilia — haikuwa kamwe — gundi
Bali nafasi — zilizo kati

Vipande vya Ego

Hwèdokpo

It is a chant calling for a return to the earth. The old gods convene, seeking a path to soothe humanity and steer them away from ruin.

Zolamü Deyas

Graal (avec Chloé VIATGE)


"We whisper through the hollow streets,
Where echoes once were voices.
The wind now sings the hymns of loss,
The earth has claimed its choices.

We called for them in empty homes,
In forests, thick and sleeping.
But not a breath, not a shadow left—
Just the ruins left for keeping."

Chorus
"Only ghosts remain...
Only ghosts...
Dust and fading names,
Only ghosts remain."


"The cities stand like broken bones,
The vines have cracked the pavement.
No fires burn, no engines turn—
Just silence, slow and ancient.

We thought they hid, we thought they fled,
But no one’s left to answer.
The wars they waged, the world they razed—
Now we’re the last to wander."

Bridge 
"We searched the seas...
We searched the skies...
No light, no life...
Just time’s last sigh..."

Final Chorus 
"Only ghosts remain...
Only ghosts...
No one left to blame,
Only ghosts remain."

Outro
"We are the last ones...
We are the last ones...
And when we fade...
Who will remember...?"

Only Ghosts Remain

Thalie-lü, M’wezi-shé manta,
(Thalie, ton soleil chante en moi)
M’ba ko’yé tunda’fé é ko’zéla mir.
(J’écoute ton pas et marche à tes côtés.)

Zo’né kwela, é né mwinda,
(Plus de naissance solitaire, plus de larmes)
Dünya kra’fé, é M’sha ko’so mir !
(Si le monde s’effondre, tu seras mon chemin !)

Mai’fé lü, M’banto-sha luma,
(Terre de mes jours, femme-lune)
Tundari m’ba é kwela-mir né.
(Notre sagesse est une naissance sans fin.)

Ko’téla fir, é ko’téla dünya,
(Même la guerre, même le chaos)
M’ba tunda’zéla Thalie-lü mir !
(Je marcherai vers toi, Thalie, toujours !)

This piece is dedicated to you, Thalie, you who share my life and mean so much to me.


Thalie

Liminal space (feat. Kipanga)

"The Last Men (A Requiem for Dawn)"
(A Philosophical Rock Anthem)

[Verse 1]
The gods are dead – we lit the pyre,
Yet still we kneel to sword and fire.
They call it "order", call it "law",
But chains are chains, no matter how they saw.

[Verse 2]
The weak man’s strength is violence wielded,
A hollow crown, a shield gelded.
Difference frightens lesser kings –
Monuments built on rusted strings.

[Pre-Chorus]
Can you hear it?
The drum of ages, cracked and fading –
Do you see it?
The same blood in different shading…

[Chorus]
Beware the Last Men! (Their hands are trembling)
They sell you chaos! (While preaching order)
Their paradise is a funeral pyre –
Step into the light… or burn with them!

[Verse 3]
No Zarathustra in these wastes,
Just hungry wolves and mirrored hates.
"Us or them" – the oldest lie,
A planet screaming "Unify!"

[Bridge] (Screamed over dissonant guitars)
Are we still just
Animals with funeral suits?!
Or will we finally
TRANSCEND THE GUN?!

[Chorus] (x2, louder)
Beware the Last Men! (Their hands are trembling)
They sell you chaos! (While preaching order)
Their paradise is a funeral pyre –
Step into the light… or burn with them!

[Outro] (Spoken over fading feedback)
"Nietzsche asked if man could surpass himself…
Tonight, the stars are watching.
And they’re still waiting."

The last men

Übermensch" is a radical sonic experience that materializes the Nietzschean metamorphosis through deliberately disruptive composition. The track begins with deconstructed funk grooves and chaotic metal riffs, symbolizing the collapse of conventions, before exploding into a seismic "laughter" chorus where screaming horns and guitars create dissonant euphoria. The bridge plunges into experimental alchemy (detuned piano, reversed vocals, electroacoustic collages) leading to a finale where apparent tonal resolution gets devoured by returning chaos. Extreme chiaroscuro mixing and unstable instrumental effects (guitars morphing in real-time) transform this piece beyond a song into a living sculpture of transcendence - every musical element embodying the tension between destruction and creation.

Übermensch

We are NOIR GRIS GRIS, a music band of Fred STZ (composer) and Kipanga Cha Radi (lead vocal), passionate about pop music, world music and rock. Our music reflects the world before our eyes—its shades of beauty, pain, tenderness, and cruelty. We believe in music without borders, open to all influences from around the world. Join us for a unique and authentic musical journey!

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